Musica sacra per alto

~ Release by Vivaldi; Delphine Galou, Accademia Bizantina, Ottavio Dantone (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Introdutione al Miserere “Filiæ mæstæ Jerusalem”, RV 638: Recitativo accompagnato: Filiæ mæstæ Jerusalem
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Filiae maestae Jerusalem, RV 638: I. "Filiae maestae Jerusalem" (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi1:42
2Introdutione al Miserere “Filiæ mæstæ Jerusalem”, RV 638: Aria: Sileant zephyri
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Filiae maestae Jerusalem, RV 638: II. "Sileant Zephyri" (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi6:03
3Introdutione al Miserere “Filiæ mæstæ Jerusalem”, RV 638: Recitativo accompagnato: Sed tenebris diffusis
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Filiae maestae Jerusalem, RV 638: III. "Sed tenebris diffusis" (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi0:58
4Hymnus Deus tuorum militum, RV 612
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
tenor vocals:
Alessandro Giangrande (tenor) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Deus tuorum militum, RV 612 (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 612)
Antonio Vivaldi3:56
5Concerto in re maggiore “Per la SSma Assontione di Maria Vergine”, RV 582: Allegro
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
solo violin:
Alessandro Tampieri (violinist) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Concerto for Violin and Double Orchestra in D major, RV 582: I. Allegro (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin and Double Orchestra in D major, RV 582
Antonio Vivaldi5:33
6Concerto in re maggiore “Per la SSma Assontione di Maria Vergine”, RV 582: Largo
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
solo violin:
Alessandro Tampieri (violinist) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Concerto for Violin and Double Orchestra in D major, RV 582: II. Grave (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin and Double Orchestra in D major, RV 582
Antonio Vivaldi4:23
7Concerto in re maggiore “Per la SSma Assontione di Maria Vergine”, RV 582: Allegro
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
solo violin:
Alessandro Tampieri (violinist) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Concerto for Violin and Double Orchestra in D major, RV 582: III. Allegro (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin and Double Orchestra in D major, RV 582
Antonio Vivaldi7:32
8Antifona “Salve Regina”, RV 618: Aria: Salve Regina
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: I. Salve regina (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi3:48
9Antifona “Salve Regina”, RV 618: Aria: Ad te clamamus
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: II. Ad te clamamus (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi1:38
10Antifona “Salve Regina”, RV 618: Aria: Ad te suspiramus
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: III. Ad te suspiramus (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi3:10
11Antifona “Salve Regina”, RV 618: Aria: Eia ergo
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: IV. Eia ergo advocata (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi1:33
12Antifona “Salve Regina”, RV 618: Aria: Et Jesum benedictum
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: V. Et Jesum benedictum (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi1:48
13Antifona “Salve Regina”, RV 618: Aria: O clemens, o pia
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Salve regina, RV 618: VI. O clemens, o pia (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Salve regina, RV 618
Antonio Vivaldi2:33
14Introdutione al Miserere “Non in pratis”, RV 641: Recitativo: Non in pratis aut in hortis / Recitativo accompagnato: Ibi spinis confixus
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Non in pratis aut in hortis, RV 641: I. Non in pratis aut in hortis (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Non in pratis aut in hortis, RV 641
recording of:
Non in pratis aut in hortis, RV 641: II. Ibi spinis confixus (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Non in pratis aut in hortis, RV 641
Antonio Vivaldi1:58
15Introdutione al Miserere “Non in pratis”, RV 641: Aria: Pro me caput spinas habet
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Non in pratis aut in hortis, RV 641: III. Pro me caput spinas habet (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Non in pratis aut in hortis, RV 641
Antonio Vivaldi8:17
16Introdutione al Miserere “Non in pratis”, RV 641: Recitativo: Quæso ne facias, Domine
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
contralto vocals:
Delphine Galou (contralto) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Non in pratis aut in hortis, RV 641: IV. Quaesone facias, Domine (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Non in pratis aut in hortis, RV 641
Antonio Vivaldi0:52
17Antifona “Regina cœli”, RV 615
sound engineer:
Vincent Mons (engineer)
producer, mixer and editor:
Laure Casenave-Péré
alto vocals:
Alessandro Giangrande (tenor) (in 2018-01)
orchestra:
Accademia Bizantina (in 2018-01)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2018-01)
recorded at:
Sala Oriani in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2018-01)
recording of:
Regina Coeli, antiphona, RV 615 (in 2018-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 615)
Antonio Vivaldi4:02

Credits

Release

photography:Arthur Koff (photographer)
Giulia Papetti (photographer)
Denis Rouvre (Photographer)
liner notes:Susan Orlando
Michael Talbot (musicologist)
liner notes translator:Laurent Cantagrel
Michel Chasteau
Charles Johnston (liner notes author)
Orlando Perera (liner notes translator)
Achim Russer (liner notes translator)
design:Elise Belkaïd
booklet editor:Claire Boisteau
part of:The Vivaldi Edition (naïve) (number: Vol. 59) (order: 117)
Discogs:https://www.discogs.com/release/13784899 [info]
ASIN:FR: B07R328CNK [info]