Die Hit-Giganten: Soul Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:53
2Get Up (I Feel Like Being a) Sex Machine
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group)
live recording of:
Get Up I Feel Like Being Like a Sex Machine
writer:
James Brown (“The Godfather of Soul”), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:05
3Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:00
4In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:34
5Soul Man
producer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd.
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38
6What Am I Gonna Do With You
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1975)
recording of:
What Am I Gonna Do With You?
lyricist and composer:
Barry White
Barry White4.53:36
7Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:24
8Caravan of Love
recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc. and IJI Publishing
The Isley Brothers5:44
9Didn't I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:21
10(Sitting on) The Dock of the Bay
cover recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Percy Sledge32:33
11If You Don't Know Me by Now
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
lead vocals:
Harold Melvin
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:23
12Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:58
13War
performer:
Edwin Starr
cover recording of:
War (on 1970-05-15)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Edwin Starr4.253:22
14Dance to the Music
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone42:59
15Good Times
recording of:
Good Times
writer:
Bernard Edwards and Nile Rodgers
Chic3:43
16Knock on Wood
vocals:
Eddie Floyd
recording of:
Knock on Wood (in 1966)
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Eddie Floyd43:04
17You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:22
18Reach Out I'll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul "Duke" Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Four Tops43:00
19Can You Feel It
recording engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
bass guitar:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer
vibraphone:
Gary Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
recorded at:
Hollywood Sound Studios in Los Angeles, California, United States (from 1980-01 until 1980-07) and Sound City Studios in Van Nuys, California, United States (from 1980-01 until 1980-07)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons45:59
20Ain't Too Proud to Beg
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1966-01-04 until 1966-01-11)
background vocals:
Melvin Franklin (from 1966-01-04 until 1966-01-11), Eddie Kendricks (from 1966-01-04 until 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1966-01-04 until 1966-01-11) and Paul Williams (member of The Temptations) (from 1966-01-04 until 1966-01-11)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1966-01-04 until 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-01-04 until 1966-01-11)
recording of:
Ain’t Too Proud to Beg (from 1966-01-04 until 1966-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations52:33
21Diamonds Are Forever
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:40
▼ CD 2
#TitleArtistRatingLength
1I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:26
2Billie Jean
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Bill Wolfer
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Leon Ndugu Chancler
guitar:
David Williams (session guitarist and songwriter)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Bill Wolfer
lead vocals:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
percussion and synthesizer arranger and synthesizer arranger:
Michael Jackson (“King of Pop”)
strings arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 44) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 58)
recording of:
Billie Jean
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ソニー・ミュージックパブリッシング A事業部
Michael Jackson4.24:54
3Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
The Supremes52:33
4Ain't Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan4.14:41
5Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:57
6Brother Louie
producer:
Mickie Most (English record producer)
recording of:
Brother Louie
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
7Let's Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Earth, Wind & Fire43:31
8The Message
producer:
J. Chase and Sylvia Robinson
edit of:
The Message (original version) by Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
recording of:
The Message
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.353:13
9Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge44:50
10Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
electric guitar:
Benorce Blackmon (guitarist, producer, writer)
piano and lead vocals:
Bill Withers
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Interior Music Corp., Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bill Withers4.34:18
11Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee, Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc.
Average White Band4.054:00
12You Gotta Be
membranophone programming:
Kevin Clarke
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram
strings arranger:
Ashley Ingram
recording of:
You Gotta Be
writer:
Des’ree and Ashley Ingram
Des’ree3.354:03
13Me, Myself and I
co-producer:
De La Soul
producer:
Prince Paul (US hip hop DJ & producer)
mixer:
P.A. Pasemaster Mase (US rapper Vincent Mason, member of De La Soul)
arranger:
P.A. Pasemaster Mase (US rapper Vincent Mason, member of De La Soul) and Trugoy the Dove
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1989)
samples:
(Not Just) Knee Deep by Funkadelic
part of:
Grammy Award: Best Rap Performance nominees (number: 1990)
recording of:
Me Myself and I
writer:
George Clinton (US funk musician), Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), Paul Huston (US hip hop DJ & producer), Vincent Mason (US rapper Vincent Mason, member of De La Soul) and Philippe Wynn
De La Soul4.13:45
14Back to Life
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
Soul II Soul3:48
15Ich kenne nichts (das so schön ist wie Du)
performer:
Xavier Naidoo
recording of:
I've Never Seen...
lyricist:
Xavier Naidoo and Robert Diggs (American rapper and actor)
composer:
Michael Herberger, Xavier Naidoo and Robert Diggs (American rapper and actor)
publisher:
Careers BMG Publishing, Edition Wortgewand, Hanseatic (publisher), Ramecca Music and Warner-Chappell
RZA feat. Xavier Naidoo4:04
16I Believe I Can Fly
recording of:
I Believe I Can Fly
lyricist and composer:
R. Kelly
publisher:
Imagem Music (ended), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. and Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly24:44
17Fugeela
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (from 1994 to present)
recording of:
Fu-Gee-La
composer:
Lauryn Hill, Wyclef Jean (Haitian rapper, musician and actor), Pras Michel (Pras, American rapper, member of The Fugees) and Salaam Remi
Fugees34:06
18Diamonds and Pearls
recording of:
Diamonds and Pearls
lyricist and composer:
Prince Rogers Nelson (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The New Power Generation4:36
19Fallin'
recording of:
Fallin’
lyricist and composer:
Alicia Keys
publisher:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing and Lellow Productions, Inc.
Alicia Keys3.653:17

Credits

Release group

part of:Die Hit-Giganten (number: 2007-03-02) (order: 29)