Six Classic Albums

~ Release by Paul Desmond (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Blues in Time / First Place Again
#TitleRatingLength
1Blues in Time
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
9:03
2Body and Soul
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
instrumental recording of:
Body and Soul (on 1957-08-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
9:40
3Stand Still
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
3:28
4Line for Lyons
recorded in:
New York, New York, United States (on 1957-08-27)
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
recording of:
Line for Lyons (on 1957-08-27)
composer:
Gerry Mulligan
dedicated to:
Jimmy Lyons (Jimmy Lyons, DJ, founded Monterey Jazz Festival)
3:08
5Wintersong
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
7:00
6Battle Hymn of the Republican
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
7:46
7Fall Out
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
5:50
8I Get a Kick Out of You
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960)
double bass:
Percy Heath (in 1960)
drums (drum set):
Connie Kay (in 1960)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960)
8:38
9For All We Know
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
For All We Know (1934 song) (in 1960-09)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5:32
10Two Degrees East, Three Degrees West
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
recording of:
2 Degrees East, 3 Degrees West (in 1960-09)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
7:26
▼ CD 2: First Place Again / Time Further Out
#TitleRatingLength
1Greensleeves
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
2:05
2You Go to My Head
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
You Go to My Head (in 1960-09)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
6:26
3East of the Sun
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
East of the Sun (and West of the Moon) (in 1960-09)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
5:44
4Time After Time
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
Time After Time (in 1960-09)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
6:12
5It's a Raggy Waltz
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
5:12
6Bluette
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Bluette (on 1961-05-03)
composer:
Dave Brubeck
5:21
7Charles Matthew Hallelujah
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Charles Matthew Hallelujah (on 1961-05-03)
composer:
Dave Brubeck
2:52
8Far More Blues
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Far More Blue (on 1961-05-03)
composer:
Dave Brubeck
4:39
9Far More Drums
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Far More Drums (on 1961-05-03)
composer:
Dave Brubeck
3:58
10Maori Blues
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Maori Blues (on 1961-05-03)
composer:
Dave Brubeck
3:54
11Unsquare Dance
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Unsquare Dance (on 1961-05-03)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
4.52:02
12Bru's Boogie Woogie
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Bru's Boogie Woogie (on 1961-05-03)
composer:
Dave Brubeck
2:28
13Blue Shadows in the Street
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Blue Shadows in the Street (on 1961-05-03)
composer:
Dave Brubeck
6:34
▼ CD 3: Desmond Blue / Countdown: Time in Outer Space
#TitleRatingLength
1My Funny Valentine
engineer:
Ray Hall (engineer) (on 1961-09-14)
producer:
George Avakian (on 1961-09-14)
double bass:
Milt Hinton (on 1961-09-14)
drums (drum set):
Connie Kay (on 1961-09-14)
French horn:
Al Richmond (on 1961-09-14)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962)
harp:
Gene Bianco (on 1961-09-14)
saxophone:
Paul Desmond (on 1961-09-14)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-14)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-14)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1961-09-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:52
2Desmond Blue
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
3:39
3Then I'll Be Tired of You
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
instrumental recording of:
Then I’ll Be Tired of You (on 1961-10-02)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
4:05
4I've Got You Under My Skin
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
recorded at:
Webster Hall in New York, New York, United States (in 1962)
instrumental recording of:
I’ve Got You Under My Skin (on 1961-10-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
4:40
5Late Lament
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
recording of:
Late Lament (on 1961-09-28)
composer:
Paul Desmond
4:10
6I Should Care
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
instrumental recording of:
I Should Care (on 1961-09-28)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:51
7Like Someone in Love
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
instrumental cover recording of:
Like Someone in Love (on 1961-09-28)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:12
8Ill Wind
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
instrumental recording of:
Ill Wind (on 1961-10-02)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:51
9Body and Soul
engineer:
Ray Hall (engineer) (in 1962)
producer:
George Avakian (in 1962)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962)
saxophone:
Paul Desmond (in 1962)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1962)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1962)
4:52
10Countdown
alto saxophone:
Paul Desmond (on 1962-02-12)
double bass:
Eugene Wright (bass) (on 1962-02-12)
drums (drum set):
Joe Morello (on 1962-02-12)
piano:
Dave Brubeck (on 1962-02-12)
recording of:
Countdown (on 1962-02-12)
composer:
Dave Brubeck
2:24
11Eleven Four
alto saxophone:
Paul Desmond (on 1961-05-25)
double bass:
Eugene Wright (bass) (on 1961-05-25, on 1962-05-25)
drums (drum set):
Joe Morello (on 1961-05-25, on 1962-05-25)
piano:
Dave Brubeck (on 1961-05-25, on 1962-05-25)
recording of:
Eleven Four (on 1961-05-25)
composer:
Paul Desmond
2:52
12Why Phillis
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Why Phillis Waltz (on 1961-06-28)
composer:
Eugene Wright (bass)
2:17
13Someday My Prince Will Come
alto saxophone:
Paul Desmond (on 1962-01-12, on 1962-02-12)
double bass:
Eugene Wright (bass) (on 1962-01-12, on 1962-02-12)
drums (drum set):
Joe Morello (on 1962-01-12, on 1962-02-12)
piano:
Dave Brubeck (on 1962-01-12, on 1962-02-12)
instrumental recording of:
Someday My Prince Will Come (on 1962-01-12)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:19
14Castilian Blues
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Castilian Blues (on 1961-05-03)
composer:
Dave Brubeck
2:32
15Castilian Drums
alto saxophone:
Paul Desmond (on 1961-03-05, on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Castillan Drums (on 1961-05-03)
composer:
Dave Brubeck
5:18
▼ CD 4: Countdown: Time in Outer Space / Two of a Mind
#TitleRatingLength
1Fast Life
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Fast Life (on 1961-06-28)
composer:
Dave Brubeck
2:58
2Waltz Limp
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
performer:
Dave Brubeck
recording of:
Waltz Limp (on 1961-05-03)
composer:
Dave Brubeck
4:16
3Three's Crowd
alto saxophone:
Paul Desmond (on 1961-06-02)
double bass:
Eugene Wright (bass) (on 1961-06-02)
drums (drum set):
Joe Morello (on 1961-06-02)
piano:
Dave Brubeck (on 1961-06-02)
recording of:
Three's a Crowd (on 1961-06-02)
composer:
Dave Brubeck
2:42
4Danse Duet
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Danse Duet (on 1961-06-28)
composer:
Dave Brubeck
3:46
5Back to Earth
alto saxophone:
Paul Desmond (on 1961-12-16)
double bass:
Eugene Wright (bass) (on 1961-12-16)
drums (drum set):
Joe Morello (on 1961-12-16)
piano:
Dave Brubeck (on 1961-12-16)
recording of:
Back to Earth (on 1961-12-16)
composer:
Dave Brubeck
3:18
6All the Things You Are
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian and Bob Prince (Jazz composer, arranger, conductor & producer)
alto saxophone:
Paul Desmond (on 1962-07-03)
baritone saxophone:
Gerry Mulligan (on 1962-07-03)
double bass [bass]:
Wendell Marshall (on 1962-07-03)
drums (drum set):
Connie Kay (on 1962-07-03)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-07-03)
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”) (on 1962-07-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:49
7Stardust
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian and Bob Prince (Jazz composer, arranger, conductor & producer)
alto saxophone:
Paul Desmond (on 1962-07-03)
baritone saxophone:
Gerry Mulligan (on 1962-07-03)
double bass [bass]:
Wendell Marshall (on 1962-02-08)
drums (drum set):
Connie Kay (on 1962-07-03)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-07-03)
instrumental cover recording of:
Stardust (the jazz standard) (on 1962-07-03)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
8:21
8Two of a Mind
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian and Bob Prince (Jazz composer, arranger, conductor & producer)
alto saxophone:
Paul Desmond (on 1962-08-13)
baritone saxophone:
Gerry Mulligan (on 1962-08-13)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1962-08-13)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-08-13)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-08-13)
recording of:
Two of a Mind
composer:
Paul Desmond
5:56
9Blight of the Fumble Bee
alto saxophone:
Paul Desmond (on 1962-06-26)
baritone saxophone:
Gerry Mulligan (on 1962-06-26)
double bass [bass]:
John Beal (American Broadway bassist) (on 1962-06-26)
drums (drum set):
Connie Kay (on 1962-06-26)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-06-26)
recording of:
Blight of the Fumble Bee
composer:
Gerry Mulligan
6:59
10The Way You Look Tonight
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian and Bob Prince (Jazz composer, arranger, conductor & producer)
alto saxophone:
Paul Desmond (on 1962-06-26)
baritone saxophone:
Gerry Mulligan (on 1962-06-26)
double bass [bass]:
John Beal (American Broadway bassist) (on 1962-06-26)
drums (drum set):
Connie Kay (on 1962-06-26)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-06-26)
instrumental cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1962-06-26)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
7:20
11Out of Nowhere
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian and Bob Prince (Jazz composer, arranger, conductor & producer)
alto saxophone:
Paul Desmond (on 1962-08-13)
baritone saxophone:
Gerry Mulligan (on 1962-08-13)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1962-08-13)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-08-13)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-08-13)
instrumental cover recording of:
Out of Nowhere (on 1962-08-13)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:26