Trouvères: Courtly Love Songs From Northern France: Sequentia

~ Release by Sequentia (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Tant ai amé c'or me convient haïr
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
harp:
Benjamin Bagby
hurdy gurdy [Symphonia]:
Barbara Thornton
vielle:
Margriet Tindemans
vocals:
Benjamin Bagby
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Tant ai amé c'or me convient haïr (from 1982-12-13 until 1982-12-17)
writer:
Conon de Béthune
Conon de Béthune5:22
2Estampie[unknown]2:51
3Bele doette as fenestres se siet
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
guest choir vocals:
Jill Feldman (soprano), Guillemette Laurens (mezzo-soprano) and Candace Smith (liner notes translator)
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Belle Doette (chanson de toile) (from 1982-12-13 until 1982-12-17)
composer:
[anonymous] (special purpose artist)
[unknown]6:26
4S'on me regarde / Prennés-i garde / Hé mi enfant
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
guest vocals:
Jill Feldman (soprano)
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
S'on me regarde/Prennés i garde/Hé, mi enfant (Mo 256) (from 1982-12-13 until 1982-12-17)
part of:
Montpellier Codex (number: 256)
[unknown]1:07
5Motets and clausulae based on the tenor tanquam[unknown]7:27
6Estampie[unknown]3:33
7Bele yolanz en ses chambres seoit
choir vocals:
Sequentia (early music ensemble)
guest vocals:
Jill Feldman (soprano), Guillemette Laurens (mezzo-soprano) and Candace Smith (liner notes translator)
vocals:
Barbara Thornton
recording of:
Bele Yolanz en ses chambres seoit (chanson de toile)
writer:
XIIIth cent. anon. (special purpose artist)
[unknown]4:11
8Anonymous
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
harp:
Benjamin Bagby
psaltery and vielle:
Margriet Tindemans
choir vocals:
Sequentia (early music ensemble) (from 1982-12-13 until 1982-12-17)
guest vocals:
Jill Feldman (soprano), Guillemette Laurens (mezzo-soprano) and Candace Smith (liner notes translator)
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Bele Aëlis (from 1982-12-13 until 1982-12-17)
publisher:
Pierre Aubry (in 1904)
lyricist:
Baude de la Quarière (French trouvere)
recording of:
Trois serors - Trois serors - Trois serors - [PERLUSTRAVIT] (Mo 27) (chanson de toile) (from 1982-12-13 until 1982-12-17)
composer:
XIIth century anon. (special purpose artist)
[unknown]5:12
9Li consirrers de mon païs
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Li consirrers de mon païs (from 1982-12-13 until 1982-12-17)
writer:
Gace Brulé (French medieval nobleman & trouvère, c. 1160-1213)
[unknown]6:36
10Instrumental pieceBlondel de Nesle2:55
11Onques maiz nus hom ne chanta
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
harp:
Benjamin Bagby
vocals:
Benjamin Bagby and Sequentia (early music ensemble) (from 1982-12-13 until 1982-12-17)
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Onques mais nus hons ne chanta (from 1982-12-13 until 1982-12-17)
writer:
Blondel de Nesle (French medieval trouvère) (in 1230)
[unknown]8:16
12Entre Copin Et Bourgeois/Je Me Cuidoie Tenir/Bele Ysabelos
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
guest vocals:
Guillemette Laurens (mezzo-soprano) and Candace Smith (liner notes translator)
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Entre Copin/Je me cuidoie/Bele Ysabelos (Mo 256) (from 1982-12-13 until 1982-12-17)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Montpellier Codex (number: 256)
Adam de la Halle0:51
13Bonne amourete me tient gai
guest vocals:
Josep Benet (Tenor)
vocals:
Benjamin Bagby and Barbara Thornton
Adam de la Halle0:29
14Dame, or sui traïs
guest vocals:
Josep Benet (Tenor)
vocals:
Benjamin Bagby and Barbara Thornton
recording of:
Dame or sui traïs
composer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
Adam de la Halle0:56
15Instrumental pieceAdam de la Halle0:34
16Avoir cuidai engané le marchié
Adam de la Halle3:54
17Instrumental pieceAdam de la Halle1:28
18Se li maus c'amours envoie
Adam de la Halle7:00
19Diex, comment porroie
Adam de la Halle1:20
CD 2
#TitleArtistRatingLength
1Tant con je vivrai
Adam de la Halle1:10
2Instrumental pieceAdam de la Halle1:41
3Aucun se sont loé d'amours / A dieu commant amouretes / Super teAdam de la Halle1:32
4A dieu commant amouretes
Adam de la Halle1:16
5Hareu ! Li maus d'amer m'ochist
Adam de la Halle0:42
6Instrumental pieceAdam de la Halle1:43
7Dieus soit en cheste maison
Adam de la Halle1:33
8De ma dame vient / Diex, comment porroie / Omnes
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
guest vocals:
Josep Benet (Tenor)
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Le jeu de Robin et de Marion: Scene II. Motet No. 2 "De ma dame" / "Dieus" / "Omnes" (from 1982-12-13 until 1982-12-17)
composer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
part of:
Le jeu de Robin et de Marion
Adam de la Halle1:56
9Instrumental piece
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
Adam de la Halle1:04
10En mai, quant rosier sont flouri / L'autre jour, par un matin / Hé ! Resvelle toi robin
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
guest vocals:
Josep Benet (Tenor)
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Le jeu de Robin et de Marion: Scene IV. "Hé resveille toi Robin" (from 1982-12-13 until 1982-12-17)
composer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
part of:
Le jeu de Robin et de Marion
Adam de la Halle1:15
11Qui a droit veut amours servir
Adam de la Halle6:05
12Or est baiars en la pasture
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
guest vocals:
Josep Benet (Tenor)
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Or est Baiars en la pasture (from 1982-12-13 until 1982-12-17)
writer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
part of:
13 Rondeaux
Adam de la Halle0:54
13Abundance de felonnie
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
guest vielle:
Wendy Gillespie (viol player)
harp:
Benjamin Bagby
vielle:
Margriet Tindemans
vocals:
Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Abundance de felonnie (from 1982-12-13 until 1982-12-17)
writer:
Jehannot de Lescurel (in 1300)
Jehannot de Lescurel5:13
14Dame, par vo dous regart / Biétris est mes delis / Gracieusette / Dame, par vo dous regart / Instrumental piece / Fi, mesdisans esragié
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
diatonic button accordion [Organetto]:
Benjamin Bagby
guest vielle:
Wendy Gillespie (viol player)
hurdy gurdy [Symphonia]:
Barbara Thornton
vielle:
Margriet Tindemans
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Dame, par vo dous regart (from 1982-12-13 until 1982-12-17)
writer:
Jehannot de Lescurel
Jehannot de Lescurel4:54
15Amours trop vous doi cherir
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
guest lute:
Wendy Gillespie (viol player)
harp:
Benjamin Bagby
vielle:
Margriet Tindemans
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Amours trop vous doi cherir (from 1982-12-13 until 1982-12-17)
writer:
Jehannot de Lescurel (in 1300)
Jehannot de Lescurel2:02
16De la grant joie d'amoursJehannot de Lescurel3:09
17Je cuidoie bien metre jus / Se j'ai folement amé / Solem
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Je cuidoie bien metre jus (from 1982-12-13 until 1982-12-17)
writer:
Petrus de Cruce (French composer & music theorist, fl. 13th century)
Petrus de Cruce1:47
18EstampieJehannot de Lescurel3:22
19Amour, voulés-vous acorderJehannot de Lescurel4:46
20Belle, com loiaus amans
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
guest vielle:
Wendy Gillespie (viol player)
harp:
Benjamin Bagby
vielle:
Margriet Tindemans
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Belle, com loiaus amans (Roman de Fauvel) (from 1982-12-13 until 1982-12-17)
composer:
Jehannot de Lescurel (in 1300)
Jehannot de Lescurel1:34
21A vous, douce debonnaire
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
choir vocals:
Sequentia (early music ensemble) (from 1982-12-13 until 1982-12-17)
guest vocals:
Josep Benet (Tenor)
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
A vous douce debonnaire (from 1982-12-13 until 1982-12-17)
writer:
Jehannot de Lescurel
Jehannot de Lescurel2:43
22Comment que, pour l'eloignanceJehannot de Lescurel3:04
23Aucun ont trouvé chant par usage / Lonc tans me sui tenu de chanter / Annuntiantes
audio engineer:
Ben Bernfeld (from 1982-12-13 until 1982-12-17)
vielle:
Margriet Tindemans
vocals:
Benjamin Bagby and Barbara Thornton
recorded at:
St. Petruskirche, Blansingen in Efringen-Kirchen, Baden-Württemberg, Germany (from 1982-12-13 until 1982-12-17)
recording of:
Aucun ont trouve (from 1982-12-13 until 1982-12-17)
lyricist:
[traditional] (special purpose artist)
composer:
Petrus de Cruce (French composer & music theorist, fl. 13th century)
Petrus de Cruce2:24
24Instrumental Piece / Diex, quant la verrai / Instrumental Piece / Bonnenment m'agrée / Douce dame, je vous pri / Instrumental Piece / Guilleurs me font mout souvent / Instrumental PieceJehannot de Lescurel7:43