Cool Heat - Anita O'Day Sings Jimmy Giuffre Arrangements

~ Release by Anita O’Day (see all versions of this release, 1 available)

Annotation

2 LPs on 1 CD plus 1 Bonus Track

This release presents the complete original album Cool Heat, which showcases the superlative Anita O'Day singing tailor-made arrangements by Jimmy Giuffre. She is backed by a variety of all-star combos featuring Frank Rosolino, Art Pepper, Conte Candoli, Jack Sheldon, Jim Hall, and of course, Giuffre himself. As a bonus, the complete album Anita O'Day Swings Cole Porter, recorded that same week, as well as the only track featuring O'Day from the soundtrack of the film "The Gene Krupa Story".

Personnel:

[1-12] Cool Heat:

[2, 4, 8 & 10] Frank Rosolino (tb), Jimy Giuffre (reeds, arr),
Alan Harding, Bud Shank (reeds), Jim Hall (g), George Morow (b) Mel Lewis (d).
Los Angeles, April 6, 1959.

[1,5,9 & 11] Frank Rosolino, Lester Robert son (tb), Art Peper (as),
Richie Kamuca (ts), Jimmy Giuffre (ts, bar, arr), George Morow (b), Mel Lewis (d).
Los Angeles, April 7, 1959.

[3,6-7 & 12] Conte Candoli, Tomy Reeves, Jack Sheldon (tp), Frank Rosolino,
Lester Robert son, Gil Falco (tb), Jim Hall (g), George Morow (b), Mel Lewis (d),
Jimmy Giuffre (arr). Los Angeles, April 8, 1959.

[13-24] Bonus album: Anita O'Day swings Cole Porter with Billy May:

Big band conducted by Billy May featuring Mannie Klein, Conrad Gozzo (tp),
Ronie Lang (as), George Morow (b) & Mel Lewis (d), among others. Billy May (arr).
Los Angeles, April 2 & 9, 1959.

[25] Bonus track : From the soundtrack of the film The Gene Krupa Story.
Beny Carter (as), Eddie Miller (ts), Red Nichols (cornet), Moe Schneider (tb),
Heinie Beau (cl, arr), Barney Kessel (g), Jess Stac y (p), Mort y Corb (b),
Gene Krupa (d). Los Angeles, December 23, 1959.

Annotation last modified on 2017-04-04 07:19 UTC.

Tracklist

CD 1
#TitleRatingLength
1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:10
2Easy Come, Easy Go
3:14
3Orphan Annie
2:03
4You're a Clown
2:33
5Gone With the Wind
recording of:
Gone With the Wind
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:27
6Hooray for Hollywood
2:23
7It Had Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
3:15
8Come Rain or Come Shine2:17
9Hershey Bar
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre
cover recording of:
Hershey Bar (in 1959-04)
composer:
Johnny Mandel (American composer and arranger)
recording of:
Hershey Bar
composer:
Johnny Mandel (American composer and arranger)
2:07
10A Lover Is Blue3:02
11My Heart Belongs to Daddy
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:54
12The Way You Look Tonight2:12
13Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:09
14Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:45
15You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
1:51
16Easy to Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:04
17I Get a Kick Out of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
2:25
18All of You
recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:44
19Get Out of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:32
20I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
1:49
21Night and Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:03
22It's De-Lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:07
23I Love You
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:59
24What Is This Thing Called Love?
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:33
25Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
2:53