L'Homme Armé 1450-1650: Musique de guerre et de paix

~ Release by The Boston Camerata, Joël Cohen (see all versions of this release, 1 available)

Annotation

Sub-Optimal Credits

Title is in French, English and German. French being the largest.
Music of war and peace / Musik für Krieg und Frieden

Artists shown in 3 languages on release:
Anonyme/Anonymous
Grégorien/Gregorian/Gregorianisch

Direction artistique de l'enregistrement/Recording supervision/Aufnahmeleitung ; Joël Cohen
Ingénieur du Son/Sound engineer/Tonmeister : David Gresinger

Annotation last modified on 2017-01-31 01:54 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1L'Homme armé
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
tenor vocals:
Frank Kelley (tenor) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
L’homme armé (in 1984-10)
composer:
[anonymous] (special purpose artist)
part of:
Ambulat hic armatus homo
Anonyme0:50
2L'Homme armé
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
sackbut:
Dan Stillman (in 1984-10), Steven Lundahl (in 1984-10) and Mack Ramsey (in 1984-10)
shawm:
Dan Stillman (in 1984-10) and Mack Ramsey (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Robert Morton1:09
3Una sañosa porfia
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
viola da gamba:
Jane Hershey (in 1984-10) and Laura Jeppesen (viol and viola player) (in 1984-10)
soprano vocals:
Nancy Armstrong (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
Una sañosa porfía (in 1984-10)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
Juan del Encina2:45
4Altri canti d'amor
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Camerata (in 1984-10)
bass vocals:
David Ripley (American baritone) (in 1984-10)
countertenor vocals:
Kenneth Fitch (in 1984-10)
soprano vocals:
Nancy Armstrong (in 1984-10)
tenor vocals:
Frank Kelley (tenor) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
Altri canti d’Amor, tenero arciero (in 1984-10)
writer:
anonymous imitation of Marino (special purpose artist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 146)
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi9:29
5La Bataglia : Sento un rumor
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
choir vocals:
The Boston Camerata (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Andrea Gabrieli4:29
6Pavane : La Bataille / Scaramella va alla guerre
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Camerata (in 1984-10) and The Boston Shawm and Sackbut Ensemble (in 1984-10)
other vocals [chants de guerre/battle songs/Kriegsgesänge]:
The Boston Camerata (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Tielman Susato / Anonyme2:57
7The buriing of the dead
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
harpsichord:
Frances Fitch (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
William Byrd1:22
8Triste estava el rey David
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
lute:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
tenor vocals:
Frank Kelley (tenor) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
Triste estaba el rey David (in 1984-10)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:10
9Fili mi, Absalom
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
dulcian:
Marilyn Boenau (in 1984-10)
organ:
Frances Conover Fitch (in 1984-10)
sackbut:
Dan Stillman (in 1984-10), Steven Lundahl (in 1984-10) and Mack Ramsey (in 1984-10)
violone:
Tom Coleman (in 1984-10)
baritone vocals:
Sanford Sylvan (baritone) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Heinrich Schütz5:06
10Quivi sospiri
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
baritone vocals:
Sanford Sylvan (baritone) (in 1984-10)
countertenor vocals:
Kenneth Fitch (in 1984-10) and Fred Raffensperger (in 1984-10)
tenor vocals:
Frank Kelley (tenor) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Luzzasco Luzzaschi3:00
11In hora ultima
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Shawm and Sackbut Ensemble (in 1984-10)
soprano vocals:
Nancy Armstrong (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
In hora ultima (in 1984-10)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xv/151)
Roland de Lassus2:14
12Kyrie Eleison
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
vocals:
Harvard-Radcliffe Collegium Musicum (Harvard University mixed chorus) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10) and Jameson Marvin (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Grégorien1:00
13Ô combien est plaisant
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Shawm and Sackbut Ensemble (in 1984-10)
soprano vocals:
Nancy Armstrong (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Claude Goudimel3:08
14Kaddish
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Camerata (in 1984-10)
soprano vocals:
Roberta Anderson (in 1984-10), Anne Azéma (in 1984-10) and Nancy Armstrong (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
Salamone Rossi3:27
15Turn our captivity, O Lord
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Camerata (in 1984-10)
baritone vocals:
Sanford Sylvan (baritone) (in 1984-10)
bass vocals:
David Ripley (American baritone) (in 1984-10)
countertenor vocals:
Kenneth Fitch (in 1984-10) and Fred Raffensperger (in 1984-10)
tenor vocals:
Frank Kelley (tenor) (in 1984-10) and Bruce Lancaster (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
Turn our captivity (in 1984-10)
composer:
William Byrd (English composer)
William Byrd4:34
16Es ging ein Sämenn auss
sound engineer:
David Griesinger (in 1984-10)
editor:
Bruce Lancaster
instruments:
The Boston Camerata (in 1984-10)
baritone vocals:
Sanford Sylvan (baritone) (in 1984-10)
bass vocals:
David Ripley (American baritone) (in 1984-10)
soprano vocals:
Nancy Armstrong (in 1984-10)
tenor vocals:
Frank Kelley (tenor) (in 1984-10)
vocals:
Harvard-Radcliffe Collegium Musicum (Harvard University mixed chorus) (in 1984-10)
conductor:
Joël Cohen (conductor of Boston Camerata) (in 1984-10) and Jameson Marvin (in 1984-10)
recorded at:
Trinity Church in Boston, Massachusetts, United States (in 1984-10)
recording of:
Symphoniæ Sacræ III, op. 12: XI. Es ging ein Sämann aus, SWV 408 (in 1984-10)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 408)
Heinrich Schütz7:43

Credits

Release

manufactured in:France
printed in:France
liner notes:Joel Cohen (conductor of Boston Camerata)
chalumeau and dulcian:Marilyn Boenau (in 1984-10)
harpsichord and organ:Frances Fitch (in 1984-10)
lute and percussion:Joël Cohen (conductor of Boston Camerata) (in 1984-10)
recorder:Marilyn Boenau (in 1984-10)
Jane Hershey (in 1984-10)
Steven Lundahl (in 1984-10)
sackbut:Dan Stillman (in 1984-10)
Steven Lundahl (in 1984-10)
Mack Ramsey (in 1984-10)
shawm:Dan Stillman (in 1984-10)
Mack Ramsey (in 1984-10)
viola da gamba:Jane Hershey (in 1984-10)
Laura Jeppesen (viol and viola player) (in 1984-10)
violin [violin I]:Daniel Stepner (violinist) (in 1984-10)
violin [violin II]:Carol Lieberman (violinist) (in 1984-10)
violone:Tom Coleman (in 1984-10)