Tosca

~ Release by Giacomo Puccini; Birgit Nilsson, Franco Corelli, Dietrich Fischer‐Dieskau, Lorin Maazel (see all versions of this release, 3 available)

Tracklist

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CD 1
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1Tosca: Act I. “Ah! Finalmente!” (Angelotti)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini2:43
2Tosca: Act I. “E sempre lava!” (Sagrestano, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Sagrestano]:
Alfredo Mariotti (baritone) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini2:34
3Tosca: Act I. “Dammi i colori!” / “Recondita armonia” (Cavaradossi, Sagrestano)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Sagrestano]:
Alfredo Mariotti (baritone) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1966-06)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:33
4Tosca: Act I. “Voi! Cavaradossi!” (Angelotti, Cavaradossi, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini0:37
5Tosca: Act I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini12:55
6Tosca: Act I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:24
7Tosca: Act I. “Sommo giubilo, Eccellenza!” (Sagrestano)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Sagrestano]:
Alfredo Mariotti (baritone) (in 1966-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:27
8Tosca: Act I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Sagrestano]:
Alfredo Mariotti (baritone) (in 1966-06)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:50
9Tosca: Act I. “Or tutto è chiaro” (Scarpia, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Sagrestano]:
Alfredo Mariotti (baritone) (in 1966-06)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini7:28
10Tosca: Act I. “Tre sbirri, una carrozza” (Scarpia, Spoletta)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini4:39
CD 2
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1Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:08
2Tosca: Act II. “Ha più forte sapore” (Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini1:22
3Tosca: Act II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta, Cavaradossi, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:18
4Tosca: Act II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:46
5Tosca: Act II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini2:48
6Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:35
7Tosca: Act II. “Floria” … “Amore” (Cavaradossi, Tosca, Scarpia, Sciarrone)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini1:28
8Tosca: Act II. “Vittoria! Vittoria!” (Cavaradossi, Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini2:41
9Tosca: Act II. “Quanto?” (Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:25
10Tosca: Act II. “Vissi d’arte” (Tosca, Scarpia)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:21
11Tosca: Act II. “Chi è la?” (Scarpia, Spoletta, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini1:56
12Tosca: Act II. “Io tenni la promessa” (Scarpia, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Scarpia]:
Dietrich Fischer‐Dieskau (baritone) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini6:41
13Tosca: Act III. “Io de’ sospiri” (Un pastore)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
alto vocals [Un pastore]:
Patrizio Veronelli (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini5:28
14Tosca: Act III. “Mario Cavaradossi?” (Carceriere, Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Carceriere]:
Libero Arbace (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini4:25
15Tosca: Act III. “E lucevan le stelle” (Cavaradossi)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1966-06)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:02
16Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:42
17Tosca: Act III. “O dolci mani” (Cavaradossi, Tosca, Carceriere)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Carceriere]:
Libero Arbace (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini8:24
18Tosca: Act III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoleta)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:11
19Tosca: Act III. “Come è lunga l’attesa!” (Tosca)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Sciarrone]:
Dino Mantovani (bass vocalist) (in 1966-06)
soprano vocals [Tosca]:
Birgit Nilsson (soprano) (in 1966-06)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1966-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-06)
conductor:
Lorin Maazel (conductor) (in 1966-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-06)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1966-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini1:21