Tracklist

CD 1
# Title Rating Length
1 White Riot (single version)
3 2:00
2 1977
1:41
3 London’s Burning
3.5 2:11
4 Complete Control
3.5 3:14
5 Clash City Rockers
3.5 3:49
6 I’m So Bored With the U.S.A.
3.5 2:25
7 Career Opportunities
4 1:53
8 Hate & War
3.5 2:05
9 Cheat
2:06
10 Police & Thieves
3.5 6:02
11 Janie Jones
3.5 2:07
12 Garageland
3 3:13
13 Capital Radio One
2:09
14 (White Man) In Hammersmith Palais
3 4:01
15 English Civil War
4 2:36
16 Tommy Gun
3.5 3:16
17 Safe European Home
4 3:51
18 Julie’s Been Working for the Drug Squad
3 3:04
19 Stay Free
3 3:40
20 Groovy Times
3 3:30
21 I Fought the Law
4 2:41
CD 2
# Title Rating Length
1 London Calling
4.2 3:21
2 The Guns of Brixton
3:10
3 Clampdown
3:49
4 Rudie Can’t Fail
3:29
5 Lost in the Supermarket
3:47
6 Jimmy Jazz
3:55
7 Train in Vain
3:11
8 Bankrobber
3 4:34
9 The Magnificent Seven
2 5:33
10 Ivan Meets G.I Joe
3:11
11 Stop the World
2:33
12 Somebody Got Murdered
3:35
13 The Street Parade
3:28
14 Broadway
4:56
15 This Is Radio Clash
4:10
16 Ghetto Defendant
4:45
17 Rock the Casbah
3:42
18 Straight to Hell
5:30
19 Should I Stay or Should I Go
4.2 3:09
20 This Is England
3:52

Credits

CD 1

arranger:
Mick Jones (The Clash/Big Audio Dynamite) (track 15)
Joe Strummer (track 15)
composer:
Mick Jones (The Clash/Big Audio Dynamite) (tracks 13, 20)
Joe Strummer (tracks 13, 20)
[traditional] (Special Purpose Artist) (track 15)
Sonny Curtis (track 21)
lyricist:
Sonny Curtis (track 21)
mixer:
Corky Stasiak (tracks 15–19)
producer:
The Clash (70s–80s British punk rock band) (tracks 14, 20–21)
Mickey Foote (tracks 1–13)
Sandy Pearlman (tracks 15–19)
Bill Price (UK producer/engineer) (tracks 20–21)
recording engineer:
Corky Stasiak (tracks 15–19)
writer:
Topper Headon (track 7)
Mick Jones (The Clash/Big Audio Dynamite) (tracks 1–9, 11–14, 16–19)
Junior Murvin (track 10)
Paul Simonon (track 7)
Joe Strummer (tracks 1–9, 11–14, 16–19)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 266) (track 21)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 362) (track 4)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 430) (track 14)
cover recording of:
I Fought the Law (track 21)
Police and Thieves (track 10)
is the basis for:
American Salute (track 15)
later parody versions:
63 (track 10)
Bright Lights (track 1)
Brown Man In O.J.C. (track 14)
later translated parody versions:
Semlan brinner (track 3)
later translated versions:
Algete arde (track 3)
Janie Jones (track 11)
later versions:
recording of:
1977 (track 2)
Capital Radio (track 13)
Cheat (track 9)
Clash City Rockers (track 5)
Complete Control (track 4)
Garageland (track 12)
Groovy Times (track 20)
Hate & War (track 8)
Janie Jones (track 11)
London’s Burning (track 3)
Safe European Home (track 17)
Stay Free (track 19)
Tommy Gun (track 16)
White Riot (track 1)
referred to in medleys:
translated version of:

CD 2

drums (drum set) and percussion:
Topper Headon (1979-01 – 1979-03) (track 1)
bass guitar:
Paul Simonon (1979-01 – 1979-03) (track 1)
guitar:
Joe Strummer (1979-01 – 1979-03) (track 1)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (1979-01 – 1979-03) (track 1)
additional lyricist:
Half Pint (Jamaican reggae/dancehall singer) (track 8)
composer:
Mick Jones (The Clash/Big Audio Dynamite) (track 8)
Bernard Rhodes (track 20)
Paul Simonon (track 2)
Joe Strummer (tracks 8, 20)
engineer:
Bill Price (UK producer/engineer) (track 1)
guest vocals:
Joe Ely (track 19)
lead vocals:
Joe Strummer (track 9)
lyricist:
Mick Jones (The Clash/Big Audio Dynamite) (track 8)
Paul Simonon (track 2)
Joe Strummer (track 8)
mixer:
Glyn Johns (track 19)
producer:
The Clash (70s–80s British punk rock band) (track 9)
Guy Stevens (track 1)
writer:
The Clash (70s–80s British punk rock band) (track 15)
Topper Headon (tracks 9–14, 17–18)
Mick Jones (The Clash/Big Audio Dynamite) (tracks 1, 3–14, 16–19, 19)
Paul Simonon (tracks 9–14, 16, 18)
Joe Strummer (tracks 1, 3–14, 16–19, 19)
phonographic copyright by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (1979) (track 1)
recorded at:
Wessex Sound Studios in London, England, United Kingdom (1979-01 – 1979-03) (track 1)
DJ-mixes:
has remixes:
Robber Dub by The Clash (track 8)
mash-ups:
Agüela by Molotov (track 9)
sampled by:
This is London (It's Not a Rumour version, samples "London Calling") by Akala (track 1)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7) (track 1)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15) (track 1)
Indie 88: Top 500 Indie Rock Songs (number: 183) (track 19)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228) (track 19)
is the basis for:
Gi'n labben eller gå (tracks 19, 19)
Magnificent Romeo (track 9)
Paper Planes (track 18)
later parody versions:
Sheffield Calling (track 1)
Should I Stay (tracks 19, 19)
The Crush (tracks 19, 19)
later translated versions:
Jimmy Jazz (track 6)
Pra ficar comigo (track 7)
Soll ich bleiben oder gehen (tracks 19, 19)
live recording of:
recording of:
Bankrobber (track 8)
Bankrobber (track 8)
Broadway (track 14)
Clampdown (track 3)
Ghetto Defendant (track 16)
Ivan Meets G.I. Joe (track 10)
Jimmy Jazz (track 6)
Rock the Casbah (track 17)
Rudie Can’t Fail (track 4)
Stop the World (track 11)
Straight to Hell (track 18)
The Street Parade (track 13)
This Is England (track 20)
This Is Radio Clash (track 15)
Train in Vain (track 7)
London Calling (song) (1979-01 – 1979-03) (track 1)
referred to in medleys:
Polkas on 45 (tracks 19, 19)

Release

ASIN: DE: B00008LE1C [info]