Domination

~ Release by Cannonball Adderley with Orchestra arranged and conducted by Oliver Nelson (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Domination
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Richard Davis (American jazz bassist) (on 1965-04-26)
drums (drum set):
Grady Tate (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:42
2Cyclops
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Richard Davis (American jazz bassist) (on 1965-04-26)
drums (drum set):
Grady Tate (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
4:44
3Introduction to a Samba
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
5:13
4Shake a Lady
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:04
5Interlude
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
4:53
6Mystified (aka Angel Face)
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004) and Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:50
7I Worship You
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Richard Davis (American jazz bassist) (on 1965-04-26)
drums (drum set):
Grady Tate (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
6:21
8Gon Gong
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Richard Davis (American jazz bassist) (on 1965-04-26)
drums (drum set):
Grady Tate (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:36
9Experience in E
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
acoustic bass guitar:
Max Bennett (US jazz bassist and session musician) (on 1970-05-20), Ray Brown (jazz bassist) (on 1970-05-20), Morty Corb (bass, USA) (on 1970-05-20), Al McKibbon (on 1970-05-20) and Bob West (US session bassist, producer & songwriter) (on 1970-05-20)
alto saxophone:
Cannonball Adderley (on 1970-05-20)
bassoon:
Don Chrislieb (on 1970-05-20)
cello:
Armond Kaproff (on 1970-05-20), Edgar Lustgarden (on 1970-05-20), Ray Kramer (on 1970-05-20) and Jeffrey Solow (on 1970-05-20)
clarinet, flute and piccolo:
Bill Green (woodwind) (on 1970-05-20)
cornet and trumpet:
Nat Adderley (on 1970-05-20)
double bass:
Walter Booker (on 1970-05-20)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1970-05-20)
electric piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1970-05-20)
French horn:
Art Maebe (US horn player) (on 1970-05-20) and David Duke (US french horn player) (on 1970-05-20)
oboe:
Jerry Kasper (on 1970-05-20) and Ernie Watts (jazz and blues saxophonist) (on 1970-05-20)
percussion:
John Arnold (vibraphone) (on 1970-05-20)
percussion [mallets]:
Gary Coleman (US percussionist) (on 1970-05-20)
saxophone:
Gene Cipriano (on 1970-05-20) and Jackie Kelso (on 1970-05-20)
trombone:
Dick Leith (trombonist) (on 1970-05-20) and Dick Hyde (on 1970-05-20)
trumpet:
Freddie Hill (trumpet) (on 1970-05-20) and Paul Hubinon (on 1970-05-20)
viola:
Gary Nuttycombe (violist) (on 1970-05-20), Allan Harshman (on 1970-05-20), Joe Reilich (on 1970-05-20), Sam Boghossian (on 1970-05-20), Myron Sandler (on 1970-05-20) and Milton Thomas (violist) (on 1970-05-20)
violin:
Israel Baker (violinist) (on 1970-05-20), Bill Henderson (violinist, concertmaster and strings) (on 1970-05-20), Bill Hymanson (on 1970-05-20), Assa Drori (on 1970-05-20), Jerry Vinci (American violinist and strings conductor) (on 1970-05-20), Jim Getzoff (American concertmaster and violinist) (on 1970-05-20), Marvin Limonick (on 1970-05-20), Stanley Plummer (on 1970-05-20), Lou Raderman (on 1970-05-20), Ralph Shaeffer (on 1970-05-20), Henry Roth (violinist) (on 1970-05-20) and Paul Shure (on 1970-05-20)
conductor:
William Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1970-05-20)
arranger:
William Fischer (American keyboardist, saxophonist, arranger, and composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1970-05-20)
20:16