Madama Butterfly

~ Release by Giacomo Puccini; Tebaldi, Campora, Rankin, Inghilleri, Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede (see all versions of this release, 2 available)

Annotation

recorded 1951, London.
cast:
Renata Tebaldi (soprano) - Butterfly/Cio-Cio San
Giuseppe Campora (tenor) - Pinkerton
Nell Rankin (mezzo-soprano) - Suzuki
Giovanni Inghilleri (baritone) - Sharpless
Coro e orchestra dell'Accademia di Santa Cecilia, Rome feat. conductor: Alberto Erede
Audio CD: Decca, Cat: 440230

Annotation last modified on 2011-10-27 14:29 UTC.

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Madama Butterfly: Atto I. “E soffitto e pareti” (Pinkerton)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:10
2Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:14
3Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:29
4Madama Butterfly: Atto I. “America for ever” (Pinkerton)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:25
5Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:44
6Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo.” (Goro)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:41
7Madama Butterfly: Atto I. “Gran ventura” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:41
8Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:14
9Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:28
10Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:00
11Madama Butterfly: Atto I. “Tutti zitti!” (Goro)
bass vocals [Il Commissario Imperiale]:
Michele Calvino (Italian bass-baritone) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:45
12Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche)
bass vocals [Bonzo]:
Fernando Corena (operatic bass) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini0:29
13Madama Butterfly: Atto I. “Cio‐cio‐san!” (Il Bonzo)
bass vocals [Bonzo]:
Fernando Corena (operatic bass) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:43
14Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:03
15Madama Butterfly: Atto I. “Viene la sera” (Pinkerton)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini6:36
16Madama Butterfly: Atto I. “Vogliatemi bene” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:00
17Madama Butterfly: Atto II, parte 1. “E Izaghi ed Izanami” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini7:12
18Madama Butterfly: Atto II, parte 1. “Un bel dì, vedremo” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:49
19Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:55
20Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini0:53
21Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:58
22Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:14
▼ CD 2
#TitleArtistRatingLength
1Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly” … “Due cose potrei far” (Butterfly, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:16
2Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:21
3Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:44
4Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:49
5Madama Butterfly: Atto II, parte 1. “Una nave da guerra…” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:32
6Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:52
7Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:00
8Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:02
9Madama Butterfly: Act II. Intermezzo
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. Intermezzo (in 1951)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini7:10
10Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:25
11Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:25
12Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:46
13Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:52
14Madama Butterfly: Atto II, parte 2. “Addio, fiorito asil” (Pinkerton)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:44
15Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:38
16Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini4:44
17Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:30
18Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestre de l’Académie Santa Cecilia (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:24

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ASIN:US: B00000421R [info]