Piano Moods

~ Release by Teddy Wilson (see all versions of this release, 1 available)

Tracklist

10" Vinyl 1
#TitleRatingLength
A1Just One of Those Things
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
instrumental recording of:
Just One of Those Things (on 1950-06-29)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
?:??
A2Just Like a Butterfly (That's Caught in the Rain)
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
recording of:
Just Like a Butterfly That's Caught in the Rain (on 1950-06-29)
writer:
Mort Dixon and Harry M. Woods (American 1920/30s songwriter)
?:??
A3Runnin' Wild
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
recording of:
Runnin’ Wild (on 1950-06-29)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
?:??
A4I've Got the World on a String
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
instrumental recording of:
I’ve Got the World on a String (on 1950-06-29)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
?:??
A5Fine and Dandy
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
instrumental recording of:
Fine and Dandy (on 1950-06-29)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
?:??
A6(I Don't Stand) A Ghost of a Chance
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1950-06-29)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
?:??
A7Honeysuckle Rose
double bass:
Arvell Shaw (on 1950-06-29)
drums (drum set):
J.C. Heard (on 1950-06-29)
piano:
Teddy Wilson (on 1950-06-29)
recording of:
Honeysuckle Rose (on 1950-06-29)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
?:??
B1Between the Devil and the Deep Blue Sea
double bass:
Al McKibbon (on 1950-08-25)
drums (drum set):
Kansas Fields (on 1950-08-25)
piano:
Teddy Wilson (on 1950-08-25)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1950-08-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
?:??
B2Bess, You Is My Woman
double bass:
Al McKibbon (on 1950-08-25)
drums (drum set):
Kansas Fields (on 1950-08-25)
piano:
Teddy Wilson (on 1950-08-25)
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1950-08-25)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
?:??
B3I Can't Give You Anything but Love
double bass:
Al McKibbon (on 1950-08-25)
drums (drum set):
Kansas Fields (on 1950-08-25)
piano:
Teddy Wilson (on 1950-08-25)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1950-08-25)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
?:??
B4After You've Gone
double bass:
Al McKibbon (on 1950-08-25)
drums (drum set):
Kansas Fields (on 1950-08-25)
piano:
Teddy Wilson (on 1950-08-25)
instrumental recording of:
After You’ve Gone (on 1950-08-25)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
?:??