The Complete Columbia, CBS and Sony Recordings

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

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1▼CD: McLaughlin: Apocalypse
#TitleArtistRatingLength
1Power of Love
recording engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
orchestra:
London Symphony Orchestra (in 1974-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
performer:
Mahavishnu Orchestra (in 1974-03)
orchestrator:
Michael Gibbs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Power of Love (in 1974-03)
composer:
John McLaughlin (guitarist)
John McLaughlin54:19
2Vision Is a Naked Sword
recording engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
piano:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
orchestra:
London Symphony Orchestra (in 1974-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
performer:
Mahavishnu Orchestra (in 1974-03)
orchestrator:
Michael Gibbs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Vision Is a Naked Sword (in 1974-03)
composer:
John McLaughlin (guitarist)
John McLaughlin414:25
3Smile of the Beyond
recording engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Ralphe Armstrong (bassist from Detroit), Philip Hirschi, Michael Walden, Gayle Moran and Carol Shive
orchestra:
London Symphony Orchestra (in 1974-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
performer:
Mahavishnu Orchestra (in 1974-03)
orchestrator:
Michael Gibbs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Smile of the Beyond (in 1974-03)
lyricist:
Mahalakshmi
composer:
John McLaughlin (guitarist)
John McLaughlin48:07
4Wings of Karma
recording engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
orchestra:
London Symphony Orchestra (in 1974-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
performer:
Mahavishnu Orchestra (in 1974-03)
orchestrator:
Michael Gibbs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Wings of Karma (in 1974-03)
composer:
John McLaughlin (guitarist)
John McLaughlin46:12
5Hymn to Him
recording engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
orchestra:
London Symphony Orchestra (in 1974-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1974-03)
performer:
Mahavishnu Orchestra (in 1974-03)
orchestrator:
Michael Gibbs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Hymn to Him (in 1974-03)
composer:
John McLaughlin (guitarist)
John McLaughlin519:20
2▼CD: Silverman: Elephant Steps
#TitleArtistRatingLength
1Elephant Steps: A Fearful Radio Show: Elephant Drone – Elephants
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Elephant Drone - Elephants (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman3:01
2Elephant Steps: A Fearful Radio Show: Elephant Heartbeats
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Elephant Heartbeats (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman2:03
3Elephant Steps: A Fearful Radio Show: Don’t You Believe? – My Ears
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Don't You Believe? - My Ears (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman2:20
4Elephant Steps: A Fearful Radio Show: All Shook Up
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
All Shook Up (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman1:34
5Elephant Steps: A Fearful Radio Show: Read My Palms – My Hands Are Inside the Wall – Gavotte
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Read My Palms - My Hands Are Inside the Wall - Gavotte (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman3:51
6Elephant Steps: A Fearful Radio Show: Read My Palm – Watch Me Move – I’m No Closer – Look at My Hands
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Read My Palms - My Hands Are Inside the Wall - Gavotte (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman6:34
7Elephant Steps: A Fearful Radio Show: Stop Seeing Reinhardt
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Read My Palm - Watch Me Move - I'm No Closer - Look at My Hands (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman5:24
8Elephant Steps: A Fearful Radio Show: Entr’Acte – Watch Me Put My Right Foot
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Stop Seeing Reinhardt (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman5:27
9Elephant Steps: A Fearful Radio Show: I Am No Longer Beautiful – Beautiful as Is
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
I Am No Longer Beautiful - Beautiful as Is (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman4:43
10Elephant Steps: A Fearful Radio Show: We Sit in the Window
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
We Sit in the Window (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman4:14
11Elephant Steps: A Fearful Radio Show: Gypsy Tango – Shoot Them
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Gypsy Tango - Shoot Them (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman3:31
12Elephant Steps: A Fearful Radio Show: You’re on the Radio – Radio Waves
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
You're on the Radio - Radio Waves (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman3:34
13Elephant Steps: A Fearful Radio Show: Dreaming of Reinhardt
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Dreaming of Reinhardt (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman1:04
14Elephant Steps: A Fearful Radio Show: Midnight Sun
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Midnight Sun (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman4:05
15Elephant Steps: A Fearful Radio Show: Photograph Song
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Photograph Song (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman1:29
16Elephant Steps: A Fearful Radio Show: Madrigals
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Madrigals (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman2:50
17Elephant Steps: A Fearful Radio Show: Vaudeville Chase – Stirring Soup – A Strange Thing
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Vaudeville Chase - Stirring Soup - A Strange Thing (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman4:32
18Elephant Steps: A Fearful Radio Show: Finale
recording engineer:
Tim Geelan
producer:
Herbert Harris and Gerald Widoff
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1973-07-09 until 1973-07-13)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1973-07-09 until 1973-07-13)
recording of:
Finale (from 1973-07-09 until 1973-07-13)
composer:
Stanley Silverman (American composer)
librettist:
Richard Foreman (American playwright)
part of:
Elephant Steps
Stanley Silverman4:35
3▼CD: Orff: Carmina Burana
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: no. 1 “O Fortuna”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:24
2Carmina Burana: Fortuna Imperatrix Mundi: no. 2 “Fortune plango vulnera”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: no. 3 “Veris leta facies”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:32
4Carmina Burana: I. Primo vere: no. 4 “Omnia Sol temperat”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:15
5Carmina Burana: I. Primo vere: no. 5. “Ecce gratum”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:29
6Carmina Burana: Uf dem anger: no. 6 Dance
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:41
7Carmina Burana: Uf dem anger: no. 7 “Floret silva nobilis”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:03
8Carmina Burana: Uf dem anger: no. 8 “Chramer, gip die varwe mir”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:25
9Carmina Burana: Uf dem anger: no. 9a Reie
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff2:19
10Carmina Burana: Uf dem anger: no. 9b “Swaz hie gat umbe” – “Chume, chum geselle min” – “Swaz hie gat umbe”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff3:04
11Carmina Burana: Uf dem anger: no. 10 “Were diu werlt alle min”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:49
12Carmina Burana: II. In taberna: no. 11 “Estuans interius”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:21
13Carmina Burana: II. In taberna: no. 12 “Olim lacus colueram”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
tenor vocals:
Kenneth Riegel (tenor) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:30
14Carmina Burana: II. In taberna: no. 13 “Ego sum abbas”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:46
15Carmina Burana: II. In taberna: no. 14 “In taberna quando sumus”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:58
16Carmina Burana: III. Cour d’amours: no. 15 “Amor volat undique”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
Cleveland Orchestra Boys Choir (from 1974-08-05 until 1974-08-06)
soprano vocals:
Judith Blegen (soprano) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff4:08
17Carmina Burana: III. Cour d’amours: no. 16 “Dies, nox et omnia”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:50
18Carmina Burana: III. Cour d’amours: no. 17 “Stetit puella”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
soprano vocals:
Judith Blegen (soprano) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:51
19Carmina Burana: III. Cour d’amours: no. 18 “Circa mea pectora”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:57
20Carmina Burana: III. Cour d’amours: no. 19 “Si puer cum puellula”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
vocals:
The Cleveland Orchestra Chorus
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:53
21Carmina Burana: III. Cour d’amours: no. 20 “Veni, veni, venias”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:52
22Carmina Burana: III. Cour d’amours: no. 21 “In trutina”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
soprano vocals:
Judith Blegen (soprano) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:36
23Carmina Burana: III. Cour d’amours: no. 22 “Tempus est iocundum”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
baritone vocals:
Peter Binder (US baritone) (from 1974-08-05 until 1974-08-06)
choir vocals:
Cleveland Orchestra Boys Choir (from 1974-08-05 until 1974-08-06) and The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
soprano vocals:
Judith Blegen (soprano) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
24Carmina Burana: III. Cour d’amours: no. 23 “Dulcissime”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
soprano vocals:
Judith Blegen (soprano) (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:45
25Carmina Burana: Blanziflor et Helena: no. 24 “Ave, formosissima”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:00
26Carmina Burana: Fortuna Imperatrix Mundi: no. 25 “O Fortuna”
engineer:
Bud Graham (classical sound engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (conductor/choir master) (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:30
4▼CD: Beethoven: König Stephan / Elegischer Gesang / Opferlied / Bundeslied / Meeresstille und glückliche Fahrt
#TitleArtistRatingLength
1König Stephan, op. 117: Overture. Andante con moto – Presto
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: Overtüre. Andante con moto - Presto (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven6:49
2König Stephan, op. 117: Chorus: “Ruhen von seinen Thaten”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: I. Männerchor „Ruhend von seinem Taten“. Andante maestoso e con moto (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven2:11
3König Stephan, op. 117: Chorus: “Auf dunkelm Irrweg in finstern Hainen”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: II. Männerchor „Auf dunklem Irrweg in finstern Hainen“. Allegro con brio (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven1:14
4König Stephan, op. 117: Siegesmarsch
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: III. Siegesmarsch. Feurig und stolz (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven3:42
5König Stephan, op. 117: Chorus: “Wo die Unschuld Blumen streute”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: IV. Frauenchor „Wo die Unschuld Blumen streute“. Andante con moto all'Ongarese (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven2:40
6König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: VI. Chor „Eine neue strahlende Sonne“. Vivace (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven0:40
7König Stephan, op. 117: Melodrama
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: VII. Melodram (Stéphan): „Ihr edlen Ungarn! Hört meine Stimme!“. Maestoso con moto – Andante maestoso – Maestoso con moto (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer)
part of:
König Stephan, op. 117
Ludwig van Beethoven1:12
8König Stephan, op. 117: Geistlicher Marsch / Chorus: “Heil unserm Könige”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 11: VIII. Geistlicher Marsch, Chor und Melodram (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer)
part of:
König Stephan, op. 117
Ludwig van Beethoven3:00
9König Stephan, op. 117: Chorus: “Heil! Heil!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
König Stephan, op. 117: IX. Schlusschor: Heil! Heil unserm Enkeln. Presto (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
König Stephan, op. 117
Ludwig van Beethoven2:16
10Elegischer Gesang, op. 118
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Elegischer Gesang, op. 118 (Elegiac Song) (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
dedicated to:
Johann von Pasqualati
part of:
Works of Ludwig van Beethoven by opus number (number: op. 118)
Ludwig van Beethoven7:03
11Opferlied, op. 121b
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
solo soprano vocals:
Lorna Haywood (soprano) (from 1974-12-19 until 1974-12-21)
soprano vocals:
Lorna Haywood (soprano)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Opferlied, op. 121b (first version, for soprano, choir and orchestra) (from 1974-12-19 until 1974-12-21)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 121b)
Ludwig van Beethoven7:47
12Bundeslied, op. 122
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Song of Fellowship for 2 Solo Voices and 3‐Part Chorus accompanied by 6 Wind Instruments, op. 122 (from 1974-12-19 until 1974-12-21)
lyricist:
Johann Wolfgang von Goethe
additional composer:
Ludwig van Beethoven (German composer) (in 1824)
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 122)
Ludwig van Beethoven4:02
13Meeresstille und glückliche Fahrt, op. 112
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" (from 1974-12-19 until 1974-12-21)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Johann Wolfgang von Goethe
part of:
Works of Ludwig van Beethoven by opus number (number: op. 112)
Ludwig van Beethoven8:37
5▼CD: Gershwin: Rhapsody in Blue / An American in Paris
#TitleArtistRatingLength
1Rhapsody in Blue
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
piano and solo piano:
George Gershwin (composer) (on 1976-06-23)
orchestra:
Columbia Jazz Band (on 1976-06-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1976-06-23)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1976-06-23)
recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed) (on 1976-06-23)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin13:50
2An American in Paris
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) and Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
orchestra:
New York Philharmonic (on 1974-02-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1974-02-11)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1974-02-11)
recording of:
An American in Paris (on 1974-02-11)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin18:39
6▼CD: Dvořák: The American Flag / Suite in A major “American”
#TitleArtistRatingLength
1The American Flag, op. 102: I. The Colors of the Flag
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
The American Flag, op. 102, B. 177: I. The Colors of the Flag. Lento maestoso (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák5:24
2The American Flag, op. 102: II. First Hymn to the Eagle
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
baritone vocals:
Barry McDaniel (baritone) (from 1976-06-16 until 1976-06-17)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: II. Apostrophe to the Eagle. Allegro con fuoco (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák1:36
3The American Flag, op. 102: III. Second Hymn to the Eagle
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
baritone vocals:
Barry McDaniel (baritone) (from 1976-06-16 until 1976-06-17)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: II. Apostrophe to the Eagle. Allegro con fuoco (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák1:36
4The American Flag, op. 102: IV. Orchestral Interlude: March
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: III. Three Apostrophes to the Flag. Allegro giusto, tempo di marcia (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák2:08
5The American Flag, op. 102: V. First Address to the Flag [The Foot‐Soldier]
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
tenor vocals:
Joseph Evans (American operatic tenor) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: III. Three Apostrophes to the Flag. Allegro giusto, tempo di marcia (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák2:16
6The American Flag, op. 102: VI. Second Address to the Flag [The Cavalryman]
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
baritone vocals:
Barry McDaniel (baritone) (from 1976-06-16 until 1976-06-17)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: III. Three Apostrophes to the Flag. Allegro giusto, tempo di marcia (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák2:21
7The American Flag, op. 102: VII. Third Address to the Flag [The Sailor]
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
baritone vocals:
Barry McDaniel (baritone) (from 1976-06-16 until 1976-06-17)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
partial recording of:
The American Flag, op. 102, B. 177: III. Three Apostrophes to the Flag. Allegro giusto, tempo di marcia (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák2:35
8The American Flag, op. 102: VIII. Apotheosis [Prophetic]
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
baritone vocals:
Barry McDaniel (baritone) (from 1976-06-16 until 1976-06-17)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1976-06-16 until 1976-06-17) and RIAS Kammerchor (German chamber choir) (from 1976-06-16 until 1976-06-17)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
chorus master:
Uwe Gronostay (chorus master and composer) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
The American Flag, op. 102, B. 177: IV. Prophetic. Finale. Lento maestoso (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer)
librettist:
Joseph Rodman Drake
part of:
The American Flag, op. 102, B. 177
Antonín Dvořák2:27
9Suite in A Major, op. 98a, B. 190 “American”: I. Andante con moto
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
David Mottley (producer) and Paul Myers (classical record producer)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: I. Andante con moto (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák4:56
10Suite in A Major, op. 98a, B. 190 “American”: II. Allegro
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: II. Allegro (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák3:50
11Suite in A Major, op. 98a, B. 190 “American”: III. Moderato alla polacca
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: III. Moderato (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák4:32
12Suite in A Major, op. 98a, B. 190 “American”: IV. Andante
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: IV. Andante (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák4:02
13Suite in A Major, op. 98a, B. 190 “American”: V. Allegro
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: V. Allegro (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák3:08
7▼CD: Gershwin: Broadway Overtures
#TitleArtistRatingLength
1Overture to “Oh, Kay!”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Overture (Oh, Kay!) (on 1979-05-12)
composer:
George Gershwin (composer)
part of:
Oh, Kay! (1926 musical)
George Gershwin7:11
2Overture to “Funny Face”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Overture to "Funny Face" (on 1979-05-12)
composer:
George Gershwin (composer)
George Gershwin5:54
3Overture to “Girl Crazy”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Overture to “Girl Crazy” (on 1979-05-12)
composer:
George Gershwin (composer)
part of:
Girl Crazy (1930 Musical)
George Gershwin5:45
4Overture to “Strike Up the Band”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Overture (Strike Up the Band) (on 1979-05-12)
composer:
George Gershwin (composer)
part of:
Strike up the Band (1927 Gershwin musical)
George Gershwin7:11
5Overture to “Of Thee I Sing”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Of Thee I Sing: Overture (on 1979-05-12)
composer:
George Gershwin (composer)
part of:
Of Thee I Sing (1931 musical)
George Gershwin4:40
6Overture to “Let ’em Eat Cake”
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1979-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1979-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1979-05-12)
recording of:
Let 'em Eat Cake: Overture (on 1979-05-12)
composer:
George Gershwin (composer)
part of:
Let 'em Eat Cake
George Gershwin8:18
8▼CD: The Complete Music of Carl Ruggles (1)
#TitleArtistRatingLength
1Toys (for voice and piano)
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
piano:
Michael Tilson Thomas (conductor and pianist) (on 1976-05-12)
soprano vocals:
Judith Blegen (soprano) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Toys (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1919)
Carl Ruggles1:41
2Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): I. Parting at Morning
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
mezzo-soprano vocals:
Beverly Morgan (on 1976-05-12)
orchestra:
Speculum Musicae (on 1976-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Vox clamans in deserto: I. Parting at Morning (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1923)
part of:
Vox clamans in deserto
Carl Ruggles1:15
3Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): II. Son of Mine
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
mezzo-soprano vocals:
Beverly Morgan (on 1976-05-12)
orchestra:
Speculum Musicae (on 1976-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Vox clamans in deserto: II. Son of Mine (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1923)
part of:
Vox clamans in deserto
Carl Ruggles1:37
4Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): III. A Clear Midnight
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
mezzo-soprano vocals:
Beverly Morgan (on 1976-05-12)
orchestra:
Speculum Musicae (on 1976-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Vox clamans in deserto: III. A Clear Midnight (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1923)
part of:
Vox clamans in deserto
Carl Ruggles3:27
5Men
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1976-05-12)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Men (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1921)
Carl Ruggles2:21
6Angels (original trumpet version)
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
instruments:
Brass Ensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1976-05-12)
conductor:
Gerard Schwarz (conductor) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12)
recording of:
Angels (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1921)
Carl Ruggles2:57
7Men and Mountains: I. Men
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1975-11-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1975-11-25)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1975-11-25)
recording of:
Men and Mountains: I. Men (on 1975-11-25)
composer:
Carl Sprague Ruggles (in 1924)
version of:
Men
part of:
Men and Mountains
Carl Ruggles2:45
8Men and Mountains: II. Lilacs
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1975-11-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1975-11-25)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1975-11-25)
recording of:
Men and Mountains: II. Lilacs (on 1975-11-25)
composer:
Carl Sprague Ruggles (in 1924)
part of:
Men and Mountains
Carl Ruggles3:02
9Men and Mountains: III. Marching Mountains
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1975-11-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1975-11-25)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1975-11-25)
recording of:
Men and Mountains: III. Marching Mountains (on 1975-11-25)
composer:
Carl Sprague Ruggles (in 1924)
part of:
Men and Mountains
Carl Ruggles4:32
10Angels (trumpet/trombone version)
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
instruments:
Brass Ensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1976-05-12)
conductor:
Gerard Schwarz (conductor) (on 1976-05-12)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1976-05-12, on 1977-03-07)
recording of:
Angels (for trumpets and trombones) (on 1976-05-12)
composer:
Carl Sprague Ruggles (in 1921)
arranger:
Carl Sprague Ruggles (in 1940)
arrangement of:
Angels
Carl Ruggles3:23
11Sun-Treader
recording engineer:
Frank Abbey (engineer / producer), Milton Cherin (audio engineer) and Bud Graham (classical sound engineer)
producer:
Steven Epstein (classical music producer)
orchestra:
Buffalo Philharmonic Orchestra (on 1975-11-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1975-11-24)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (on 1975-11-24)
recording of:
Sun-Treader (on 1975-11-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Ruggles16:33
9▶CD: The Complete Music of Carl Ruggles (2)
10▶CD: Tchaikovsky: Orchestral Suite no. 3
11▶CD: Beethoven: Symphony no. 6
12▶CD: Respighi: Feste romane / Fontane di Roma
13▶CD: Tchaikovsky: Manfred Symphony
14▶CD: Tchaikovsky: Orchestral Suites nos. 2 & 4
15▶CD: Stravinsky: Petrouchka
16▶CD: Gershwin Live!
17▶CD: Beethoven: Symphony no. 4 / “Ah! perfido!”
18▶CD: Ives: Symphony no. 2
19▶CD: Prokofiev: Lieutenant Kijé Suite / Suite from “The Love for Three Oranges”
20▶CD: Beethoven: Symphony no. 5 / Egmont Overture
21▶CD: Debussy: La Mer / Nocturnes
22▶CD: Mendelssohn: Violin Concerto / Saint‐Saëns: Violin Concerto no. 3
23▶CD: Beethoven: Symphony no. 7
24▶CD: Ives: Symphony no. 3 / Orchestral Set no. 2
25▶CD: Bernstein on Broadway
26▶CD: Gershwin: Rhapsody in Blue / 3 Preludes / Second Rhapsody
27▶CD: Beethoven: Symphonies nos. 1 & 2
28▶CD: Brahms: Piano Quartet / J.S. Bach: Chorale Preludes
29▶CD: Beethoven: Symphony no. 8
30▶CD: Beethoven: Symphony no. 9
31▶CD: Copland: Old American Songs / Canticle of Freedom / 4 Motets
32▶CD: Gershwin: Of Thee I Sing
33▶CD: Gershwin: Let ’Em Eat Cake
34▶CD: Ives: New England Holidays / The Unanswered Question / Central Park in the Dark / The Unanswered Question
35▶CD: Beethoven: Symphony no. 3 / 12 Contredanses
36▶CD: Mahler: Symphony no. 3 (Mvts. I‐III)
37▶CD: Mahler: Symphony no. 3 (Mvts. IV‐VI) / Rückert‐Lieder
38▶CD: Weill: Die Sieben Todsünden / Kleine Dreigroschenmusik
39▶CD: Ravel: Ma mère l’Oye / Rapsodie espagnole / Boléro
40▶CD: R. Strauss: Ein Heldenleben / Till Eulenspiegels lustige Streiche
41▶CD: Prokofiev: Piano Concertos nos. 1 & 2
42▶CD: McLaughlin: Guitar Concerto / Duos for Guitar and Piano
43▶CD: Puccini: Tosca (Act I)
44▶CD: Puccini: Tosca (Act II & III)
45▶CD: Brahms: Serenade no. 1 / Tragische Ouvertüre / Akademische Festouvertüre
46▶CD: Ives: Symphonies nos. 1 & 4 / Hymns
47▶CD: R. Strauss: Also sprach Zarathustra / Don Juan
48▶CD: Tchaikovsky: Swan Lake (1)
49▶CD: Tchaikovsky: Swan Lake (2)
50▶CD: Adam: Giselle ou Les Wilis
51▶CD: Brahms: Serenade no. 2 / Variations on a Theme by Joseph Haydn / Hungarian Dances
52▶CD: Janáček: Glagolitic Mass / Sinfonietta
53▶CD: Debussy: Prélude à l’après‐midi d’un faune / La boîte à joujoux / Jeux
54▶CD: Prokofiev: Symphonies nos. 1 & 5
55▶CD: Debussy: Le Martyre de saint Sébastien
56▶CD: Bartók: Violin Concerto no. 2 / Violin Rhapsodies nos. 1 & 2
57▶CD: Beethoven: Piano Concerto no. 1 / Mozart: Flute & Harp Concerto in C major
58▶CD: Rachmaninoff: Piano Concerto no. 2 / Saint‐Saëns: The Swan · Cello Concerto no. 1 / Copland: Clarinet Concerto / Jenkins: Goodbye
59▶CD: Stravinsky: Symphony of Psalms / Symphony in C / Symphony in 3 Movements
60▶CD: R. Strauss: Lieder
61▶CD: Prokofiev: Romeo and Juliet
62▶CD: Villa‐Lobos: Bachianas Brasileiras nos. 4, 5, 7 & 9 / Chôros no. 10
63▶CD: Copland: Piano Concerto / Orchestral Variations / Symphony no. 2 / Symphonic Ode
64▶CD: Stravinsky in America
65▶CD: Mahler: Das Klagende Lied
66▶CD: Berlioz: Symphonie fantastique / Lélio, ou Le Retour à la vie
67▶CD: Gershwin: Catfish Row Suite / Second Rhapsody
68▶CD: Gershwin: An American in Paris / Concerto in F
69▶CD: New World Jazz
70▶CD: Mahler: Symphony no. 7 (Mvts. I–III)
71▶CD: Mahler: Symphony no. 7 (Mvts. IV–V)
72▶CD: Stravinsky: L’Oiseau de feu
73▶CD: Stravinsky: Le Sacre du printemps
74▶CD: Stravinsky: Perséphone
75▶CD: Copland: Billy the Kid Suite / Appalachian Spring Suite / 4 Dance Episodes from “Rodeo” / Fanfare for the Common Man
76▶CD: Mackey: Tuck and Roll / Lost and Found / Eating Greens
77▶CD: Charles Ives – An American Journey
78▶CD: Tchaikovsky: Violin Concerto / Méditation / Dance russe
79▶CD: Rachmaninoff: Piano Concerto no. 2 / Liszt: Piano Concerto no. 1
80▶CD: Tchaikovsky: Piano Concerto no. 1 / Stravinsky: Pétrouchka