Pop Giganten: Hits der 70er, Vol. 2

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
Christopher Cross4.154:32
2Heartache Tonight
producer and mixer:
Bill Szymczyk
bass guitar:
Timothy B. Schmit
guest membranophone:
Don Henley
guitar [rhythm]:
Don Felder and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
slide guitar:
Joe Walsh (Eagles/James Gang)
background vocals:
Don Henley and Timothy B. Schmit
background vocals [not on liner notes]:
Bob Seger
lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1979) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Heartache Tonight
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley, Bob Seger and J.D. Souther
publisher:
Cass County Music, Gear Publishing Co, Ice Age Music and Red Cloud Music
Eagles44:25
3Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Lynyrd Skynyrd4.34:45
4I’m Not in Love
recording engineer and producer:
10cc
engineer and mixer:
Eric Stewart
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Phonogram, Inc. (in 1975) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), Schubert Music Publishing, St. Anne's Music, St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1975)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
10cc3.96:02
5Turn to Stone
recording of:
Turn to Stone
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra3:47
6Couldn’t Get It RightClimax Blues Band3.253:10
7On the Rebound
recording of:
On the Rebound
lyricist and composer:
Russ Ballard
publisher:
April Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd. and Russell Ballard Ltd
Russ Ballard3:11
8Hit the Road Jack
Stampeders2:53
9Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (Producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality, Västra Götaland, Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music and Intersong Ltd. (publisher) (in 1977)
Status Quo43:33
10Arms of MarySutherland Brothers & Quiver52:38
11Wig‐Wam Bam
producer:
Phil Wainman
recording of:
Wig Wam Bam
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
The Sweet53:01
12Hymn
Barclay James Harvest5:07
13Point of Know Return
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
recording of:
Point of Know Return (from 1977-06 until 1977-07)
writer:
Phil Ehart, Robby Steinhardt and Steve Walsh (original lead singer of Kansas)
publisher:
Don Kirshner Music Inc. and Kirshner CBS Music Publishing
sub-publisher:
フジパシフィックミュージック SBK事業部
Kansas3.353:12
14Baby Come BackPlayer44:12
15The Hap‐Ki‐Do Kid
City Boy3:10
16Play That Funky Music
electric bass guitar and synthesizer:
Allen Wentz (Bass player for wild cherry)
electric guitar:
Bryan Bassett and Robert W. Parissi
membranophone:
Ronald Beitle (Dummer for Wild Cherry)
additional vocals:
Bryan Bassett, Ronald Beitle (Dummer for Wild Cherry) and Allen Wentz (Bass player for wild cherry)
lead vocals:
Robert W. Parissi
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976, in 2002)
recording of:
Play That Funky Music
lyricist and composer:
Robert W. Parissi
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry3.54:57
17What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日音 Synch事業部
The Doobie Brothers43:44
18Don’t Do Me Like That
assistant engineer:
John Mathias (engineer), Thom Panunzio, Gray Russell, Skip Saylor and Tori Swenson
engineer and mixer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
12 string guitar and guitar and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
12 string guitar, guitar and harmonica and lead vocals:
Tom Petty
bass guitar:
Ron Blair
drums (drum set) and percussion:
Stan Lynch
harmonium, organ and piano:
Benmont Tench
background vocals:
Stan Lynch and Benmont Tench
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Don’t Do Me Like That
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers42:41
CD 2
#TitleArtistRatingLength
1Kiss You All Over
Exile3:22
2Rock’n Me
assistant engineer:
Win Kutz
engineer:
Mike Fusaro
executive producer:
John Palladino
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
bass:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Records (Steve Miller label), Sailor Productions (in 2006) and Haworth Enterprises (in 2016)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Rock’n Me
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
Steve Miller Band4.83:05
3Hot LoveT. Rex4:42
4Humble Stance
Saga5:49
5Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.653:00
6The Ride to Agadir
producer:
Mike Batt
arranger:
Mike Batt
recording of:
The Ride to Agadir
lyricist, composer and arranger:
Mike Batt
Mike Batt with the London Symphony Orchestra6:43
7Airport
recording of:
Airport
writer:
Andy McMaster
publisher:
Island Music Ltd. (from 1978 to present)
The Motors4:30
8Dream Weaver
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
Gary Wright54:18
9December, 1963 (Oh, What a Night)
recording engineer:
Steve Maslow
producer:
Bob Gaudio
mixer:
Val Garay
bass:
Don Ciccone
drums (drum set):
Gerry Polci
guitar:
John Paiva
keyboard:
Bob Gaudio and Lee Shapiro
piano:
Bob Gaudio
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci and John Paiva
brass [horns] arranger and strings arranger:
Lee Shapiro
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, Jobete Music Co., Inc. and Seasons Music Co.
The Four Seasons43:33
10Jeans On
phonographic copyright (℗) by:
Air (UK record company and label, related to Air Studios) (in 1976)
recording of:
Jeans On (in 1976)
writer:
David Dundas and Roger Greenaway
David Dundas3:18
11Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar family:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music
Warren Zevon4.93:25
12Sara
recording of:
Sara
lyricist and composer:
Stevie Nicks
Fleetwood Mac4:34
13Isn’t It Time
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
Seven Summits Music, Sony/ATV Melody and X‐Ray Music
The Babys4.54:02
14Why Did You Do ItStretch3:32
15Don’t Call Us, We Call You
recording of:
Don’t Call Us, We’ll Call You
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Jerry Corbetta
Sugarloaf53:20
16N.Y.C. Life (New York City Life)
Tom Wilson & Tony De Vit5:38
17Every Kinda People
recording of:
Every Kinda People
lyricist and composer:
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer3:36
18Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana44:32