Fanfare for the Common Man: The Music of Aaron Copland

~ Release by Aaron Copland (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Fanfare for the Common Man
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-08)
conductor:
Zubin Mehta (conductor) (in 1977-08)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-08) and James Lock (engineer) (in 1977-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-08)
recording of:
Fanfare for the Common Man (in 1977-08)
composer:
Aaron Copland (composer) (in 1942)
2:53
2Appalachian Spring: Very slowly
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:55
3Appalachian Spring: Allegro
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: II. Allegro (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:49
4Appalachian Spring: Moderato: The Bride and Her Intended
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:30
5Appalachian Spring: Fast: The Revivalist and His Flock
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:30
6Appalachian Spring: Allegro: Solo Dance of the Bride
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:53
7Appalachian Spring: Meno Mosso
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VI. As at First (Slowly) (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
1:58
8Appalachian Spring: Doppio Movimento: Variations on a Shaker Hymn
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:43
9Appalachian Spring: Moderato: Coda
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VIII. Moderato: Coda (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:10
10Clarinet Concerto: Slow movement
clarinet:
Richard Hosford (British clarinettist)
orchestra:
Chamber Orchestra of Europe
conductor:
Thierry Fischer (Swiss conductor and flutist)
recording of:
Clarinet Concerto: I. Slowly and expressively
composer:
Aaron Copland (composer) (from 1947 until 1949)
part of:
Clarinet Concerto
8:50
11Four Dance Episodes From Rodeo: Buckaroo Holiday
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: I. Buckaroo Holiday (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
8:38
12Four Dance Episodes From Rodeo: Corral Nocturne
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: II. Corral Nocturne (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (symphonic version)
3:33
13Four Dance Episodes From Rodeo: Saturday Night Waltz
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: III. Saturday Night Waltz (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
4:17
14Four Dance Episodes From Rodeo: Hoe-Down
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Rodeo: IV. Hoedown (in 1981-05)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
3:45
15Lincoln Portrait
producer:
Ray Minshull (record producer)
spoken vocals:
Gregory Peck (in 1968-05)
orchestra:
Los Angeles Philharmonic (in 1968-05)
conductor:
Zubin Mehta (conductor) (in 1968-05)
balance engineer:
James Lock (engineer) (in 1968-05) and Gordon Parry (engineer) (in 1968-05)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1968-05)
recording of:
Lincoln Portrait (in 1968-05)
composer:
Aaron Copland (composer) (in 1942)
15:08
16Ceremonial Fanfare
producer:
Chris Hazell
performer:
Philip Jones Brass Ensemble (in 1976-02)
balance engineer:
John Dunkerley (engineer) (in 1976-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Ceremonial Fanfare (in 1976-02)
composer:
Aaron Copland (composer)
publisher:
Boosey & Hawkes Music Publishers, Ltd
3:40
▼ CD 2
#TitleRatingLength
1Quiet City
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
cor anglais [cor anglais]:
Celia Nicklin (oboist) (in 1976-10)
trumpet:
Michael Laird (classical trumpeter) (in 1976-10)
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Quiet City (for English horn, trumpet and strings) (in 1976-10)
composer:
Aaron Copland (composer) (in 1940)
is based on:
Quiet City (incidental music)
8:52
2Music for the Movies: New England Countryside
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: I. New England Countryside (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
6:14
3Music for the Movies: Barley Wagons
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: II. Barley Wagons (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:14
4Music for the Movies: Sunday Traffic
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: III. Sunday Traffic (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:31
5Music for the Movies: Grovers Corners
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town") (in 1980-04)
composer:
Aaron Copland (composer) (in 1940)
part of:
Music for Movies Suite
2:59
6Music for the Movies: Threshing Machines
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: V. Threshing Machines (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
3:23
7El Salón México
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
El salón México (in 1981-05)
composer:
Aaron Copland (composer) (from 1932 until 1936)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
10:31
8Billy the Kid: Introduction: The Open Prairie
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman (conductor)
recording of:
Billy the Kid: I. Introduction: The Open Prairie
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
3:25
9Billy the Kid: Street in a Frontier Town
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman (conductor)
recording of:
Billy the Kid: II. Street in a Frontier Town
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
3:22
10Billy the Kid: Celebration (After Billy’s Capture)
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman (conductor)
recording of:
Billy the Kid: VI. Celebration (After Billy’s Capture)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
9:45
11Danzón Cubano
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman (conductor)
recording of:
Danzón cubano (for orchestra)
orchestrator:
Aaron Copland (composer) (in 1946)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
orchestration of:
Danzón cubano (for two pianos)
7:02
12Dance Symphony: Lento - Molto allegro - Allegro molto
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: I. Lento - Molto allegro - Adagio molto (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
7:10
13Dance Symphony: Andante moderato
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: II. Andante moderato (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
4:32
14Dance Symphony: Allegro vivo
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1981-05)
conductor:
Antal Doráti (conductor) (in 1981-05)
balance engineer:
James Lock (engineer) (in 1981-05)
recorded at:
United Artists Theatre Building in Detroit, Michigan, United States (in 1981-05)
recording of:
Dance Symphony: III. Allegro vivo (in 1981-05)
composer:
Aaron Copland (composer) (in 1925)
part of:
Dance Symphony
5:30

Credits

Release

ASIN:UK: B000026B9B [info]