# | Title | Artist | Rating | Length |
---|
1 | Blue Monday | Fats Domino | | 2:24 |
2 | I'm Ready | Fats Domino | | 1:50 |
3 | Blueberry Hill- sound engineer:
- Ron McMaster
- audio engineer:
- Dieter Dirks (on 1977-03-20), Martin Rushent (on 1977-03-20) and Peter Wolsey (on 1977-03-20)
- producer:
- Tim Read (in 1977-03) and Martin Rushent (in 1977-03)
- baritone saxophone:
- Roger Lewis (on 1977-03-20)
- bass guitar:
- Carlton McWilliams (on 1977-03-20)
- drums (drum set):
- Smokey Johnson (on 1977-03-20)
- guitar:
- David Douglas (on 1977-03-20) and Roy Montrell (on 1977-03-20)
- piano and lead vocals:
- Fats Domino (on 1977-03-20)
- tenor saxophone:
- Lee Allen (on 1977-03-20), Fred Kemp (on 1977-03-20) and Walter Kimble (on 1977-03-20)
- trumpet:
- Dave Bartholomew (on 1977-03-20) and Thomas Johnson (on 1977-03-20)
- conductor:
- Dave Bartholomew (on 1977-03-20)
- phonographic copyright (℗) by:
- United Artists Records Ltd. (from 1977 to present)
- recorded at:
- Deutsches Museum in München, Bayern, Germany (on 1977-03-20)
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London , England, United Kingdom (in 1977)
- engineered at:
- EMI Studio in Hollywood, Los Angeles, California, United States (in 1977)
- edit of:
- Blueberry Hill by Fats Domino
- live cover recording of:
- Blueberry Hill (on 1977-03-20)
- lyricist:
- Al Lewis and Larry Stock
- composer:
- Vincent Rose
- publisher:
- Chappell & Co., Inc. , Larry Stock Music Co., Redwood Music Ltd. , Sovereign Music Company and Victoria Music Publishing Co. Ltd.
- part of:
- 12 Monkeys Soundtrack
| Fats Domino | 4.5 | 3:00 |
4 | When a Man Loves a Woman- recording of:
- When a Man Loves a Woman
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | | 2:59 |