L’italiana in Algeri

~ Release by Gioachino Rossini; Teresa Berganza, Luigi Alva, Fernando Corena, Rolando Panerai, Orchestra e Coro del Maggio Musicale Fiorentino, Silvio Varviso (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1L’Italiana in Algeri: Overture
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L’italiana in Algeri: Sinfonia
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri
Gioachino Rossini7:50
2L’Italiana in Algeri: Atto I. “Serenate il mesto ciglio”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 1. No. 1. Introduzione “Serenate il mesto ciglio” / “Delle donne l'arroganza” (Coro, Elvira, Zulma, Haly, Mustafà)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini7:09
3L’Italiana in Algeri: Atto I. “Ritiratevi tutti”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 1. Recitativo: “Ritiratevi tutti” / “Il mio schiavo” (Mustafà, Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:03
4L’Italiana in Algeri: Atto I. “Languir per una bella”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 3. Recitativo “Senti, italiano, vo' darti moglie” (Mustafà, Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
partial recording of:
L’italiana in Algeri: Atto I, scena 3. No. 2. Cavatina “Languir per una bella” … “Contenta quest’alma” (Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini6:54
5L’Italiana in Algeri: Atto I. “Ah, quando fia ch’io possa in Italia tomar?”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
partial recording of:
L’italiana in Algeri: Atto I, scena 3. No. 2. Cavatina “Languir per una bella” … “Contenta quest’alma” (Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini0:43
6L’Italiana in Algeri: Atto I. “Se inclinassi a prender moglie”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 3. No. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:34
7L’Italiana in Algeri: Atto I. “Quanta roba! quanti schiavi!”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Haly]:
Paolo Montarsolo (operatic bass) (from 1963-06 until 1963-07)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 4. No. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (Coro, Haly) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:11
8L’Italiana in Algeri: Atto I. “Cruda sorte! Amor tiranno!”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L’italiana in Algeri: Atto I, scena 4. Cavatina “Cruda sorte! Amor tiranno!” … “Contenta quest’alma” (Isabella, Taddeo, Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:23
9L’Italiana in Algeri: Atto I. “Già ci siam. Tanto fa.”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Taddeo]:
Rolando Panerai (baritone) (from 1963-06 until 1963-07)
bass vocals [Haly]:
Paolo Montarsolo (operatic bass) (from 1963-06 until 1963-07)
mezzo-soprano vocals [Isabella]:
Teresa Berganza (mezzo-soprano) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 4. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:06
10L’Italiana in Algeri: Atto I. “Ai capricci della sorte”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 5. No. 5. Duetto: “Ai capricci della sorte” (Isabella, Taddeo)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini7:43
11L’Italiana in Algeri: Atto I. “Dunque degg’io lasciarvi?”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Haly]:
Paolo Montarsolo (operatic bass) (from 1963-06 until 1963-07)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
mezzo-soprano vocals:
Mitì Truccato Pace (mezzo soprano)
soprano vocals [Elvira]:
Giuliana Tavolaccini (soprano) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 8. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:02
12L’Italiana in Algeri: Atto I. “Già d’insolito andore”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 8. No. 6. Aria: “Già d'insolito ardore” (Mustafà) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini2:28
13L’Italiana in Algeri: Atto I. “Viva, viva, il flagel delle donne”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 10. No. 7. Finale I “Viva, viva il flagel delle donne” (Coro, Haly, Mustafà, Isabella, Taddeo)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini2:45
14L’Italiana in Algeri: Atto I. “Oh, che muso, che figura!”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Paolo Montarsolo (operatic bass)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
mezzo-soprano vocals [Isabella]:
Teresa Berganza (mezzo-soprano) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 11. “Oh! che muso, che figura! …” (Isabella, Mustafà) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:17
15L’Italiana in Algeri: Atto I. “Vo’ star con mia nipote”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) and Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto I, scena 12. “Vo' star con mia nipote” (Taddeo, Haly, Mustafà, Isabella)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini6:11
16L’Italiana in Algeri: Atto I. “Dite: chi è quella femmina?”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Taddeo]:
Rolando Panerai (baritone) (from 1963-06 until 1963-07)
bass vocals [Haly]:
Paolo Montarsolo (operatic bass) (from 1963-06 until 1963-07)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals [Isabella]:
Teresa Berganza (mezzo-soprano) (from 1963-06 until 1963-07)
mezzo-soprano vocals [Zulma]:
Mitì Truccato Pace (mezzo soprano) (from 1963-06 until 1963-07)
soprano vocals [Elvira]:
Giuliana Tavolaccini (soprano) (from 1963-06 until 1963-07)
tenor vocals [Lindoro]:
Luigi Alva (tenor) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
partial recording of:
L'italiana in Algeri: Atto I, scena 13. “Pria di dividerci da voi, Signore, veniamo a esprimervi il nostro core …” / “Dite chi è quella femmina?” / “Nella testa ho un campanello“ (Elvira, Zulma, Lindoro, Taddeo, Haly, Mustafà, Isabella) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
recording of:
L'italiana in Algeri: Atto I, scena 13. “Pria di dividerci da voi, Signore, veniamo a esprimervi il nostro core …” / “Dite chi è quella femmina?” / “Nella testa ho un campanello“ (Elvira, Zulma, Lindoro, Taddeo, Haly, Mustafà, Isabella)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini5:49
▼ CD 2
#TitleArtistRatingLength
1L’Italiana in Algeri: Atto II. “Uno stupido, uno stolto”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Paolo Montarsolo (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 1. No. 8. Introduzione: “Uno stupido, uno stolto” (Coro, Elvira, Zulma, Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:05
2L’Italiana in Algeri: Atto II. “Amiche, andate a dire all’italiana”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) and Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 2. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:19
3L’Italiana in Algeri: Atto II. “Ah, come il cor di giubilo”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 3. No. 9. Cavatina: “Oh, come il cor di giubilo” (Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:19
4L’Italiana in Algeri: Atto II. “Viva il grande Kaimakan”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Coro del Maggio Musicale Fiorentino
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Viva il grande Kaimakan” (Coro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:04
5L’Italiana in Algeri: Atto II. “Kaimakan! … Ho un gran peso”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, Coro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini4:45
6L’Italiana in Algeri: Atto II. “Dunque a momenti”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) and Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 5. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:38
7L’Italiana in Algeri: Atto II. “Per lui che adoro”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 5. No. 11. Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini6:22
8L’Italiana in Algeri: Atto II. “Io non resisto più”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 6. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:37
9L’Italiana in Algeri: Atto II. “Ti presento di mia man”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 6. No. 12. Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini10:10
10L’Italiana in Algeri: Atto II. “Con tutta … Le femmine d’Italia”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Paolo Montarsolo (operatic bass)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 7. No. 13. Aria: “Le femmine d'Italia son disinvolte e scaltre” (Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
recording of:
L'italiana in Algeri: Atto II, scena 7. Recitativo: “Con tutta la sua boria questa volta il Bey perde la testa” (Haly)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:46
11L’Italiana in Algeri: Atto II. “E tu speri di togliere Isabella”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Taddeo]:
Rolando Panerai (baritone) (from 1963-06 until 1963-07)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
tenor vocals [Lindoro]:
Luigi Alva (tenor) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 8. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:15
12L’Italiana in Algeri: Atto II. “Pappataci! che mai sento?”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 9. No. 14. Terzetto: “Pappataci! Che mai sento!” / “Fra gli amori e le bellezze” (Mustafà, Lindoro, Taddeo)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini6:13
13L’Italiana in Algeri: Atto II. “Tutti i nostri italiani … Pronti abbiamo”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
choir vocals:
Coro del Maggio Musicale Fiorentino
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
partial recording of:
L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
recording of:
L'italiana in Algeri: Atto II, scena 11. Recitativo: “Tutti i nostri italiani ottener dal Bey spera Isabella” (Taddeo, Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:58
14L’Italiana in Algeri: Atto II. “Amici … Pensa all patria”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
partial recording of:
L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini7:42
15L’Italiana in Algeri: Atto II. “Che bel cor ha costei!”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Taddeo]:
Rolando Panerai (baritone) (from 1963-06 until 1963-07)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 12. Recitativo: “Che bel core ha costei!” / “Kaimakan… Signor?” (Taddeo, Mustafà) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:46
16L’Italiana in Algeri: Atto II. “Dei Pappataci s’avanza il coro”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Taddeo]:
Rolando Panerai (baritone) (from 1963-06 until 1963-07)
bass vocals [Mustafà]:
Fernando Corena (operatic bass) (from 1963-06 until 1963-07)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
mezzo-soprano vocals [Isabella]:
Teresa Berganza (mezzo-soprano) (from 1963-06 until 1963-07)
tenor vocals [Lindoro]:
Luigi Alva (tenor) (from 1963-06 until 1963-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1963-06 until 1963-07)
conductor:
Silvio Varviso (conductor) (from 1963-06 until 1963-07)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (from 1963-06 until 1963-07, in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 13. No. 16. Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, Coro, Taddeo, Mustafà, Isabella) (from 1963-06 until 1963-07)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini3:39
17L’Italiana in Algeri: Atto II. “Non sei tu che il grado eletto”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Fernando Corena (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 14. No. 16. Finale II: “Non sei tu che il grado eletto” / “Di veder e non veder” / “Or si provi il candidato” (Isabella, Mustafà, Coro, Lindoro, Taddeo)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini6:21
18L’Italiana in Algeri: Atto II. “Son l’aure seconde”
producer:
John Mordler (producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Rolando Panerai (baritone)
bass vocals:
Fernando Corena (operatic bass) and Paolo Montarsolo (operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) and Mitì Truccato Pace (mezzo soprano)
soprano vocals:
Giuliana Tavolaccini (soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Silvio Varviso (conductor)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1963-07)
recording of:
L'italiana in Algeri: Atto II, scena 15. No. 16. Finale II: “Son l'aure seconde, son placide, l'onde” (Coro, Lindoro, Isabella, Taddeo, Mustafà)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini4:20