All Time Greatest Hits, Volume 1

~ Release by Harry Belafonte (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Day O
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in New York, New York, United States (on 1955-10-20)
recording of:
Day-O (The Banana Boat Song) (Burgess/Attaway version made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd and Lord Burgess Music Publishing Co.
version of:
Day-O (The Banana Boat Song) (Original folk song)
4.753:05
2Don't Ever Love Me
vocals:
Harry Belafonte
recording of:
Don’t Ever Love Me (on 1957-01-27)
lyricist and composer:
Lord Burgess
2:49
3Mama Look-A Boo Boo
recording of:
Mama Look a Boo Boo
writer:
Gene Barge and Frank Guida
2:56
4Jump in the Line
engineer:
Bob Sirapson
producer:
Bob Bollard
bass:
Norman Keenan
cuatro:
Ernest Calabria
guitar:
Ernest Calabria and Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor and chorus master:
Ralph Hunter
performer:
Trinidad Steel Drum Band
phonographic copyright (℗) by:
BMG Music (from 1961 to present)
recording of:
Jump in the Line (in 1961)
lyricist:
Stephen Somvel
writer:
Raymond Bell
composer:
Lord Kitchener
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
Jump in the Line
is based on:
Shake Shake Sonora
43:45
5Scarlet Ribbons
producer:
Henri René
bongos:
Carlos Vidal (Cuban percussionist) (on 1955-08-18)
congas:
Modesto Doran Martinez (on 1955-08-18)
double bass:
Eugene Wright (bass) (on 1955-08-18)
drums (drum set):
Irv Kluger (on 1955-08-18)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1955-08-18) and Millard J. Thomas (on 1955-08-18)
piano:
John F. Williams Jr. (50s US soul/jazz pianist) (on 1955-08-18)
saxophone:
Buddy Collette (on 1955-08-18), Jimmy Giuffre (on 1955-08-18), Harry Klee (on 1955-08-18), Bud Shank (on 1955-08-18) and Herbert Stewart (on 1955-08-18)
timbales:
Frank Guerrero (on 1955-08-18)
trombone:
John Haliburton (on 1955-08-18), Ed Kusby (on 1955-08-18) and Si Zentner (on 1955-08-18)
trumpet:
Conte Candoli (on 1955-08-18), Buddy Childers (American jazz trumpeter & composer) (on 1955-08-18) and Maynard Ferguson (on 1955-08-18)
lead vocals:
Harry Belafonte (on 1955-08-18)
vocals:
Harry Belafonte (on 1955-08-18)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-08-18)
performer:
David Klein (on 1955-08-18)
recording of:
Scarlet Ribbons (for Her Hair) (on 1955-08-18)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
3:16
6Michael Row the Boat Ashore
recording of:
Michael Row the Boat Ashore (arr. Belafonte)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Harry Belafonte
publisher:
Clara Music Publ. Corp.
arrangement of:
Michael Row the Boat Ashore
3:59
7Island in the Sun
vocals:
Harry Belafonte
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
3:10
8John Henry
3:31
9Abraham, Martin and John
recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music (BMI) and TJ Musicservice GmbH
3:59
10Hallelujah I Love Her So
vocals:
Harry Belafonte
cover recording of:
Hallelujah, I Love Her So (in 1958)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
2:56
11Cocoanut Woman
producer:
Joe Carlton and Edward O. Welker
bongos:
Noah Rodriguez (on 1957-01-26)
congas:
Daniel Barrajanos (on 1957-01-26)
double bass:
Norman Keenan (on 1957-01-26)
flute:
Paige Brook (flautist) (on 1957-01-26) and Harold M. Jones (50s US flautist) (on 1957-01-26)
guitar:
Frantz Casséus (on 1957-01-26), Victor Messer (on 1957-01-26) and Millard Thomas (on 1957-01-26)
marimba:
George Devens (on 1957-01-26)
trumpet:
Joseph B. Wilder (on 1957-01-26)
choir vocals:
Gilbert E. Adkins (on 1957-01-26), Irving D. Barnes (on 1957-01-26), Leon Bibb (on 1957-01-26), Charles Colman (on 1957-01-26), Stephen Harbachick (baritone) (on 1957-01-26), Marvin Hayes (bass-baritone) (on 1957-01-26), Herbert L. Stubbs (on 1957-01-26), Irving Burgie (on 1957-01-26), Joe N. Kenyon (on 1957-01-26), Leroy B. Thompson (on 1957-01-26), Samuel R. McCurry (on 1957-01-26), John Nielsen (on 1957-01-26), Brock Peters (on 1957-01-26), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-26), Rodester Timmons (on 1957-01-26) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-26)
lead vocals:
Harry Belafonte (on 1957-01-26)
conductor:
Robert DeCormier (on 1957-01-26)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-26)
recording of:
Cocoanut Woman (on 1957-01-26)
lyricist, writer and composer:
Harry Belafonte and Lord Burgess
3:00
12Mary's Boy Child
producer:
Dennis Farnon and Henri René
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1956-07-20)
bass clarinet:
Antonio Villa (on 1956-07-20)
cello:
Ennio Bolognini (on 1956-07-20)
congas:
Wally Fernez (on 1956-07-20)
French horn:
Attilo DePalma (on 1956-07-20)
guitar:
Frantz Casséus (on 1956-07-20)
guitar family:
Millard Thomas (on 1956-07-20)
harp:
Marjorie Call (on 1956-07-20)
percussion:
Arnold Manchester (on 1956-07-20) and Louis Singer (percussionist) (on 1956-07-20)
piano:
Hal Hidey (on 1956-07-20)
saxophone:
Victor Garber (50s US saxophonist) (on 1956-07-20), Jules Jacob (US jazz woodwind player) (on 1956-07-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-07-20) and Wilbur Schwartz (on 1956-07-20)
viola:
Joseph Reilich (on 1956-07-20)
violin:
Israel Baker (violinist) (on 1956-07-20), Jerome G. Kasin (on 1956-07-20), Robert Levine (pianist) (on 1956-07-20), Gustave Rosseels (on 1956-07-20), Myron Sandler (on 1956-07-20) and Marshall Sosson (on 1956-07-20)
vocals:
Harry Belafonte (on 1956-07-20)
conductor:
Will Lorin (on 1956-07-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-07-20)
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd.
33:00
13Hold 'em Joe
recording of:
Hold ’em Joe
lyricist and composer:
Harry Thomas
2:38
14Jamaica Farewell
producer:
Edward O. Welker
double bass:
Al Hall (on 1955-11-09) and Norman Keenan (on 1955-11-09)
drums (drum set):
Kelly Martin (US jazz drummer) (on 1955-11-09)
guitar:
Frantz Casséus (on 1955-11-09), Lord Burgess (on 1955-11-09) and Millard Thomas (on 1955-11-09)
vocals:
Harry Belafonte (on 1955-11-09)
recording of:
Jamaica Farewell (on 1955-11-09)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
53:05

Credits

Release

ASIN:US: B000002WAL [info]