| # | Title | Artist | Rating | Length |
|---|
| 1 | I’m Your Angel | Céline Dion & R. Kelly | | 4:51 |
| 2 | Against All Odds (Take a Look at Me Now)- membranophone programming:
- Xavier Smith
- assistant engineer:
- Alessandro R.A. Benedetti, Manuel Farolfi, Xavier Smith and Brad Yost
- engineer:
- Dana Jon Chappelle and Steve Hodge
- producer:
- Mariah Carey, Jam & Lewis and Steve Mac
- mixer:
- Steve Hodge and Steve Mac
- cello:
- Josh Koestenbaum and Daryl Skobba
- guitar:
- Paul Gendler and Mike Scott
- instruments:
- Jam & Lewis, Jimmy Jam and Terry Lewis
- keyboard:
- Steve Mac and James Wright
- strings:
- Richard Niles
- viola:
- Alice Preves and Tamas Strasser
- violin:
- John Kennedy , Thomas Kornacker, Brenda Mickens, David Mickens, Elsa Nilsson, James Riccardo and Michal Sobieski
- additional background vocals:
- Wayne Hector and Mary Ann Tatum
- background vocals:
- Westlife
- background vocals and lead vocals:
- Mariah Carey
- strings arranger:
- Lee Blaske
- vocals arranger:
- Mariah Carey
- recorded at:
- Capri Digital Studios in Capri, Napoli, Campania, Italy and Flyte Tyme Studios in Edina, Minnesota, United States
- mixed at:
- Flyte Tyme Studios in Edina, Minnesota, United States
- cover recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Music Publishing Germany GmbH , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH , Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Mariah Carey | 5 | 3:26 |
| 3 | Show Me the Meaning of Being Lonely- engineer:
- Bo Reimer
- producer:
- Kristian Lundin (in 1999) and Max Martin (in 1999)
- mixer:
- Kristian Lundin and Max Martin
- cello:
- Åsa Forsberg and Samuli Örnströmer
- double bass:
- Michael Karlsson
- electric bass guitar [bass]:
- Tomas Lindberg
- guitar:
- Jojje Wadenius and Esbjörn Öhrwall
- viola:
- Åsa Stove Paulsson, Torbjörn Bernhardsson , Elisabeth Arnberg Ranmo, Ulf Forsberg , Hans Åkeson and Svein H. Martinsen
- violin:
- Tomas Andersson , Annette Mannheimer and Monika Stanikoliska
- vocals:
- Alexander James “A.J.” McLean , Brian “B-Rok” Littrell , Nick Carter , Howard “Howie D.” Dorough and Kevin Richardson
- orchestra:
- SNYKO
- conductor:
- Henrik Janson and Ulf Janson
- strings arranger:
- Henrik Janson and Ulf Janson
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1999)
- produced for:
- Cheiron Productions (in 1999)
- additionally recorded at:
- Polar Studios in Stockholm, Stockholms län, Sweden
- recorded at and mixed at:
- Cheiron Studios in Stockholm, Stockholms län, Sweden
- recording of:
- Show Me the Meaning of Being Lonely
- writer:
- Herbert Crichlow and Max Martin
- publisher:
- Grantsville Publishing Ltd., GV-MXM, Megasong Publishing A/S, Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Backstreet Boys | 3.45 | 3:55 |
| 4 | Rise | Gabrielle | 3.35 | 3:41 |
| 5 | Born to Make You Happy | Britney Spears | 3 | 3:37 |
| 6 | Runaway | The Corrs | | 4:05 |
| 7 | The Best of Me- recording engineer:
- Zach Blackstone (from 1999-09-11 until 1999-09-16) and Phil Western (from 1999-09-11 until 1999-09-16)
- programming:
- Phil Thornalley
- engineer:
- Zach Blackstone, Greg Goldman, Chris Potter and Phil Western
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- assistant mixer:
- Zach Blackstone (in 1999-09)
- mixer:
- Bob Clearmountain (in 1999-09)
- bass and lead vocals:
- BA (from 1999-08-30 until 1999-09-16)
- drums (drum set):
- Mickey Curry (on 1999-09-10)
- guitar:
- BA (from 1999-08-30 until 1999-09-16) and Mutt Lange (from 1999-08-30 until 1999-09-16)
- keyboard:
- Phil Western (from 1999-08-30 until 1999-09-16)
- strings arranger:
- BA and Bob Buckley
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1999), Badman Limited (in 1999), Badman Ltd. (in 1999) and Interscope Geffen (A&M) Records (in 1999)
- recorded at:
- Sully Sound in Switzerland (from 1999-08-30 until 1999-08-31), Conway Recording Studios in Hollywood, Los Angeles, California, United States (on 1999-09-10: drums (drum set)) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1999-09-11 until 1999-09-16)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (in 1999-09)
- recording of:
- The Best of Me (from 1999-08-30 until 1999-09-16)
- writer:
- Bryan Adams (from 1999-08-19 until 1999-08-20) and Robert John “Mutt” Lange (from 1999-08-19 until 1999-08-20)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd. and Zomba Enterprises, Inc.
| Bryan Adams | 4 | 3:35 |
| 8 | In Our Lifetime- recording engineer:
- Eddie Campbell , Richard Hynd, Johnny Mac, Kenny McDonald and Sharleen Spiteri
- additional programming:
- Kenny MacDonald
- programming:
- Eddie Campbell , Richard Hynd, Johnny McElhone, Sharleen Spiteri and Texas
- producer:
- Johnny Mac
- mixer:
- Mark “Spike” Stent
- additional percussion [beats]:
- Ben Chapman
- drums (drum set):
- Richard Hynd
- guitar:
- Johnny McElhone and Ally McErlaine
- keyboard:
- Eddie Campbell , Johnny McElhone and Sharleen Spiteri
- background vocals:
- Eddie Campbell , Robert Hodgens and Sharleen Spiteri
- phonographic copyright (℗) by:
- Grand Central Records Ltd. and Mercury Records Ltd. (London)
- recorded at:
- Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom and The Mix Suite in London , England, United Kingdom
- recording of:
- In Our Lifetime
- lyricist and composer:
- Johnny McElhone and Sharleen Spiteri
- publisher:
- EMI 10 Music
| Texas | 3 | 4:07 |
| 9 | I Try | Macy Gray | 4.1 | 3:59 |
| 10 | Crash & Burn | Savage Garden | 2.75 | 3:51 |
| 11 | Your Love Is King | Sade | | 3:39 |
| 12 | How Come, How Long | Babyface | | 5:13 |
| 13 | Adagio | Lara Fabian | | 4:29 |
| 14 | When I Said Goodbye | Steps | 2.5 | 3:33 |
| 15 | I Wanna Love You Forever | Jessica Simpson | | 4:01 |
| 16 | Private Emotion | Ricky Martin & Meja | 4 | 4:01 |
| 17 | Samba pa ti- engineer:
- David Brown and John Fiore
- producer:
- Fred Catero, Bob Irwin, Santana and Carlos Santana
- bass guitar:
- David Brown (on 1970-07-19)
- congas and percussion:
- Michael Carabello (on 1970-07-19)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1970-07-19)
- drums (drum set):
- Michael Shrieve (on 1970-07-19)
- guitar:
- Carlos Santana (on 1970-07-19)
- keyboard:
- Gregg Rolie (on 1970-07-19)
- percussion:
- Rico Reyes (on 1970-07-19)
- tabla:
- Steven Saphore (on 1970-07-19)
- arranger:
- Gregg Rolie and Carlos Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1970), Sony BMG Music Entertainment (in 1970) and Sony Music Entertainment Inc. (in 1970)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (on 1970-07-19)
- recording of:
- Samba pa ti (on 1970-07-19)
- composer:
- Carlos Santana
- publisher:
- BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music and Universal Music Careers
| Santana | 4 | 4:47 |
| 18 | Love Fool | The Cardigans | 3.7 | 3:17 |
| 19 | Crazy- programming:
- John Webster
- assistant engineer:
- Mike Plotnikoff
- engineer:
- Ken Lomas
- producer:
- Bruce Fairbairn
- mixer:
- Brendan O’Brien
- additional percussion, harmonica, mandolin and lead vocals:
- Steven Tyler
- Appalachian dulcimer [dulcimer]:
- Joe Perry
- baritone saxophone:
- Ian Putz
- drums (drum set) and percussion:
- Joey Kramer
- electric bass guitar [electric bass]:
- Tom Hamilton
- guitar:
- Joe Perry and Brad Whitford
- instruments:
- The Margarita Horns
- keyboard [keyboards]:
- Desmond Child, Steven Tyler and John Webster
- saxophone:
- Tom Keenlyside
- trombone:
- Bob Rogers
- trumpet:
- Paul Baron and Bruce Fairbairn
- vocals:
- Joe Perry
- orchestrator:
- David Campbell
- phonographic copyright (℗) by:
- Geffen Records (in 1993) and Geffen Records, Inc. (in 1993)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- mixed at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- part of:
- The Downloader’s Music Source Book (number: 221)
- recording of:
- Crazy
- writer:
- Desmond Child, Joe Perry and Steven Tyler
- publisher:
- JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. , Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) and Swag Song Music, Inc. (in 1992)
| Aerosmith | 3.9 | 5:17 |
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