Tracklist

CD 1
# Title Artist Rating Length
1 Canon
Johann Pachelbel 6:14
2 Eine Kleine Nachtmusik
Wolfgang Amadeus Mozart 6:43
3 Für Elise
Ludwig van Beethoven 4:27
4 String Quartet No. 1, Op. 11
Пётр Ильич Чайковский 6:42
5 Clair De Lune
Claude Debussy 4:18
6 Idyll for Strings
Leoš Janáček 5:41
7 Adagio in G Minor
Tomaso Giovanni Albinoni 7:45
8 The Girl With the Flaxen Hair
Claude Debussy 2:30
9 Air on a G String
Johann Sebastian Bach 3:17
10 Greensleeves
Ralph Vaughan Williams 4:33
11 Largo From Xerxes
Georg Friedrich Händel 4:09
12 Prelude in C
Johann Sebastian Bach 1:56
13 The Planets: Venus
Gustav Holst 8:01
14 Goldberg Variations (Aria)
Johann Sebastian Bach 4:59
15 Adagio for Strings
Samuel Barber 7:03
CD 2
# Title Artist Rating Length
1 Prelude to the Afternoon of a Faun
Claude Debussy 8:47
2 Holberg Suite (Sarabande)
Edvard Grieg 4:10
3 Valse Triste
Jean Sibelius 5:21
4 Concerto in F Minor (Largo)
Johann Sebastian Bach 3:46
5 Serenade for Strings, Op. 22: I. Moderato
Antonín Dvořák 5:52
6 Liebestraume
Franz Liszt 5:10
7 Ave Maria
Charles‐François Gounod 4:31
8 Etude in E Major
Frédéric Chopin 4:04
9 String Quartet No. 2 (Nocturne)
Александр Порфирьевич Бородин 7:44
10 Arabesque
Claude Debussy 3:24
11 Pavane for a Dead Princess
Maurice Ravel 6:58
12 The Four Seasons (Largo)
Antonio Vivaldi 2:26
13 Gymnopedie I
Erik Satie 3:03
14 Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto
Ludwig van Beethoven 6:20
15 Piano Concerto No. 21 (Andante)
Wolfgang Amadeus Mozart 6:37

Credits

CD 1

piano:
Valery Afanassiev (track 12)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 8)
Konstantin Lifschitz (1994-06) (track 14)
harpsichord:
arranger:
Ralph Greaves (1934) (track 10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 14)
Remo Giazotto (track 7)
Johann Pachelbel (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (track 12)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 2)
Claude Debussy (1909-12 – 1910-02) (track 8)
Gustav Holst (1914 – 1916) (track 13)
Ralph Vaughan Williams (1924 – 1928) (track 10)
Samuel Barber (1936) (track 15)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym) (track 9)
Günter Kehr (conductor) (track 2)
Ilmārs Lapiņš (track 7)
Francesco Macci (an Alfred Scholz pseudonym) (track 2)
Jean‐François Paillard (French conductor) (track 1)
Alexander von Pitamic (an Alfred Scholz pseudonym) (track 2)
Hans Reinhardt (conductor) (track 9)
Alfred Scholz (tracks 2, 9)
Frank Shipway (track 9)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) (track 2)
Camerata Salzburg (track 2)
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) (track 9)
London Festival Orchestra (Alfred Scholz pseudonym) (track 9)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 10)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 2)
Philharmonic Orchestra London (Alfred Scholz related) (tracks 2, 9)
Ljubljana Symphony Orchestra of Yugoslavia (RTV Slovenia Symphony Orchestra) (track 2)
orchestrator:
Samuel Barber (1938) (track 15)
performer:
I Solisti Italiani (track 15)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 7)
premiered at:
[concert] (1910-06-02) (track 8)
[radio broadcast] (1938-11-05) (track 15)
phonographic copyright by:
Erato (1969) (track 1)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 7)
Oxford University Press (1936) (track 10)
engineered at:
recorded at:
arrangement of:
arrangements:
Adagio for Strings (catch-all for arrangements) (track 15)
Adagio for Strings (arr. Lucien Cailliet for clarinet choir) (track 15)
Adagio for Strings (for organ, Strickland) (track 15)
Adagio for Strings (arr. John O'Reilly for woodwind band) (track 15)
Adagio for Strings (Lee Jackson arrangement) (track 15)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 7)
Adagio of the Sky (track 7)
Agnus Dei (arr. Samuel Barber for chorus) (track 15)
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 9)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 9)
Air on the G String (for cello and orchestra, arr. Cullen) (track 9)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 9)
Bach Lullaby (track 12)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 1)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 1)
Cold is Being (track 7)
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 14)
La fille aux cheveux de lin (for violin and piano, arr. Hartmann) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 9)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 9)
Solo Amore (track 9)
The Planets, op. 32: II. Venus, the Bringer of Peace (for brass quintet and organ) (track 13)
Venus, The Bringer of Peace (Arranged for organ) (track 13)
宇宙めぐり (track 13)
has revision:
is based on:
Greensleeves (track 10)
Lovely Joan (traditional English folk song) (track 10)
Sir John in Love (track 10)
is the basis for:
Adagio (track 1)
Adagio (track 7)
Anytime, Anywhere (track 7)
Ave Maria (Bach/Gounod) (track 12)
Bach Aire (track 9)
Carry (track 8)
Christmas Canon (original version) (track 1)
Dov’è l’amore (track 15)
Happy (track 1)
Lemming 1 (Lemmings, Commodore 64) (track 1)
Lullaby (track 1)
Sanctus II (track 1)
Simple Joy (track 1)
Sweetest Love (track 9)
later versions:
Canon in D, Mostly (track 1)
orchestration of:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 9)
part of:
The Planets Suite for Orchestra, op. 32 (with "Pluto" by Colin Matthews) (track 13)
The Planets, op. 32 (original version) (track 13)
Préludes, Livre I, L. 117, CD 125 (part of collection) (track 8)
recording of:
Adagio for Strings (track 15)
referred to in medleys:
Hooked on Romance (track 9)

CD 2

flute:
Maxence Larrieu (flautist) (track 7)
piano:
Jacques Rouvier (track 10)
Daniela Ruso (track 14)
Dubravka Tomšič (track 6)
harpsichord:
Karen Englund (harpsichord player) (track 4)
harp:
Susanna Mildonian (harpist) (track 7)
arranger:
Franz Liszt (track 6)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 4, 7)
Charles‐François Gounod (French composer) (track 7)
Antonio Vivaldi (1723) (track 12)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 15)
Ludwig van Beethoven (1801) (track 14)
Fryderyk Chopin (composer) (1832) (track 8)
Franz Liszt (1850) (track 6)
Antonín Dvořák (1875-05-03 – 1875-05-14) (track 5)
Edvard Grieg (1884) (track 2)
Erik Satie (French composer) (1888-02 – 1888-04) (track 13)
Claude Debussy (1890 – 1891) (track 10)
Claude Debussy (1891 – 1894-09) (track 1)
Maurice Ravel (classical composer) (1899) (track 11)
Jean Sibelius (1903) (track 3)
conductor:
Istvan Cohen (probably another Alfred Scholz) (track 2)
Igor Markevitch (conductor) (track 1)
Libor Pešek (track 2)
Andrew Schenck (track 3)
dedicated to:
Raymond Bonheur (track 1)
engineer:
Peter Willemoës (track 12)
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (track 2)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (track 3)
Slovenská filharmónia (Slovak Philharmonic, Bratislava) (track 2)
I Solisti Italiani (1986-07-16 – 1986-07-22) (track 12)
orchestrator:
Maurice Ravel (classical composer) (1910) (track 11)
producer:
Peter Willemoës (track 12)
revised by:
Antonín Dvořák (1878) (track 5)
Jean Sibelius (1904) (track 3)
premiered at:
Konsertti (1904-04-25) (track 3)
[concert] (1894-12-22) (track 1)
publisher:
Eugène Fromont (1895-10) (track 1)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 3)
recorded at:
Villa Simes in Piazzola sul Brenta, Padova, Veneto, Italy (1986-07-16 – 1986-07-22) (track 12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 1)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 1)
arrangement of:
Ave Maria (Bach/Gounod) (track 7)
O lieb, so lang du lieben kannst, S. 298/2 (second version) (track 6)
arrangements:
Arabesques, L. 66 no. 1 (arr. Choisnel for violin and piano) (track 10)
Concerto for Flute in A minor, BWV1056: II. Largo (arrangement of keyboard concerto) (track 4)
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (catch-all for arrangements) (track 10)
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 1)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 13)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 1)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 1)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 1)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 1)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 1)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 3)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 3)
Étude in E major, op. 10 no. 3: Lento ma non troppo (catch-all for arrangements) (track 8)
is the basis for:
Drifting, Dreaming (track 13)
HAPPY BIRTHDAY MR.HELP (FixEight) (track 8)
Kuolema, op. 44: I. Valse triste (for piano) (track 3)
Mephistopheles (track 14)
Moonlight (The Piano Guys) (track 14)
Never Say Goodbye (track 11)
No Other Love (Chopin adaptation) (track 8)
Overture (track 14)
Prélude à L'après-midi d'un faune (arr. Tomita) (track 1)
Sex'n fax (track 15)
What Is Eternal (track 14)
さびしんぼう (track 8)
月光 (Mondscheinsonate+drumloops) (track 14)
later versions:
Chopin w Chinach (track 8)
Dans la nuit (Sarah Brightman song) (track 8)
Trois Gymnopedies (first movement) (Gary Numan version) (track 13)
orchestration of:
Pavane pour une infante défunte (for solo piano) (track 11)
orchestrations:
Arioso form Keyboard Concerto no. 5 in F minor, BWV 1056 (Stokowski orchestration) (track 4)
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (track 13)
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (track 13)
Moonlight Sonata (orch. Stokowski) (track 14)
part of:
2 Pieces from Kuolema, op. 44 (part of collection) (track 3)
Deux arabesques, L. 66, CD 74 (for piano) (part of collection) (track 10)
Gymnopédies (track 13)
Fra Holbergs tid, op. 40 (for string orchestra) (track 2)
Études, op. 10 (track 8)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 7)
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (for string orchestra) (track 2)
Pavane pour une infante défunte (orchestrated version) (track 11)
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements) (track 9)
Valse triste, op. 44 no. 1 (for orchestra) (track 3)
referred to in medleys:
Hooked on Romance (track 14)
revision of: