Five Classic Albums Plus Third Set

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Just One of Those Things
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Just One of Those Things (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:11
2You'd Be So Nice to Come Home To
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
1:53
3Easy to Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:05
4I Get a Kick Out of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
2:25
5All of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
All of You (Silk Stockings musical) (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:44
6Love for Sale
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Love for Sale (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:46
7Get Out of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:33
8I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
1:50
9Night and Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:04
10It's De-Lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:07
11I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:00
12What Is This Thing Called Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:34
13But Not for Me
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
But Not for Me (on 1958-04-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:51
14Medley: I Have a Reason for Living/My Love for You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
5:06
15The Varsity Drag
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Varsity Drag (Good News) (on 1958-04-27)
lyricist:
Lew Brown and Ray Henderson
composer:
Buddy DeSylva
part of:
Good News (1947 film)
1:53
16It Never Entered My Mind
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
It Never Entered My Mind (on 1958-04-27)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:09
17Tea for Two
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Tea for Two (No, No, Nanette) (on 1958-04-27)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:52
18Everytime I'm With You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
2:08
19Have You Met Miss Jones?
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1958-04-27)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:12
20The Wildest Gal in Town
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
2:39
21Star Eyes
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Star Eyes (on 1958-04-27)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
2:53
22Loneliness Is a Well
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
3:15
23The Song Is You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
The Song Is You (on 1958-04-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:29
24Key Largo
recorded in:
Los Angeles, California, United States (in 1947)
alto saxophone:
Benny Carter (in 1947)
piano:
Ralph Burns (in 1947)
trombone:
Ray Sims (in 1947)
trumpet:
Ray Linn (in 1947)
vocals:
Anita O’Day (in 1947)
part of:
Signature (by matrix number) (number: SRC 660)
recording of:
Key Largo (in 1947)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
2:54
25Hi Ho Trailus Boot Whip
vocals:
Anita O’Day (in 1947-09)
2:32
26I Ain't Gettin' Any Younger
vocals:
Anita O’Day (in 1947)
3:04
27Malaguena
vocals:
Anita O’Day (in 1947)
recording of:
Malaguena (English lyrics) (in 1947)
lyricist and composer:
Ernesto Lecuona
translator:
Marian Banks
translated version of:
Malagueña from Andalucia Suite (original Spanish vocal version)
2:59
28How High the Moon
vocals:
Anita O’Day (in 1947)
recording of:
How High the Moon (in 1947)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:57
29Sometimes I'm Happy
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (by matrix number) (number: SRC 376)
recording of:
Sometimes I’m Happy (in 1947-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1955 movie)
part of:
Hit the Deck (1927 musical)
2:44
30Ace in the Hole
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (by matrix number) (number: SRC 377)
recording of:
Ace in the Hole (Let’s Face It! musical) (in 1947-02)
lyricist and composer:
Cole Porter (composer) (in 1941)
2:56
▼ CD 2
#TitleRatingLength
1Trav'lin Light
recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
?:??
2The Moon Looks Down and Laughs
?:??
3Don't Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
?:??
4Remember
recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
?:??
5Some Other Spring
?:??
6What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
?:??
7Miss Brown to You
?:??
8God Bless the Child
cover recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
?:??
9If the Moon Turns Green
baritone saxophone:
Chuck Gentry (on 1961-01-18)
double bass:
Buddy Clark (US jazz bassist) (on 1961-01-18)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-01-18)
guitar:
Al Viola (on 1961-01-18)
piano:
Russ Freeman (pianist) (on 1961-01-18)
saxophone:
Joe Maini (on 1961-01-18)
trombone:
Lew McCreary (on 1961-01-18), Dick Nash (on 1961-01-18) and Frank Rosolino (on 1961-01-18)
trumpet:
Al Porcino (on 1961-01-18), Jack Sheldon (on 1961-01-18), Ray Triscari (on 1961-01-18) and Stu Williamson (on 1961-01-18)
vibraphone:
Larry Bunker (on 1961-01-18)
vocals:
Anita O’Day (on 1961-01-18)
conductor:
Johnny Mandel (American composer and arranger) (on 1961-01-18)
recording of:
If the Moon Turns Green (on 1961-01-18)
lyricist:
Paul Coates (songwriter; “If the Moon Turns Green”) (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (on 1934-11-27)
?:??
10I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
?:??
11Lover Come Back to Me
recording of:
Lover, Come Back to Me (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
?:??
12Crazy He Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
?:??
13Boogie Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Boogie Blues (on 1961-10-16)
writer:
Ray Biondi and Gene Krupa
?:??
14You Came a Long Way From St. Louis
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
You Came a Long Way From St. Louis (on 1961-10-16)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
?:??
15I Want to Sing a Song
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
I Want to Sing a Song (on 1961-10-16)
writer:
Margo Guryan and Gary McFarland
?:??
16A Woman Alone With the Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
A Woman Alone With the Blues (on 1961-10-16)
lyricist and composer:
Willard Robison
?:??
17The Ballad of All the Sad Young Men
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Ballad of the Sad Young Men (on 1961-10-16)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
?:??
18Do Nothin' Till You Hear From Me
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Do Nothin’ Till You Hear From Me (on 1961-10-16)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
?:??
19One More Mile
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
?:??
20Night Bird
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
?:??
21Up State
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
?:??
22Senor Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Señor Blues (on 1961-10-16)
writer:
Horace Silver
?:??
23What Is This Thing Called Love
vocals:
Anita O’Day (in 1947-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1947-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
?:??
24Them There Eyes
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (on 1945-01-18)
bass:
Phil Stevens (country bass player) (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (Milton Raskin) (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (trumpet) (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (on 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
part of:
Capitol Records (by matrix number) (number: 550-3)
cover recording of:
Them There Eyes (on 1945-01-18)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019-present)
?:??
25Memories of You
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (on 1945-01-18)
bass:
Phil Stevens (country bass player) (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (Milton Raskin) (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (trumpet) (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (on 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
part of:
Capitol Records (by matrix number) (number: 551-4)
?:??