On a Clear Day You Can See Forever (1965 original Broadway cast)

~ Release by Barbara Harris, John Cullum, Alan Jay Lerner & Burton Lane (see all versions of this release, 2 available)

Annotation

Label: RCA Victor / Catalog # 09026-60820-2 5

Annotation last modified on 2005-12-17 02:26 UTC.

Tracklist

▼ Cartridge 1
#TitleArtistRatingLength
1Overture
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals and orchestra:
On a Clear Day You Can See Forever Orchestra and Chorus
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Overture (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
On a Clear Day You Can See Forever Orchestra and Chorus6:10
2Hurry! It’s Lovely Up Here!
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
John Cullum and Barbara Harris
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Hurry! It’s Lovely Up Here! (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Barbara Harris and John Cullum and John Cullum4:04
3Tosy and Cosh
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Tosy and Cosh (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Barbara Harris2:58
4On a Clear Day (You Can See Forever)
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
John Cullum
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1965)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum3:55
5On the S.S. Bernard Cohn
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Barbara Harris, Gerald M. Jeijelo, Barbara Monte (US Broadway actress) and William Reilly (Broadway actor and singer)
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
On the S.S. Bernard Cohn (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Barbara Harris, Barbara Monte, William Reilly and Gerald M. Jeijelo4:30
6Don’t Tamper With My Sister
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Byron Webster
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Don’t Tamper With My Sister (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Byron Webster2:19
7She Wasn’t You
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Clifford David
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
She Wasn’t You (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Clifford David3:20
8Melinda
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
John Cullum
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Melinda (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum4:10
9When I’m Being Born Again
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Titos Vandis
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
When I’m Being Born Again (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Titos Vandis3:14
10What Did I Have That I Don’t Have?
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
What Did I Have That I Don’t Have? (On a Clear Day You Can See Forever) (in 1965)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Barbara Harris4:15
11Wait Till We’re Sixty-Five
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Wait Till We’re Sixty-Five (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
William Daniels and Barbara Harris2:45
12Come Back to Me
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals:
John Cullum
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Come Back to Me (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA) and Warner/Chappell Music, Inc.
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum2:20
13Finale
recording engineer:
Ernie Oelrich
producer:
Joe Linhart and George R. Marek (RCA executive)
vocals and orchestra:
On a Clear Day You Can See Forever Orchestra and Chorus
conductor:
Theodore Saidenberg
orchestrator:
Robert Russell Bennett
recorded at:
Webster Hall in New York, New York, United States
recording of:
Finale (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
On a Clear Day You Can See Forever Orchestra and Chorus2:37

Credits

Release group

Wikidata:Q107368678 [info]