Living Stereo: 60 CD Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1: Living Stereo Sampler
#TitleArtistRatingLength
1Indiana
vocals:
Eddy Arnold
cover recording of:
Indiana (Back Home Again in Indiana)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Eddy Arnold2:25
2Teensville
engineer:
Bill Porter (engineer)
electric guitar:
Chet Atkins
recording of:
Teensville
composer:
Wayne Cogswell (50s US rock'n'roll artist)
Chet Atkins2:16
3Wake Up Jacob
choir vocals:
The Belafonte Singers
vocals:
Harry Belafonte
recording of:
Wake up Jacob
writer:
Harry Belafonte, Gene Corman and Milt Okun
Harry Belafonte1:55
4Where No One Stands Alone
cover recording of:
Where No One Stands Alone
lyricist:
Mosie Lister (Gospel song writer)
composer:
Mosie Lister (Gospel song writer) (in 1955)
Don Gibson2:48
5The Beat
recording engineer:
Al Schmitt (from 1960-02-22 until 1960-02-29)
producer:
Dick Peirce
double bass:
Rolly Bundock (from 1960-02-22 until 1960-02-29)
French horn:
Vincent DeRosa (from 1960-02-22 until 1960-02-29), John Graas (from 1960-02-22 until 1960-02-29), Herman Lebow (from 1960-02-22 until 1960-02-29), Sinclair Lott (french horn) (from 1960-02-22 until 1960-02-29), Richard Perissi (from 1960-02-22 until 1960-02-29) and George Price (from 1960-02-22 until 1960-02-29)
membranophone:
Jack Sperling (drummer) (from 1960-02-22 until 1960-02-29)
piano:
John Williams (American score composer)
saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1960-02-22 until 1960-02-29)
trombone:
Jimmy Priddy (from 1960-02-19 until 1960-02-29), Karl DeKarske (from 1960-02-22 until 1960-02-29) and John Halliburton (from 1960-02-22 until 1960-02-29)
trumpet:
Frank Beach (trombone, trumpet) (from 1960-02-22 until 1960-02-29), Pete Candoli (from 1960-02-22 until 1960-02-29), Conrad Gozzo (from 1960-02-22 until 1960-02-29) and Graham Young (trumpeter) (from 1960-02-22 until 1960-02-29)
vibraphone:
Larry Bunker (from 1960-02-22 until 1960-02-29)
recorded at:
RCA’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1960-02-22 until 1960-02-29)
recording of:
The Beat (from 1960-02-22 until 1960-02-29)
composer:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:09
6Maria bonita
Pérez Prado2:47
7Dark Moon
vocals:
Jim Reeves (US country & pop singer)
recording of:
Dark Moon
lyricist and composer:
Ned Miller
Jim Reeves2:41
8Cool Water
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-06)
recording of:
Cool Water (in 1959-06)
lyricist and composer:
Bob Nolan (Western songwriter) (in 1936)
Sons of the Pioneers2:11
9Twilight Time
instrumental recording of:
Twilight Time
lyricist:
Buck Ram
composer:
Artie Dunn, Al Nevins and Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., Porgie Music, Songs of Universal, Inc. and Victoria Music Publishing Co. Ltd.
translated version of:
Al caer la noche
The Three Suns3:16
10Jump Down Spin Around
recording of:
Jump Down, Spin Around
writer:
William Attaway and Harry Belafonte
Harry Belafonte2:17
11En avril à Paris
vocals:
Joséphine Baker (in 1960)
orchestra:
Jo Bouillon et son orchestre (in 1960)
cover recording of:
En avril à Paris (in 1960)
lyricist:
Charles Trenet (in 1953)
composer:
Walter Eiger (in 1953) and Charles Trenet (in 1953)
recording of:
En avril à Paris
lyricist:
Charles Trenet (in 1953)
composer:
Walter Eiger (in 1953) and Charles Trenet (in 1953)
Joséphine Baker3:27
12Sometimes I Feel Like a Motherless Child
piano:
Franz Rupp (pianist) (from 1961-08-28 until 1961-08-31)
contralto vocals:
Marian Anderson (classical contralto singer) (from 1961-08-28 until 1961-08-31)
recorded at:
Webster Hall in New York, New York, United States (from 1961-08-28 until 1961-08-31)
recording of:
Motherless Child (from 1961-08-28 until 1961-08-31)
lyricist, writer and composer:
[traditional] (special purpose artist)
Marian Anderson3:08
13Funiculi Funiculà
recorded in:
Italy (from 1958-11 until 1958-12)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-11 until 1958-12)
tenor vocals:
Mario Lanza (tenor) (in 1958-11)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-11 until 1958-12)
conductor:
Franco Ferrara (from 1958-11 until 1958-12)
arranger:
Ennio Morricone (Italian classical and score composer)
recording of:
Funiculì, funiculà (from 1958-11 until 1958-12)
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Mario Lanza2:34
14Kol Nidrei
recording of:
Kol Nidre (Yom Kippur)
composer:
Moses Pergament
Jan Peerce5:07
15Troika
recording engineer:
Lewis Layton (engineer) (on 1957-03-02)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1957-03-02)
conductor:
Fritz Reiner (conductor) (on 1957-03-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1957-03-02)
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika (on 1957-03-02)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
Sergei Prokofiev2:41
16Play the Waves
recording engineer:
Lewis Layton (engineer) (on 1960-02-27)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1960-02-27)
conductor:
Fritz Reiner (conductor) (on 1960-02-27)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1960-02-27)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (on 1960-02-27)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:31
17The Bartered Bride Overture
recording engineer:
Lewis Layton (engineer) (on 1955-12-12)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1955-12-12)
conductor:
Fritz Reiner (conductor) (on 1955-12-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-12-12)
recording of:
Prodaná nevěsta: Overture (on 1955-12-12)
composer:
Bedřich Smetana (composer) (from 1863 until 1866)
part of:
Prodaná nevěsta
Bedřich Smetana6:31
▼ CD 2: Saint-Saëns: Symphony no. 3 / Debussy: La Mer
#TitleArtistRatingLength
1Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:54
2Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:36
3Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
piano:
Bernard Zighera (from 0959-04-05 until 1959-04-06, from 1959-04-05 until 1959-04-06) and Leo Litwin (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:33
4Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro
recording engineer:
Lewis Layton (engineer) (from 1959-04-05 until 1959-04-06)
engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (ended) and Lewis Layton (engineer) (ended)
producer:
Richard Mohr (producer) (ended)
organ:
Berj Zamkochian (Armenian-American organist) (from 1959-04-05 until 1959-04-06)
piano:
Bernard Zighera (from 0959-04-05 until 1959-04-06, from 1959-04-05 until 1959-04-06) and Leo Litwin (from 1959-04-05 until 1959-04-06)
orchestra:
Boston Symphony Orchestra (from 1959-04-05 until 1959-04-06)
conductor:
Charles Munch (conductor and violinist) (from 1959-04-05 until 1959-04-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-04-05 until 1959-04-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1959-04-05 until 1959-04-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:48
5La Mer: I. De l'aube à midi sur la mer
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:37
6La Mer: II. Jeux de vagues
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:16
7La Mer: III. Dialogue du vent et de la mer
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (on 1956-12-09)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:59
8Escales (Ports of Call): I. Rome-Palermo: Calme
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: I. Rome-Palermo. Calme (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert6:35
9Escales (Ports of Call): II. Tunis-Nefta: Modere tres rythme
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: II. Tunis-Nefta. Modéré très rythmé (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert2:42
10Escales (Ports of Call): III. Valencia: Anime
recording engineer:
Lewis Layton (engineer) (on 1956-12-09)
producer:
Richard Mohr (producer)
oboe:
Ralph Gomberg (on 1956-12-10)
orchestra:
Boston Symphony Orchestra (on 1956-12-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-12-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-12-09)
recording of:
Escales: III. Valencia. Animé (for orchestra) (on 1956-12-10)
composer:
Jacques Ibert (composer) (in 1922)
part of:
Escales (for orchestra)
Jacques Ibert6:04
▼ CD 3: Ravel: Daphnis et Chloé
#TitleArtistRatingLength
1Daphnis et Chloé: Scene I. Invocation to the Nymphs
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 1. Introduction et danse religieuse (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel6:26
2Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 1. Introduction et danse religieuse (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel0:50
3Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 2. Danse générale (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel0:59
4Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 2. Danse générale (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel2:13
5Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 2. Danse générale (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel0:33
6Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau I. No. 3. Danse grotesque de Dorcon (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel1:38
7Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau I. No. 4. Danse légère et gracieuse de Daphnis (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel2:31
8Daphnis et Chloé: Scene I. The Triumph of Daphnis
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 5. Danse de Lycéion (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel0:58
9Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 5. Danse de Lycéion (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel2:00
10Daphnis et Chloé: Scene I. The Invasion of the Pirates
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau I. No. 5. Danse de Lycéion (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel1:41
11Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau I. No. 6. Nocturne. Danse lente et mystérieuse des Nymphes (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel5:04
12Daphnis et Chloé: Scene II. Interlude
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau II. No. 7. Introduction (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau II
Maurice Ravel3:14
13Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau II. No. 8. Danse guerrière (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau II
Maurice Ravel4:00
14Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau II. No. 8. Danse guerrière (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau II
Maurice Ravel0:29
15Daphnis et Chloé: Scene II. Chloé's Dance of Supplication
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau II. No. 9. Danse suppliante de Chloé (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau II
Maurice Ravel4:15
16Daphnis et Chloé: Scene II. Creatures of Pan Appear
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau II. No. 9. Danse suppliante de Chloé (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau II
Maurice Ravel1:12
17Daphnis et Chloé: Scene III. Sunrise
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel3:48
18Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel1:49
19Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel2:02
20Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
partial recording of:
Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx) (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel2:28
21Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx) (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel2:06
22Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
partial recording of:
Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx) (from 1955-01-23 until 1955-01-24)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel0:14
23Daphnis et Chloé: Scene III. Young Men Invade the Scene
recording engineer:
Leslie Chase (from 1955-01-23 until 1955-01-24)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1955-01-23 until 1955-01-24)
conductor:
Charles Munch (conductor and violinist) (from 1955-01-23 until 1955-01-24)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-01-23 until 1955-01-24)
recording of:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale) (from 1955-01-23 until 1955-01-24)
composer:
Maurice Ravel (classical composer)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel3:57
▼ CD 4: Strauss: Also sprach Zarathustra / Ein Heldenleben
#TitleArtistRatingLength
1Also sprach Zarathustra, op. 30: Sunrise
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:34
2Also sprach Zarathustra, op. 30: Of the People of the Unseen World
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss3:10
3Also sprach Zarathustra, op. 30: Of the Great Longing
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:45
4Also sprach Zarathustra, op. 30: Of Joys and Passions
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:51
5Also sprach Zarathustra, op. 30: Dirge
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: V. Das Grablied (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss2:16
6Also sprach Zarathustra, op. 30: Of Science
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss4:01
7Also sprach Zarathustra, op. 30: The Convalescent
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: VII. Der Genesende (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss5:00
8Also sprach Zarathustra, op. 30: Dance Song and Night Song
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: VIII. Das Tanzlied (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss7:37
9Also sprach Zarathustra, op. 30: Night Wanderer's Song
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss4:49
10Ein Heldenleben, op. 40: The Hero
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: I. Der Held (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss4:18
11Ein Heldenleben, op. 40: The Hero's Adversaries
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: II. Des Helden Widersacher (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss3:04
12Ein Heldenleben, op. 40: The Hero's Companion
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
solo violin:
John Weicher (american violinist)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: III. Des Helden Gefährtin (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss11:57
13Ein Heldenleben, op. 40: The Hero's Battlefield
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: IV. Des Helden Walstatt (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss8:45
14Ein Heldenleben, op. 40: The Hero's Works of Peace
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss4:40
15Ein Heldenleben, op. 40: The Hero's Retreat From the World and Fulfillment
recording engineer:
Leslie Chase (on 1954-03-06)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-06)
conductor:
Fritz Reiner (conductor) (on 1954-03-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-06)
recording of:
Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (on 1954-03-06)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss10:54
▼ CD 5: Bartók: Concerto for Orchestra
#TitleArtistRatingLength
1Concerto for Orchestra: I. Introduzione
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace (in 1946)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace (on 1955-10-22)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók10:00
2Concerto for Orchestra: II. Giuoco delle coppie
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1946)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (on 1955-10-22)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:02
3Concerto for Orchestra: III. Elegia
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1946)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (on 1955-10-22)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:59
4Concerto for Orchestra: IV. Intermezzo interrotto
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1946)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1955-10-22)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:16
5Concerto for Orchestra: V. Finale
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto (in 1946)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto (on 1955-10-22)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:08
6Music for Strings, Percussion and Celesta: I. Andante tranquillo
recording engineer:
Lewis Layton (engineer) (on 1958-12-28)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-28)
conductor:
Fritz Reiner (conductor) (on 1958-12-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-28)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (on 1958-12-28)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:07
7Music for Strings, Percussion and Celesta: II. Allegro
recording engineer:
Lewis Layton (engineer) (on 1958-12-28)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-28)
conductor:
Fritz Reiner (conductor) (on 1958-12-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-28)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (on 1958-12-28)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:03
8Music for Strings, Percussion and Celesta: III. Adagio
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-28, on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-28, on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (on 1958-12-29)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:04
9Music for Strings, Percussion and Celesta: IV. Allegro molto
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-28, on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-28, on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (on 1958-12-29)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:52
10Hungarian Sketches: I. An Evening in the Village
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village (on 1958-12-29)
orchestrator and composer:
Béla Bartók (composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:46
11Hungarian Sketches: II. Bear Dance
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (on 1958-12-29)
orchestrator and composer:
Béla Bartók (composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók1:43
12Hungarian Sketches: III. Melody
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody (on 1958-12-29)
orchestrator and composer:
Béla Bartók (composer)
version of:
Four Dirges, Sz. 45, BB 58, No. 2: Andante
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:05
13Hungarian Sketches: IV. Slightly Tipsy
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (on 1958-12-29)
orchestrator and composer:
Béla Bartók (composer)
version of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:19
14Hungarian Sketches: V. Swineherd's Dance
recording engineer:
Lewis Layton (engineer) (on 1958-12-29)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1958-12-29)
conductor:
Fritz Reiner (conductor) (on 1958-12-29)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1958-12-29)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 5: Swineherd's Dance (on 1958-12-29)
orchestrator and composer:
Béla Bartók (composer)
version of:
For Children, Book 2: No. 40. Swineherd's Dance. Allegro vivace
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók1:58
▼ CD 6: Beethoven, Mendelssohn: Violin Concertos
#TitleArtistRatingLength
1Violin Concerto in D major, op. 61: I. Allegro, ma non troppo
recording engineer:
Lewis Layton (engineer) (from 1955-11-27 until 1955-11-28)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1955-11-27 until 1955-11-28)
orchestra:
Boston Symphony Orchestra (from 1955-11-27 until 1955-11-28)
conductor:
Charles Munch (conductor and violinist) (from 1955-11-27 until 1955-11-28)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-11-27 until 1955-11-28)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1955-11-27 until 1955-11-28)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven20:37
2Violin Concerto in D major, op. 61: II. Larghetto
recording engineer:
Lewis Layton (engineer) (from 1955-11-27 until 1955-11-28)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1955-11-27 until 1955-11-28)
orchestra:
Boston Symphony Orchestra (from 1955-11-27 until 1955-11-28)
conductor:
Charles Munch (conductor and violinist) (from 1955-11-27 until 1955-11-28)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-11-27 until 1955-11-28)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1955-11-27 until 1955-11-28)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:45
3Violin Concerto in D major, op. 61: III. Rondo. Allegro
recording engineer:
Lewis Layton (engineer)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1955-11-27 until 1955-11-28)
orchestra:
Boston Symphony Orchestra (from 1955-11-27 until 1955-11-28)
conductor:
Charles Munch (conductor and violinist) (from 1955-11-27 until 1955-11-28)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1955-11-27 until 1955-11-28)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1955-11-27 until 1955-11-28)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:28
4Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
recording engineer:
Lewis Layton (engineer)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1959-02-23 until 1959-02-25)
orchestra:
Boston Symphony Orchestra (from 1959-02-23 until 1959-02-25)
conductor:
Charles Munch (conductor and violinist) (from 1959-02-23 until 1959-02-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-02-23 until 1959-02-25)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (from 1959-02-23 until 1959-02-25)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn11:00
5Violin Concerto in E minor, op. 64: II. Andante
recording engineer:
Lewis Layton (engineer) (from 1959-02-23 until 1959-02-25)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1959-02-23 until 1959-02-25)
orchestra:
Boston Symphony Orchestra (from 1959-02-23 until 1959-02-25)
conductor:
Charles Munch (conductor and violinist) (from 1959-02-23 until 1959-02-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-02-23 until 1959-02-25)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (from 1959-02-23 until 1959-02-25)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn7:07
6Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
recording engineer:
Lewis Layton (engineer) (from 1959-02-23 until 1959-02-25)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1959-02-23 until 1959-02-25)
orchestra:
Boston Symphony Orchestra (from 1959-02-23 until 1959-02-25)
conductor:
Charles Munch (conductor and violinist) (from 1959-02-23 until 1959-02-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-02-23 until 1959-02-25)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (from 1959-02-23 until 1959-02-25)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn5:57
▼ CD 7: Tchaikovsky: Piano Concerto no. 1 / Rachmaninoff: Piano Concerto no. 2
#TitleArtistRatingLength
1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-30)
producer:
John Pfeiffer (producer and engineer)
piano:
Van Cliburn (pianist) (on 1958-05-30)
orchestra:
RCA Victor Symphony Orchestra (on 1958-05-30)
conductor:
Kiril Kondrashin (conductor) (on 1958-05-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1958-05-30)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) (on 1958-05-30)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Piotr Ilich Tchaikovsky20:44
2Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-30)
producer:
John Pfeiffer (producer and engineer)
piano:
Van Cliburn (pianist) (on 1958-05-30)
orchestra:
RCA Victor Symphony Orchestra (on 1958-05-30)
conductor:
Kiril Kondrashin (conductor) (on 1958-05-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1958-05-30)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version) (on 1958-05-30)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Piotr Ilich Tchaikovsky7:03
3Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-30)
producer:
John Pfeiffer (producer and engineer)
piano:
Van Cliburn (pianist) (on 1958-05-30)
orchestra:
RCA Victor Symphony Orchestra (on 1958-05-30)
conductor:
Kiril Kondrashin (conductor) (on 1958-05-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1958-05-30)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version) (on 1958-05-30)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Piotr Ilich Tchaikovsky6:53
4Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Allegro
recording engineer:
Lewis Layton (engineer) (from 1962-03-31 until 1962-04-02)
producer:
Richard Mohr (producer)
piano:
Van Cliburn (pianist) (from 1962-03-31 until 1962-04-02)
orchestra:
Chicago Symphony Orchestra (from 1962-03-31 until 1962-04-02)
conductor:
Fritz Reiner (conductor) (from 1962-03-31 until 1962-04-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1962-03-31 until 1962-04-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 1962-03-31 until 1962-04-02)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff10:53
5Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
recording engineer:
Lewis Layton (engineer) (from 1962-03-31 until 1962-04-02)
producer:
Richard Mohr (producer)
piano:
Van Cliburn (pianist) (from 1962-03-31 until 1962-04-02)
orchestra:
Chicago Symphony Orchestra (from 1962-03-31 until 1962-04-02)
conductor:
Fritz Reiner (conductor) (from 1962-03-31 until 1962-04-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1962-03-31 until 1962-04-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1962-03-31 until 1962-04-02)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff11:29
6Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
recording engineer:
Lewis Layton (engineer) (from 1962-03-31 until 1962-04-02)
producer:
Richard Mohr (producer)
piano:
Van Cliburn (pianist) (from 1962-03-31 until 1962-04-02)
orchestra:
Chicago Symphony Orchestra (from 1962-03-31 until 1962-04-02)
conductor:
Fritz Reiner (conductor) (from 1962-03-31 until 1962-04-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1962-03-31 until 1962-04-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (from 1962-03-31 until 1962-04-02)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff11:41
▼ CD 8: Gershwin: Rhapsody in Blue & Other Orchestral Works
#TitleArtistRatingLength
1Rhapsody in Blue
recording engineer:
Lewis Layton (engineer) (on 1959-05-13)
producer:
Richard Mohr (producer)
piano:
Earl Wild (pianist, composer and conductor) (on 1959-05-13)
orchestra:
Boston Pops Orchestra (on 1959-05-13)
conductor:
Arthur Fiedler (conductor) (on 1959-05-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-05-13)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1959-05-13)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:21
2Concerto in F: I. Allegro
recording engineer:
Lewis Layton (engineer) (on 1961-05-17)
producer:
Richard Mohr (producer)
piano:
Earl Wild (pianist, composer and conductor) (on 1961-05-17)
orchestra:
Boston Pops Orchestra (on 1961-05-17)
conductor:
Arthur Fiedler (conductor) (on 1961-05-17)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1961-05-07)
recording of:
Concerto for Piano and Orchestra in F major: I. Allegro (on 1961-05-17)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
An American in Paris (2015 Broadway musical)
part of:
Concerto for Piano and Orchestra in F major
George Gershwin12:05
3Concerto in F: II. Adagio - Andante con moto
recording engineer:
Lewis Layton (engineer) (on 1961-05-17)
producer:
Richard Mohr (producer)
piano:
Earl Wild (pianist, composer and conductor) (on 1961-05-17)
orchestra:
Boston Pops Orchestra (on 1961-05-17)
conductor:
Arthur Fiedler (conductor) (on 1961-05-17)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1961-05-17)
recording of:
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto (on 1961-05-17)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin10:32
4Concerto in F: III. Allegro agitato
recording engineer:
Lewis Layton (engineer) (on 1961-05-17)
producer:
Richard Mohr (producer)
piano:
Earl Wild (pianist, composer and conductor) (on 1961-05-17)
orchestra:
Boston Pops Orchestra (on 1961-05-17)
conductor:
Arthur Fiedler (conductor) (on 1961-05-17)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1961-05-17)
recording of:
Concerto for Piano and Orchestra in F major: III. Allegro agitato (on 1961-05-17)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin6:19
5An American in Paris
recording engineer:
Lewis Layton (engineer) (on 1959-05-14)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops Orchestra (on 1959-05-14)
conductor:
Arthur Fiedler (conductor) (on 1959-05-14)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1959-05-14)
recording of:
An American in Paris (on 1959-05-14)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin16:41
6Variations on "I Got Rhythm"
recording engineer:
Anthony Salvatore (engineer) (on 1961-05-18)
producer:
Peter Dellheim (producer for RCA)
piano:
Earl Wild (pianist, composer and conductor) (from 1959 until 1961)
orchestra:
Boston Pops Orchestra (from 1959 until 1961)
conductor:
Arthur Fiedler (conductor) (from 1959 until 1961)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Variations on "I Got Rhythm" for Piano and Orchestra (on 1961-05-18)
composer:
George Gershwin (composer) (from 1933 until 1934)
dedicated to:
Ira Gershwin
publisher:
Chappell Music Ltd.
is based on:
I Got Rhythm
George Gershwin8:03
7Cuban Overture
recording engineer:
Lewis Layton (engineer) (on 1961-05-18)
producer:
Peter Dellheim (producer for RCA)
orchestra:
Boston Pops Orchestra (on 1961-05-18)
conductor:
Arthur Fiedler (conductor) (on 1961-05-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Cuban Overture (on 1961-05-18)
composer:
George Gershwin (composer) (from 1932-07 until 1932-08)
publisher:
New World Music Corp.
part of:
An American in Paris (2015 Broadway musical)
George Gershwin9:20
▶ CD 9: Mussorgsky: Pictures at an Exhibition / A Night on Bald Mountain and other Russian Showpieces
▶ CD 10: Verdi, Puccini: Arias
▶ CD 11: Chopin: Ballades and Scherzos
▶ CD 12: Tchaikovsky: Symphony no.6 ("Pathétique")
▶ CD 13: Brass & Percussion
▶ CD 14: Sibelius, Prokofiev, Glazunov: Violin Concertos
▶ CD 15: Berlioz: Requiem pt. 1
▶ CD 16: Berlioz: Requiem pt. 2
▶ CD 17: Ravel: Bolero, etc. / Debussy: Images for Orchestra
▶ CD 18: Dvořák, Walton: Cello Concertos
▶ CD 19: Dvořák : New World Symphony / Smetana: Bartered Bride Overture
▶ CD 20: Rimsky-Korsakov: Scheherazade / Stravinsky: Song of the Nightingale
▶ CD 21: Brahms: Piano Concerto no. 1
▶ CD 22: Offenbach: Gaîté parisienne / Rossini-Respighi: La boutique fantasque
▶ CD 23: Rachmaninoff, Prokofiev: Piano Concertos no. 3
▶ CD 24: Hi-Fi Fiedler
▶ CD 25: Brahms, Tchaikovsky: Violin Concertos
▶ CD 26: Franck: Symphony in D Minor / Stravinsky: Petrouchka
▶ CD 27: Beethoven: Symphonies nos. 5 & 6
▶ CD 28: Berlioz: Symphonie Fantastique
▶ CD 29: Strauss: Scenes from Elektra and Salome
▶ CD 30: Mahler: Symphony no. 4
▶ CD 31: Chopin: Piano Concertos
▶ CD 32: Rhapsodies
▶ CD 33: Copland: Billy The Kid & Rodeo / Grofé: Grand Canyon Suite
▶ CD 34: Opera Arias
▶ CD 35: Debussy: La Mer / Respighi: Fountains of Rome & Pines of Rome
▶ CD 36: Vienna
▶ CD 37: Mendelssohn: Symphonies nos. 4 & 5, Octet (Scherzo)
▶ CD 38: Pops Caviar
▶ CD 39: Beethoven: Sonatas (Moonlight, Pathétique, Apassionata, Les Adieux)
▶ CD 40: Bruch: Violin Concerto no. 1, Scottish Fantasy / Vieuxtemps: Violin Concerto no. 5
▶ CD 41: Mario! Lanza at his Best
▶ CD 42: Virgil Fox Encores
▶ CD 43: Puccini: La Bohème pt. 1
▶ CD 44: Puccini: La Bohème pt. 2
▶ CD 45: Puccini: Madame Butterfly pt. 1
▶ CD 46: Puccini: Madame Butterfly pt. 2
▶ CD 47: Verdi: La Traviata pt. 1
▶ CD 48: Verdi: La Traviata pt. 2
▶ CD 49: Puccini: Turandot pt. 1
▶ CD 50: Puccini: Turandot pt. 2
▶ CD 51: Schubert: Symphonies no.s 8 & 9 ("Unfinished", "Great")
▶ CD 52: Strauss: Don Quixote, Don Juan
▶ CD 53: Bach, Brahms, Mozart: Double Concertos
▶ CD 54: Popular Classics for Spanish Guitar
▶ CD 55: Albeniz: Navarra, Iberia; Falla: El amor brujo, etc; Granadas: Intermezzo from Goyescas
▶ CD 56: Saint-Saëns: Piano Concerto no. 2; Franck: Symphonic Variations; Liszt: Piano Concerto no. 1
▶ CD 57: Berlioz: Harold in Italy
▶ CD 58: Mahler: Das Lied von der Erde
▶ CD 59: Strauss: Symphonica domestica
▶ CD 60: Schumann: Piano Concerto in A Minor; Beethoven: Piano Concerto no. 5 "Emperor"

Credits

Release

mastering:Mark Donahue (engineer)
Discogs:https://www.discogs.com/release/2657329 [info]