Hollywood Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Stardust
producer:
Lee Gillette
piano:
Charles LaVere (on 1956-12-19)
lead vocals:
Nat King Cole (on 1956-12-19)
conductor:
Gordon Jenkins (on 1956-12-19)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
recording of:
Stardust (the jazz standard) (on 1956-12-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Nat King Cole2.653:14
2Lullaby of BroadwayDoris Day2:29
3Three Coins in the FountainFrank Sinatra3:05
4Let's Dance
recording of:
Let’s Dance (Benny Goodman’s theme song)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber (composer)
Benny Goodman and His Orchestra2:13
5Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London42:59
6I Won't Dance
Fred Astaire2:55
7You Made Me Love YouHarry James and His Orchestra3:31
8That's Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:06
9What Can I Say After I Say I'm Sorry
cover recording of:
What Can I Say After I Say I’m Sorry?
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
Peggy Lee2:12
10Island in the Sun
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (on 1957-01-27)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-27)
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
Harry Belafonte3:27
11How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Les Paul & Mary Ford2:07
12Friendly Persuasion (Thee I Love)
Pat Boone2:58
13I'll Be Seeing You
recording of:
I’ll Be Seeing You
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Billie Holiday2:07
14I Can't Give You Anything but Love, Baby
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Louis Armstrong4:23
15River of No Return
Marilyn Monroe2:13
16Jailhouse RockElvis Presley2:35
17Only YouThe Platters2:38
18Love Theme
The Columbia Pictures Orchestra1:43
19Minnie the Moocher
Cab Calloway and His Orchestra3:16
20In the Cool, Cool, Cool of the Evening
vocals:
Bing Crosby, Four Hits and a Miss and Jane Wyman
orchestra:
Matty Matlock’s All Stars
conductor:
Matty Matlock
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (on 1951-06-20)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 24th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 24)
Bing Crosby & Jane Wyman3:24
21Cocktails for Two
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-11-29)
vocals:
City Slickers and Carl Grayson (on 1944-11-29)
orchestra:
Spike Jones and His City Slickers (on 1944-11-29)
part of:
V Disc (by matrix number) (number: VP 939 (2))
recording of:
Cocktails for Two (on 1944-11-29)
lyricist:
Arthur Johnston (American composer and songwriter)
composer:
Sam Coslow
Spike Jones and His City Slickers43:00
22Chattanooga Choo Choo
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-05-07)
alto saxophone:
Hal McIntyre (on 1941-05-07) and Willie Schwartz (on 1941-05-07)
baritone saxophone:
Ernie Caceres (on 1941-05-07)
clarinet:
Ernie Caceres (on 1941-05-07), Al Klink (on 1941-05-07) and Willie Schwartz (on 1941-05-07)
double bass:
Trigger Alpert (on 1941-05-07)
drums (drum set):
Maurice Purtill (on 1941-05-07)
guitar:
Jack Lathrop (on 1941-05-07)
piano:
Chummy MacGregor (on 1941-05-07)
tenor saxophone:
Tex Beneke (on 1941-05-07) and Al Klink (on 1941-05-07)
trombone:
Frank D'Annolfo (on 1941-05-07), Glenn Miller (jazz band leader) (on 1941-05-07), Jimmy Priddy (on 1941-05-07) and Paul Tanner (on 1941-05-07)
trumpet:
Ray Anthony (on 1941-05-07), Johnny Best (jazz trumpeter) (on 1941-05-07), Billy May (on 1941-05-07) and Dale McMickle (on 1941-05-07)
vocals:
Tex Beneke (on 1941-05-07), Paula Kelly (big band jazz singer) (on 1941-05-07) and Modernaires (1940s vocal group) (on 1941-05-07)
arranger:
Jerry Gray (US big band arranger and conductor)
recording of:
Chattanooga Choo Choo (on 1941-05-07)
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 14th Academy Award for Best Original Song (number: 2)
Glenn Miller and His Orchestra3:27
23Black Market
vocals:
Marlene Dietrich (actress and singer) (on 1949-01-21)
orchestra:
Gordon Jenkins & His Orchestra (on 1949-01-21)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-01-21)
recording of:
Black Market (on 1949-01-21)
lyricist and composer:
Friedrich Hollaender
Marlene Dietrich3:11
24Be My Love
Mario Lanza3:37
25Swanee
recording of:
Swanee
lyricist:
Irving Caesar (in 1919)
composer:
George Gershwin (composer) (in 1919)
publisher:
WB Music Corp. (1929–2019) and T. B. Harms & Francis, Day & Hunter, Inc. (on 1919-10-31)
Judy Garland2:00