The Rock Collection: Rock Giants

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1We Don’t Need Another Hero (Thunderdome)
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.354:17
2Let’s Dance
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
Let’s Dance
lyricist and composer:
Chris Rea
Chris Rea34:16
3Gloria
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, S.I.A.E. Direzione Generale, Songs of Universal, Inc. and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:53
4Unchain My Heart
producer:
Charlie Midnight
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Phil Grande
horn:
Crispin Cioe, Robert Funk, Arno Hecht (American saxophonist) and Hollywood Paul Litteral
keyboard:
Jeff Levine
membranophone:
David Beal
solo tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
horn arranger:
Uptown Horns
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, Volume I)
Joe Cocker4.255:06
5ShoutTears for Fears5:54
6Venus
part of:
New York Post: 100 Greatest Covers (2007) (number: 73)
recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd. and The International Music Network
is based on:
The Banjo Song
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd. and The International Music Network
is based on:
The Banjo Song
Bananarama43:52
7The Night You Murdered Love
assistant recording engineer and assistant mixer:
Tim Burrell
recording engineer:
Martyn Webster (engineer)
co-producer:
Bernard Edwards
producer:
Bernard Edwards, Martin Fry and Mark White (ABC/Vice Versa)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
bass:
Brad Lang
double bass:
Danny Thompson (English double bass player)
drums (drum set):
Graham Broad
harmonica:
Judd Lander
keyboard:
David Clayton
percussion:
Pandit Dinesh and Louis Jardim
saxophone:
Howie Casey
strings arranger:
Richard Niles
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recorded at and mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom
part of:
The Downloader’s Music Source Book (number: 74)
recording of:
The Night You Murdered Love
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music and Neutron Music Ltd.
ABC54:55
8Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
Aztec Camera3.63:54
9Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding - file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush44:58
10Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family (ended)
writer:
Wally Badarou, Phil Gould and Mark King
Level 4233:59
11Amanda
engineer and producer:
Tom Scholz
acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
Tom Scholz (from 1980 until 1981)
drums (drum set):
Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
lead vocals:
Brad Delp (from 1980 until 1981)
arranger:
Tom Scholz
phonographic copyright (℗) by:
Geffen Records (in 1986) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
recorded at:
Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
recording of:
Amanda (from 1980 until 1981)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Hideaway Hits (in 1986)
Boston4.54:17
12Chequered Love
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Chequered Love (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde53:19
CD 2
#TitleArtistRatingLength
1Stay With Me Till Dawn
engineer:
Colin Fairley and Steve Nye (producer, engineer and pianist)
producer:
John Punter
acoustic guitar [Solo]:
Mike Paxman (multi-instrumentalist & record producer)
bass:
Mo Foster
keyboard:
Chris Parren
membranophone:
Peter Van Hooke
vocals:
Judie Tzuke
conductor:
Richard Studt (violinist, conductor)
strings arranger:
Paul Buckmaster
recording of:
Stay With Me Till Dawn
writer:
Mike Paxman (multi-instrumentalist & record producer) and Judie Tzuke
publisher:
Rocket Music Ltd.
Judie Tzuke43:56
2Dance Hall Days
producer:
Ross Cullum and Chris Hughes (Producer. aka Merrick)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
Wang Chung3.23:58
3Rooms on FireStevie Nicks4:20
4Things Can Only Get Better
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones34:04
5Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios in Whitechapel, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.54:28
6Just Like Paradise
programming:
Brett Tuggle
engineer:
Magic Moreno, Doug Parry and Steve Vai
co-producer:
Steve Vai
producer:
David Lee Roth
bass guitar:
Billy Sheehan
drums (drum set) and percussion:
Gregg Bissonette (US jazz & rock drummer)
guitar:
Steve Vai
keyboard:
Brett Tuggle
additional background vocals:
Tommy Funderburk and Tom Kelly (songwriter)
background vocals:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan and Brett Tuggle
lead vocals:
David Lee Roth
recording of:
Just Like Paradise
writer:
David Lee Roth and Brett Tuggle
David Lee Roth4.54:07
7Looking After No. 1
engineer:
Steve Brown (engineer/music producer)
producer:
Robert John “Mutt” Lange
recording of:
Lookin’ After No. 1
lyricist and composer:
Bob Geldof
The Boomtown Rats4.53:11
8Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
Joe Walsh3.85:10
9Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze3.53:10
10Farewell
producer:
Rod Stewart
mandolin:
Ray Jackson
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974)
music videos:
Farewell by Rod Stewart
recording of:
Farewell
writer:
Martin Quittenton and Rod Stewart
Rod Stewart44:36
11Big Log
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
Robert Plant4:59
12I Don’t Wanna Go On With You Like That
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
I Don’t Wanna Go On With You Like That
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John4.354:26

Credits

Release group

part of:The Rock Collection (Time-Life Music) (number: 22) (order: 22)