The Sound of 65 / There’s a Bond Between Us

~ Release by The Graham Bond Organisation (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Hoochie Coochie Man
producer:
Robert Stigwood
alto saxophone, Hammond organ and lead vocals:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
cover recording of:
I’m Your Hoochie Coochie Man
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
3:14
2Baby Make Love to Me
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Baby Make Love to Me
writer:
Janet Godfrey and John Group
publisher:
Peermusic (UK) Ltd
1:53
3Neighbour Neighbour
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Neighbour Neighbour
writer:
Valior
publisher:
BMG Music Publishing Ltd. and Chappell Morris Ltd.
32:40
4Early in the Morning
producer:
Robert Stigwood
alto saxophone, Hammond organ and lead vocals:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
arranger:
John Group
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Early in the Morning
writer:
[traditional] (special purpose artist)
publisher:
Peermusic (UK) Limited
1:51
5Spanish Blues
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Spanish Blues
writer:
Graham Bond
publisher:
Marquis Music Co., Ltd.
3:05
6Oh Baby
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Oh Baby
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
2:43
7Little Girl
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Little Girl
lyricist and composer:
Graham Bond
publisher:
Marquis Music Co., Ltd.
2:16
8I Want You
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
trumpet [trumpeters]:
Ian Hamer and John Hockridge
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
I Want You
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
1:46
9Wade in the Water
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
arranger:
Paul Getty and John Group
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Wade in the Water
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Peermusic (UK) Limited
part of:
Roud Folk Song Index (number: 5439)
2:42
10Got My Mojo Working
producer:
Robert Stigwood
alto saxophone, Hammond organ and lead vocals:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
cover recording of:
Got My Mojo Working (original version)
lyricist and composer:
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:11
11Train Time
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Train Time
writer:
John Group
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
32:24
12Baby Be Good to Me
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Baby Be Good to Me
writer:
Janet Godfrey and John Group
publisher:
Peermusic (UK) Limited
32:35
13Half a Man
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
background vocals:
Jack Bruce and unidentified female backing singers (Special Purpose Artist – Do not add releases here, if possible.)
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Half a Man
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
2:06
14Tammy
producer:
Robert Stigwood
alto saxophone and Hammond organ:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
trumpet [trumpeters]:
Ian Hamer and John Hockridge
background vocals:
Jack Bruce and unidentified female backing singers (Special Purpose Artist – Do not add releases here, if possible.)
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Tammy
writer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 30th Academy Award for Best Original Song (number: 2)
cover recording of:
Tammy
writer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 30th Academy Award for Best Original Song (number: 2)
2:50
15Who’s Afraid of Virginia Woolf?
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Who’s Afraid of Virginia Woolf?
writer:
Don Kirkpatrick (jazz pianist) and Keith Knox (executive producer at Silkheart Records)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
32:05
16Hear Me Calling Your Name
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Hear Me Calling Your Name
writer:
Jack Bruce
publisher:
Peermusic (UK) Limited
2:38
17The Night Time Is the Right Time
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Night Time Is the Right Time
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
3:01
18Walkin’ in the Park
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Walkin' in the Park
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
3:31
19Last Night
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
3:01
20Baby Can It Be True?
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Baby Can It Be True?
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
5:05
21What’d I Say?
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
34:17
22Dick’s Instrumental
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Dick's Instrumental
composer:
Dick Heckstall‐Smith
publisher:
Peermusic (UK) Limited
2:34
23Don’t Let Go
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
cover recording of:
Don’t Let Go
lyricist and composer:
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:44
24Keep A-Drivin’
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar and double bass:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
background vocals:
Jack Bruce and unidentified female backing singers (Special Purpose Artist – Do not add releases here, if possible.)
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Keep A-Drivin'
writer:
Chuck Willis
publisher:
Kassner Associated Publishers
2:05
25Have You Ever Loved a Woman?
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Have You Ever Loved a Woman?
writer:
Graham Bond
publisher:
Peermusic (UK) Limited
4:53
26Camels and Elephants
producer:
Robert Stigwood
alto saxophone, Hammond organ and mellotron:
Graham Bond
bass guitar, double bass and background vocals:
Jack Bruce
drums (drum set):
Ginger Baker
tenor saxophone:
Dick Heckstall‐Smith
lead vocals:
Graham Bond and Jack Bruce
phonographic copyright (℗) by:
Columbia (Sony Music, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and EMI (EMI Records, since 1972) (in 1965)
recording of:
Camels and Elephants
writer:
Ginger Baker
publisher:
Peermusic (UK) Limited
4:41

Credits

Release

manufactured in:Great Britain
liner notes:Vicki Wickham (in 1965)
Harry Shapiro (liner notes) (in 1999-11)
graphic design:CLE (art, design)
design:Ginger Baker
distributed by:Universal Music Group (has logo with just “Universal Music Group”)
copyrighted (©) by:BGO Records (BGO Records) (in 1999)
Discogs:https://www.discogs.com/release/1602351 [info]
ASIN:UK: B00002MP7R [info]