| # | Title | Artist | Rating | Length |
|---|
| 1 | Possession | Sarah McLachlan | | 4:42 |
| 2 | Romeo and Juliet | Dire Straits | 3.6 | 5:57 |
| 3 | Bésame Mucho | Oscar Alemán | | 2:37 |
| 4 | If I Had $1000000- additional engineer:
- Jean Diamont (from 1992-02 until 1992-03)
- engineer and producer:
- Michael Phillip-Wojewoda (from 1992-02 until 1992-03)
- double bass:
- Jim Creeggan (from 1992-02 until 1992-03)
- drums (drum set) [drums]:
- Tyler Stewart (from 1992-02 until 1992-03)
- guest accordion:
- Bob Wiseman (from 1992-02 until 1992-03)
- guest fiddle:
- Dave Allen (from 1992-02 until 1992-03)
- guest pedal steel guitar [pedal steel]:
- Lewis Melville (from 1992-02 until 1992-03)
- guitar:
- Ed Robertson (from 1992-02 until 1992-03)
- piano:
- Andy Creeggan (from 1992-02 until 1992-03)
- guest choir vocals:
- Dave Allen (from 1992-02 until 1992-03), Mike Barber (from 1992-02 until 1992-03), Gregor Beresford (from 1992-02 until 1992-03), Arlene Bishop (from 1992-02 until 1992-03), Chris Brown (from 1992-02 until 1992-03), Erica Buss (from 1992-02 until 1992-03), Meryn Cadell (from 1992-02 until 1992-03), Dave Clark (from 1992-02 until 1992-03), Andy Creeggan (from 1992-02 until 1992-03), Jim Creeggan (from 1992-02 until 1992-03), Naida Creeggan (from 1992-02 until 1992-03), Kate Fenner (from 1992-02 until 1992-03), Mike Ford (from 1992-02 until 1992-03), Murray Foster (from 1992-02 until 1992-03), Gene Hardy (from 1992-02 until 1992-03), Natalie Herbert (from 1992-02 until 1992-03), Shelley Hines (from 1992-02 until 1992-03), Jean Ghomeshi (from 1992-02 until 1992-03), Sally Lee (from 1992-02 until 1992-03), David Matheson (from 1992-02 until 1992-03), Matthew DeMatteo (from 1992-02 until 1992-03), Lewis Melville (from 1992-02 until 1992-03), Jason Mercer (from 1992-02 until 1992-03), Janet Morassutti (from 1992-02 until 1992-03), Keith Nakonechny (from 1992-02 until 1992-03), Blair Packham (from 1992-02 until 1992-03), Jo-Anne Page (from 1992-02 until 1992-03), Matthew Page (from 1992-02 until 1992-03), Steven Page (from 1992-02 until 1992-03), Jason Plumb (from 1992-02 until 1992-03), Ed Robertson (from 1992-02 until 1992-03), Wilma Robertson (from 1992-02 until 1992-03), Tannis Slimmon (from 1992-02 until 1992-03), Steve Pitkin (from 1992-02 until 1992-03), Tyler Stewart (from 1992-02 until 1992-03), Earl Stokes (from 1992-02 until 1992-03), Wayne Stokes (from 1992-02 until 1992-03), Martin Tielli (from 1992-02 until 1992-03), Tim Vesely (from 1992-02 until 1992-03), Veteran Warhorse (from 1992-02 until 1992-03) and Bob Wiseman (from 1992-02 until 1992-03)
- vocals:
- Andy Creeggan (from 1992-02 until 1992-03), Jim Creeggan (from 1992-02 until 1992-03), Steven Page (from 1992-02 until 1992-03) and Ed Robertson (from 1992-02 until 1992-03)
- additionally recorded at:
- Reaction Studios in Toronto, Ontario, Canada (in 1992-03)
- recorded at:
- Le Studio in Morin‐Heights, Québec, Canada (in 1992-02)
- mixed at:
- Reaction Studios in Toronto, Ontario, Canada (in 1992-03)
- recording of:
- If I Had $1,000,000 (from 1992-02 until 1992-03)
- lyricist and composer:
- Steven Page and Ed Robertson
- publisher:
- Treat Baker Music Inc. (in 1992)
| Barenaked Ladies | 3.65 | 4:29 |
| 5 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.75 | 4:16 |
| 6 | Pueblo Nuevo | Buena Vista Social Club | 3.9 | 6:09 |
| 7 | 5 Days in May | Blue Rodeo | 4.5 | 7:15 |
| 8 | It Had to Be You | David Grisman & Martin Taylor | | 3:20 |
| 9 | On Earth as It Is in Heaven | Ennio Morricone | 5 | 3:53 |
| 10 | Somewhere- recorded in:
- New York, New York, United States (from 1962-01-24 until 1962-01-25)
- recording engineer:
- Bob Simpson
- producer:
- Jim Davis
- double bass:
- Ray Brown (from 1962-01-24 until 1962-01-25)
- drums (drum set):
- Ed Thigpen (from 1962-01-24 until 1962-01-25)
- piano:
- Oscar Peterson (from 1962-01-24 until 1962-01-25)
- instrumental cover recording of:
- West Side Story: Ballet Sequence: Somewhere (from 1962-01-24 until 1962-01-25)
- lyricist:
- Stephen Sondheim
- composer:
- Leonard Bernstein
- publisher:
- Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. , G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
- part of:
- West Side Story: Ballet Sequence
| The Oscar Peterson Trio | | 5:38 |
| 11 | I Believe (When I Fall in Love It Will Be Forever) | Stevie Wonder | 3.75 | 4:53 |
| 12 | You're Aging Well | Joan Baez feat. Dar Williams | | 4:07 |
| 13 | Wonder | Natalie Merchant | | 4:25 |
| 14 | Uncovered | The Call | | 2:28 |
| 15 | Our Love Is Here to Stay- engineer:
- Les Stevenson
- producer:
- Marcus Roberts
- bass:
- Reginald Veal
- drums (drum set):
- Herlin Riley, Jr.
- piano:
- Marcus Roberts
- recording of:
- Love Is Here to Stay
- lyricist:
- Ira Gershwin
- composer:
- George Gershwin
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Chappell Music , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- The Goldwyn Follies
| Marcus Roberts | | 5:50 |
| 16 | In Your Eyes- recording engineer:
- David Bascombe
- engineer:
- Kevin Killen and Daniel Lanois
- producer:
- Peter Gabriel and Daniel Lanois
- additional drums (drum set):
- Jerry Marotta
- bass guitar:
- Larry Klein and Tony Levin
- drums (drum set), percussion and talking drum:
- Manu Katché
- guitar [guitars]:
- David Rhodes
- piano:
- Peter Gabriel and Richard Tee
- sampler, synthesizer, synthesizer [CMI] and lead vocals:
- Peter Gabriel
- background vocals:
- Michael Been , Peter Gabriel , Jim Kerr and David Rhodes
- bass vocals:
- Ronnie Bright
- guest vocals:
- Youssou N’Dour
- phonographic copyright (℗) by:
- Charisma Records Ltd. (in 1986)
- recorded at:
- Real World Studios in Box, Wiltshire, England, United Kingdom and Ashcombe Studios in Bath, Somerset, England, United Kingdom (from 1985-02 until 1985-12)
- mixed at:
- Real World Studios in Box, Wiltshire, England, United Kingdom
- recording of:
- In Your Eyes (in 1985)
- lyricist and composer:
- Peter Gabriel
- publisher:
- Cliofine Limited, EMI Music Publishing Ltd. and Real World Music, Ltd.
| Peter Gabriel | 4.4 | 5:32 |
| 17 | Better Things | Dar Williams | | 3:26 |
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