Body and Soul

~ Release by Billie Holiday (see all versions of this release, 5 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:24
A2They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:15
A3Darn That Dream
recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
6:21
A4Let's Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:29
B1Comes Love
recording of:
Comes Love
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
4:05
B2Gee, Baby, Ain't I Good to You
recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
5:41
B3Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:53
B4Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:56