The Art of the Bawdy Song

~ Release by The Baltimore Consort & The Merry Companions (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Prelewd: Aniseed Robin (Anony. 1651)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Aniseed Robin (in 1990-10)
1:19
2Prelewd: Cuckolds all a-row (Anony. 1651)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Cuckolds all a-row (in 1990-10)
composer:
[traditional] (special purpose artist)
0:55
3To the Tavern: I gave her Cakes and I gave her Ale (Purcell 1659-1695)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
I gave her cakes and I gave her ale, Z. 256 (in 1990-10)
composer:
Henry Purcell (baroque composer) (in 1690)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 256)
1:36
4To the Tavern: Taking his beer with old Anacharsis (Aldridge 1648-1710)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Taking his beer with old Anacharsis (in 1990-10)
1:19
5To the Tavern: Fye, nay, prithee John (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Fye, nay, prithee John (in 1990-10)
1:10
6Men & Maids: Cold and Raw (D'Urfey 1653-1723)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Cold and Raw (in 1990-10)
composer:
Thomas D’Urfey
4:13
7Coming of Age: The Miller's Daughter (purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad) and Alexander Blachly (chorus master)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
The miller's daughter riding, Z. 277 (in 1990-10)
composer:
Henry Purcell (baroque composer) (in 1686)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 277)
1:30
8Coming of Age: Will said to his Mammy (Jones 1597-1615)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
lute:
Ronn McFarlane (lutenist)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Will said to his Mammy (in 1990-10)
2:51
9Anticlimaxes: The Old Fumbler (Anon. Pills 1719)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
lute:
Ronn McFarlane (lutenist)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
The Old Fumbler (in 1990-10)
1:34
10Anticlimaxes: Walking in a Meadowe Greene (Anon. 17th c.)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Walking in a Meadowe Greene (in 1990-10)
5:06
11Measure of the Man: Celia learning on the Spinnet (Isum 1680-1726)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
tambourine and virginal:
Webb Wiggins
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Celia learning on the Spinnet (from 1190-10 until 1990-10)
composer:
John Isum (18th century composer)
1:57
12Measure of the Man: Tom the Taylor (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Tom the Taylor (in 1990-10)
1:18
13Measure of the Man: My Lady's Coachman John (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
My lady's coachman, John, Z. 260 (in 1990-10)
composer:
Henry Purcell (baroque composer) (in 1688)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 260)
1:26
14Dancing in the Grass: The Irish Jig or The Night Ramble (Anon.Pills)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
tambourine and virginal:
Webb Wiggins
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
The Irish Jig/The Night Ramble (in 1990-10)
3:10
15Tobacco & other Stimulants: Come sirrah Jacke hoe (Weelkes 1608)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Ayres or Phantasticke Spirits for Three Voices: VI. Come, Sirrah Jack, Ho! (in 1990-10)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
2:38
16Tobacco & other Stimulants: Dainty fine Aniseed water (Anon. 1652)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Dainty fine Aniseed water (in 1990-10)
composer:
William Lawes
1:21
17Tobacco & other Stimulants: Most men do love the Spanish wine (Anon. 1595)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
lute:
Ronn McFarlane (lutenist)
baritone vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Most men do love the Spanish wine (in 1990-10)
1:19
18Interlewd: Argeers (Anon.)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
The wedding night (Argeers) (in 1990-10)
1:51
19Interlewd: Gathering Peascods (Anon.)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Gathering Peascods (in 1990-10)
2:23
20Scat(tological) Songs: My lady and her Maid (Ellis)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
My lady and her Maid (in 1990-10)
0:58
21Scat(tological) Songs: As Roger last Night to Jenny lay close (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
As Roger last night to Jenny lay close, Z. 242 (in 1990-10)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 242)
1:40
22Scat(tological) Songs: Pox on you (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
guest other instruments:
Lorenzo Labbrobacio
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Pox on you for a fop, Z. 268 (in 1990-10)
writer and composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 268)
1:58
23Fresh Ayre: Ladie lie near me (Anon. 1651)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Ladie lie near me (in 1990-10)
3:05
24Men and Women: 'Tis Women makes us love (Blow)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
'Tis Women makes us love (in 1990-10)
1:21
25Men and Women: Sir Walter enjoying his Damsel (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Sir Walter enjoying his damsel, catch for 3 voices, Z. 273 (in 1990-10)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 273)
1:17
26Her Thing & His Thing: My Thing is my Own (Anon. Pills)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
tambourine and virginal:
Webb Wiggins
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
My Thing is my Own (in 1990-10)
5:04
27Her Thing & His Thing: Here dwells a pretty Maid (Cranford (1650-1675)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Here dwells a pretty Maid (in 1990-10)
0:44
28Her Thing & His Thing: My man John had a Thing that was long (Eccles 1668-1735)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
My man John had a Thing that was long (in 1990-10)
2:19
29Her Thing & His Thing: When first Amyntas sued for a Kiss (Anon. Pills)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
soprano vocals:
Custer LaRue (soprano)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
When first Amyntas sued for a Kiss (in 1990-10)
3:39
30Vinum Bonum: More Palatino (arr. Sweelinck 1562-1621)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
tambourine and virginal:
Webb Wiggins
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
More palatino (in 1990-10)
composer:
Jan Pieterszoon Sweelinck (composer and organist)
part of:
SwWV (Sweelinck-Werke Verzeichnis) (number: 318)
3:50
31Vinum Bonum: Poor Owen (Church 1675-1741)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Poor Owen (in 1990-10)
3:09
32Vinum Bonum: Where they drank (Church 1675-1741)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol, fiddle and treble viol:
Mary Anne Ballard
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad), Alexander Blachly (chorus master) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Where they drank their wine (in 1990-10)
0:39
33Vinum Bonum: Come, come, let us drink (Purcell)
engineer:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels), Craig D. Dory, Brian C. Peters and David H. Walters (engineer)
producer and editor:
Douglas Brown (composer, lyricist, editor, engineer, producer, associated with both Dorian and Brilliant Classic labels)
bass viol and recorder:
Larry Lipkis
bass viol, fiddle and treble viol:
Mary Anne Ballard
cittern, classical guitar [Renaissance guitar] and tenor recorder:
Mark Cudek
flute and tin whistle:
Chris Norman (Canadian flutist and composer)
lute:
Ronn McFarlane (lutenist)
tambourine and virginal:
Webb Wiggins
baritone vocals:
Peter Becker (German vocalist, member of Hudson Shad) and James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole)
bass vocals and other vocals:
Paul Shipper (bass singer and instrumentalist, pomerium, ensemble for early music, ARTEK, NY Alta band)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (in 1990-10)
recording of:
Come let us drink, Z. 245 (in 1990-10)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 245)
1:59

Credits

Release

graphic design:Michael P. Chrisner (graphic designer, of Chrisner and Christensen)
executive producer:Brian M. Levine
producer:Mary Anne Ballard (task: post-session)
Ronn McFarlane (lutenist) (task: post-session)
illustration:Gerard van Honthorst
ASIN:US: B000001Q93 [info]
other databases:http://www.worldcat.org/oclc/817794642 [info]
discography entry:https://baltimoreconsort.com/music/discography/the-art-of-the-bawdy-song/ [info]