The Chronological Classics: Jess Stacy 1951-1956

~ Release by Jess Stacy (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1You Took Advantage of Me
double bass:
Morty Corb (bass, USA) (on 1951-03-16)
drums (drum set):
Nick Fatool (on 1951-03-16)
guitar:
George van Eps (on 1951-03-16)
piano:
Jess Stacy (on 1951-03-16)
instrumental recording of:
You Took Advantage of Me (on 1951-03-16)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:35
2Fascinating Rhythm
double bass:
Morty Corb (bass, USA) (on 1951-03-16)
drums (drum set):
Nick Fatool (on 1951-03-16)
guitar:
George van Eps (on 1951-03-16)
piano:
Jess Stacy (on 1951-03-16)
instrumental recording of:
Fascinatin’ Rhythm (on 1951-03-16)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:12
3I Can't Get Started
double bass:
Morty Corb (bass, USA) (on 1951-03-16)
drums (drum set):
Nick Fatool (on 1951-03-16)
guitar:
George van Eps (on 1951-03-16)
piano:
Jess Stacy (on 1951-03-16)
instrumental recording of:
I Can’t Get Started (on 1951-03-16)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:56
4I Want to Be Happy
double bass:
Morty Corb (bass, USA) (on 1951-03-16)
drums (drum set):
Nick Fatool (on 1951-03-16)
guitar:
George van Eps (on 1951-03-16)
piano:
Jess Stacy (on 1951-03-16)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1951-03-16)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:45
5Indiana
double bass:
Morty Corb (bass, USA) (on 1951-04-10)
drums (drum set):
Nick Fatool (on 1951-04-10)
guitar:
George van Eps (on 1951-04-10)
piano:
Jess Stacy (on 1951-04-10)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1951-04-10)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:35
6Stars Fell on Alabama
double bass:
Morty Corb (bass, USA) (on 1951-04-10)
drums (drum set):
Nick Fatool (on 1951-04-10)
guitar:
George van Eps (on 1951-04-10)
piano:
Jess Stacy (on 1951-04-10)
instrumental recording of:
Stars Fell on Alabama (on 1951-04-10)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:57
7If I Could Be With You
double bass:
Morty Corb (bass, USA) (on 1951-04-10)
drums (drum set):
Nick Fatool (on 1951-04-10)
guitar:
George van Eps (on 1951-04-10)
piano:
Jess Stacy (on 1951-04-10)
instrumental recording of:
If I Could Be With You (One Hour Tonight) (on 1951-04-10)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
2:30
8Oh Baby
double bass:
Morty Corb (bass, USA) (on 1951-04-10)
drums (drum set):
Nick Fatool (on 1951-04-10)
guitar:
George van Eps (on 1951-04-10)
piano:
Jess Stacy (on 1951-04-10)
2:50
9Roll 'em
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
recording of:
Roll ’em (on 1954-04-15)
composer:
Mary Lou Williams
publisher:
EMI United Partnership Ltd. (in 2016)
4:01
10Where or When
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1954-04-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:56
11Sing Sing Sing
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
instrumental recording of:
Sing, Sing, Sing (With a Swing) (on 1954-04-15)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
3:17
12Let's Dance
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
instrumental recording of:
Let’s Dance (Benny Goodman’s theme song) (on 1954-04-15)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber (composer)
0:26
13Goodbye
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
instrumental recording of:
Goodbye (on 1954-04-15)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
0:52
14King Porter Stomp
recorded in:
Los Angeles, California, United States (on 1954-04-15)
baritone saxophone:
Chuck Gentry (on 1954-04-15)
bass:
Artie Shapiro (on 1954-04-15)
double bass:
Arthur "Artie" Shapiro (on 1954-04-15)
drums (drum set):
Nick Fatool (on 1954-04-15)
guitar:
Allan Reuss (on 1954-04-15)
piano:
Jess Stacy (on 1954-04-15)
reeds and reeds [alto sax, clarinet]:
Heinie Beau (on 1954-04-15)
tenor saxophone:
Vido Musso (on 1954-04-15)
trombone:
Murray McEachern (on 1954-04-15)
trumpet:
Ziggy Elman (on 1954-04-15)
arranger:
Heinie Beau
recording of:
King Porter Stomp (on 1954-04-15)
composer:
Jelly Roll Morton
4:28
15Don't Be That Way
recorded in:
Los Angeles, California, United States (on 1954-04-29)
alto saxophone and reeds:
Heinie Beau (on 1954-04-29)
baritone saxophone:
Joe Koch (on 1954-04-29)
bass:
Artie Shapiro (on 1954-04-29)
double bass:
Arthur "Artie" Shapiro (on 1954-04-29)
drums (drum set):
Nick Fatool (on 1954-04-29)
guitar:
Al Hendrickson (on 1954-04-29)
piano:
Jess Stacy (on 1954-04-29)
tenor saxophone:
Babe Russin (on 1954-04-29)
trombone:
Ted Vesely (on 1954-04-29)
trumpet:
Ziggy Elman (on 1954-04-29)
arranger:
Heinie Beau
instrumental recording of:
Don’t Be That Way (on 1954-04-29)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
3:17
16Sometimes I'm Happy
recorded in:
Los Angeles, California, United States (on 1954-04-29)
alto saxophone and reeds:
Heinie Beau (on 1954-04-29)
baritone saxophone:
Joe Koch (on 1954-04-29)
double bass:
Artie Shapiro (on 1954-04-29)
drums (drum set):
Nick Fatool (on 1954-04-29)
guitar:
Al Hendrickson (on 1954-04-29)
piano:
Jess Stacy (on 1954-04-29)
tenor saxophone:
Babe Russin (on 1954-04-29)
trombone:
Ted Vesely (on 1954-04-29)
trumpet:
Ziggy Elman (on 1954-04-29)
arranger:
Heinie Beau
instrumental recording of:
Sometimes I’m Happy (on 1954-04-29)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1955 movie)
part of:
Hit the Deck (1927 musical)
3:22
17When Buddha Smiles
recorded in:
Los Angeles, California, United States (on 1954-04-29)
alto saxophone and reeds:
Heinie Beau (on 1954-04-29)
baritone saxophone:
Joe Koch (on 1954-04-29)
double bass:
Artie Shapiro (on 1954-04-29)
drums (drum set):
Nick Fatool (on 1954-04-29)
guitar:
Al Hendrickson (on 1954-04-29)
piano:
Jess Stacy (on 1954-04-29)
tenor saxophone:
Babe Russin (on 1954-04-29)
trombone:
Ted Vesely (on 1954-04-29)
trumpet:
Ziggy Elman (on 1954-04-29)
arranger:
Heinie Beau
recording of:
When Buddha Smiles (on 1954-04-29)
composer:
Nacio Herb Brown (US songwriter)
2:35
18Down South Camp Meeting
recorded in:
Los Angeles, California, United States (on 1954-04-29)
alto saxophone and reeds:
Heinie Beau (on 1954-04-29)
baritone saxophone:
Joe Koch (on 1954-04-29)
double bass:
Artie Shapiro (on 1954-04-29)
drums (drum set):
Nick Fatool (on 1954-04-29)
guitar:
Al Hendrickson (on 1954-04-29)
piano:
Jess Stacy (on 1954-04-29)
tenor saxophone:
Babe Russin (on 1954-04-29)
trombone:
Ted Vesely (on 1954-04-29)
trumpet:
Ziggy Elman (on 1954-04-29)
arranger:
Heinie Beau
instrumental recording of:
Down South Camp Meetin’ (on 1954-04-29)
lyricist:
Jon Hendricks
composer:
Fletcher Henderson and Irving Mills
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:05
19You Turned the Tables on Me
recorded in:
Los Angeles, California, United States (on 1955-10-06)
bass:
Artie Shapiro (on 1955-10-06)
double bass:
Arthur "Artie" Shapiro (on 1955-10-06)
drums (drum set):
Nick Fatool (on 1955-10-06)
piano:
Jess Stacy (on 1955-10-06)
instrumental recording of:
You Turned the Tables on Me (on 1955-10-06)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
2:54
20I Must Have That Man
recorded in:
Los Angeles, California, United States (on 1955-10-06)
bass:
Artie Shapiro (on 1955-10-06)
double bass:
Arthur "Artie" Shapiro (on 1955-10-06)
drums (drum set):
Nick Fatool (on 1955-10-06)
piano:
Jess Stacy (on 1955-10-06)
instrumental recording of:
I Must Have That Man (on 1955-10-06)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:18
21Gee, Ain't I Good to You
recorded in:
Los Angeles, California, United States (on 1955-10-06)
bass:
Artie Shapiro (on 1955-10-06)
double bass:
Arthur "Artie" Shapiro (on 1955-10-06)
drums (drum set):
Nick Fatool (on 1955-10-06)
piano:
Jess Stacy (on 1955-10-06)
instrumental recording of:
Gee, Baby Ain’t I Good to You (on 1955-10-06)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
22Blues for Otis Ferguson
recorded in:
Los Angeles, California, United States (on 1955-10-06)
bass:
Artie Shapiro (on 1955-10-06)
double bass:
Arthur "Artie" Shapiro (on 1955-10-06)
drums (drum set):
Nick Fatool (on 1955-10-06)
piano:
Jess Stacy (on 1955-10-06)
3:45
23Boo-Boos for Bob
drums (drum set):
Nick Fatool (on 1956-03-03)
piano:
Jess Stacy (on 1956-03-03)
3:18
24Ec-stacy
drums (drum set):
Nick Fatool (on 1956-03-03)
piano:
Jess Stacy (on 1956-03-03)
3:09
25Complainin'
drums (drum set):
Nick Fatool (on 1956-03-03)
piano:
Jess Stacy (on 1956-03-03)
2:21
26Ain't Goin' Nowhere
drums (drum set):
Nick Fatool (on 1956-03-03)
piano:
Jess Stacy (on 1956-03-03)
2:37

Credits

Release

ASIN:FR: B000YYPBIS [info]

Release group

part of:The Chronological Classics (number: 1453) (order: 962)