The No. 1 Movies Album

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

1. 4 Weddings and a Funeral
2. Batman Forever
3. Pretty Woman
4. Bram Stoker's Dracula
5. Mad Max III
6. Days of Thunder
7. Young Americans
8. An Officer and a Gentleman
9. Scandal
10. Ghost
11. The Crying Game
12. Saturday Night Fever
13. Breaking Glass
14. For Your Eyes Only
15. License to Kill
16. Flashdance
17. Absolute Beginners
18. The Commitments
19. On Her Majesty's Secret Service

Annotation last modified on 2022-09-17 13:13 UTC.

Tracklist

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CD 1: The Love Scenes
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:00
2Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English-born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English-born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs and SPZ Music Incorporated
Seal3.754:49
3It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
4Love Song for a Vampire
engineer:
Heff Moraes
producer:
Stephen Lipson
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
conductor:
Anton Coppola (American conductor and composer)
recording of:
Love Song for a Vampire
composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
Universal Music Publishing International MGB Ltd.
part of:
Bram Stoker’s Dracula
Annie Lennox24:19
5We Don't Need Another Hero (Thunderdome)
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.354:16
6Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:44
7Play Dead
producer:
Danny Cannon
performer:
David Arnold (English score composer)
recording of:
Play Dead
writer:
David Arnold (English score composer), Björk and Jah Wobble
Björk & David Arnold2.53:41
8Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:49
9Nothing Has Been Proved
Dusty Springfield4:15
10Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
11The Crying Game
programming:
Pete Gleadall
engineer:
Pete Schwier (producer, mixing and recording engineer)
producer:
Pet Shop Boys
vocals and performer:
Boy George
phonographic copyright (℗) by:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:22
12How Deep Is Your Love
producer:
Bee Gees, Albhy Galuten and Karl Richardson
bass:
Maurice Gibb (in 1977)
drums (drum set):
Dennis Bryon (Welsh drummer, author) (in 1977)
electric guitar:
Alan Kendall (in 1977)
guitar [rhythm guitar]:
Barry Gibb (in 1977)
keyboard, piano and synthesizer:
Blue Weaver (in 1977)
percussion:
Dennis Bryon (Welsh drummer, author) (in 1977) and Joe Lala (in 1977)
background vocals and other vocals [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
lead vocals:
Barry Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 367)
recording of:
How Deep Is Your Love (Bee Gees song) (in 1977)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell Music Taiwan Ltd., シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Bee Gees4.34:00
13Will You?
recording of:
Will You?
lyricist and composer:
Hazel O’Connor
publisher:
Albion Music Ltd.
Hazel O’Connor4:49
14For Your Eyes OnlySheena Easton33:04
15License to Kill
associate producer:
Walter "Babylove" Afanasieff*
producer:
Narada Michael Walden
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
lyricist:
Walter Afanasieff, Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer), Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
Gladys Knight44:14
16Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 56)
Irene Cara3.83:52
17Absolute Beginners
recording of:
Absolute Beginners
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd and Jones Music (publishers associated with David Bowie) (in 1986)
David Bowie5:18
18Try a Little Tenderness
background vocals:
Angeline Ball, Bronagh Gallagher (Irish singer and actress) and Maria Doyle
vocals:
Andrew Strong (Irish singer)
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
The Commitments24:33
19We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
CD 2: The Action Scenes
#TitleArtistRatingLength
1The Living Daylights
producer:
a‐ha (Norwegian synth-pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen and Paul Waaktaar-Savoy
vocals:
a‐ha (Norwegian synth-pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
writer:
Paul Waaktaar-Savoy
publisher:
ATV Music and BMG Music
a‐ha44:15
2Hold Me, Thrill Me, Kiss Me, Kill Me
assistant programming:
Paul “PW” Walton
programming:
Marius de Vries
engineer:
Robbie Adams and Flood (British producer Mark Ellis)
producer:
Bono (singer of U2), The Edge (U2 guitarist David Evans) and Nellee Hooper
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen
guitar:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
keyboard [keyboards]:
Marius de Vries and The Edge (U2 guitarist David Evans)
vocals:
Bono (singer of U2)
strings arranger:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1995) and PolyGram International Music B.V. (not for release label use!) (in 1995)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom, The Factory in Dublin, County Dublin, Leinster, Ireland, Wild Bunch Studio in London (Greater London), England, United Kingdom and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Hold Me, Thrill Me, Kiss Me, Kill Me
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd., Mother Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (from 1995 to present)
U23.454:46
3You Could Be Mine
engineer:
Mike Clink
producer:
Mike Clink and Guns N’ Roses (American hard rock band from Los Angeles)
mixer:
Bill Price (UK producer/engineer)
bass:
Duff McKagan (from 1990-01-13 until 1991-08-03)
drums (drum set):
Matt Sorum (from 1990-01-13 until 1991-08-03)
electric guitar [lead/rhythm]:
Slash (Guns N’ Roses guitarist) (from 1990-01-13 until 1991-08-03)
electric guitar [rhythm]:
Izzy Stradlin (from 1990-01-13 until 1991-08-03)
background vocals:
Duff McKagan (from 1990-01-13 until 1991-08-03) and Izzy Stradlin (from 1990-01-13 until 1991-08-03)
vocals:
Axl Rose (from 1990-01-13 until 1991-08-03)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1991) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1991)
recording of:
You Could Be Mine (from 1990-01-13 until 1991-08-03)
writer:
Axl Rose and Izzy Stradlin
publisher:
Black Frog Music and Guns N’ Roses Music
Guns N’ Roses3.655:44
4Blaze of Glory
additional recording engineer:
Obie O’Brien
recording engineer and mixer:
Brian "Mutt" Scheuble and Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
assistant engineer:
Greg Goldman, Chad Munsey and Rick Plank
producer:
Jon Bon Jovi and Danny Kortchmar
12 string guitar, acoustic guitar, electric guitar and piano and lead vocals:
Jon Bon Jovi
acoustic guitar, electric guitar and keyboard:
Aldo Nova (Canadian Rock Musician)
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set) and percussion:
Kenny Aronoff
guest solo guitar:
Jeff Beck (English rock guitarist)
organ:
Benmont Tench
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Blaze of Glory
lyricist and composer:
Jon Bon Jovi
publisher:
PolyGram Music Publishing Ltd., Bon Jovi Publishing (in 1990, in 1992), PRI Music, Inc. (in 1990) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1992)
part of:
The 63rd Academy Award for Best Original Song (number: 2)
Jon Bon Jovi45:44
5Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:22
6A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.553:36
7DoublebackZZ Top3.353:58
8Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship4.154:26
9Eye of the TigerSurvivor4.753:47
10Holding Out for a HeroBonnie Tyler4:11
11The Kids Are Alright
producer:
Shel Talmy
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1965-10)
recording of:
The Kids Are Alright (in 1965-10)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who4.52:47
12Pinball Wizard
engineer:
Ron Nevison
producer:
Gus Dudgeon
bass and bass guitar:
Dee Murray
congas and tambourine and percussion:
Ray Cooper (percussionist)
drums (drum set) and membranophone:
Nigel Olsson
guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
vocals:
Elton John (English singer, songwriter, pianist, and composer)
orchestrator:
Gene Page
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 2000)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States, Eel Pie Studios in London (Greater London), England, United Kingdom and Ramport Studios in Battersea, Wandsworth, London (Greater London), England, United Kingdom
cover recording of:
Pinball Wizard
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
Elton John45:09
13Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler, Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs4.54:01
14Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:27
15The Heat Is On
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3:39
16The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
17Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.33:04
18Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel4.053:24
19Tubular BellsMike Oldfield44:17