# | Title | Artist | Rating | Length |
---|
1 | The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost | Edward Elgar | | 6:09 |
2 | The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight | Edward Elgar | | 2:47 |
3 | The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists | Edward Elgar | | 3:58 |
4 | The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances | Edward Elgar | | 5:18 |
5 | The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began | Edward Elgar | | 3:18 |
6 | The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet | Edward Elgar | | 2:51 |
7 | The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter | Edward Elgar | | 4:04 |
8 | The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces | Edward Elgar | | 3:37 |
9 | The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children | Edward Elgar | | 4:13 |
10 | Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl) | Edward Elgar | | 3:54 |
11 | Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg) | Edward Elgar | | 4:24 |
12 | Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach) | Edward Elgar | | 3:54 |
13 | Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton) | Edward Elgar | | 3:11 |
14 | Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp) | Edward Elgar | | 3:33 |
15 | Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau) | Edward Elgar | | 6:08 |