Madama Butterfly

~ Release by Puccini; Leontyne Price, Richard Tucker, Rosalind Elias, Philip Maero, Erich Leinsdorf (see all versions of this release, 5 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Madama Butterfly: Atto I. Orchestral Opening
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. Introduction (Orchestra) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:03
2Madama Butterfly: Atto I. “E soffitto e pareti”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini5:28
3Madama Butterfly: Atto I. “Dovunque al mondo lo Yankee”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:54
4Madama Butterfly: Atto I. “Amore o grillo”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:26
5Madama Butterfly: Atto I. “Ancora un passo or via” (Butterfly’s Entrance)
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:01
6Madama Butterfly: Atto I. “Gran ventura”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:19
7Madama Butterfly: Atto I. “L’Imperial Commissario”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
bass vocals [Yakusidè]:
Leo Pudis (Italian operatic bass) (from 1962-07-10 until 1962-07-20)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
mezzo-soprano vocals [La madre]:
Fernanda Cadoni (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [La cugina]:
Silvia Bertona (soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [La zia]:
Gianna Lollini (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:02
8Madama Butterfly: Atto I. “Vieni, amor mio!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:26
9Madama Butterfly: Atto I. “Ieri son salita tutta sola”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:50
10Madama Butterfly: Atto I. “Tutti zitti!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Il Commissario Imperiale]:
Arturo La Porta (baritone) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini1:16
11Madama Butterfly: Atto I. “Madama Butterfly”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Madama Butterfly” (Amiche, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:06
12Madama Butterfly: Atto I. “Cio‐Cio‐San!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Bonzo]:
Virgilio Carbonari (baritone) (from 1962-07-10 until 1962-07-20)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:21
13Madama Butterfly: Atto I. “Bimba, bimba, non piangere”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
choir vocals:
Coro della RCA Italiana (from 1962-07-10 until 1962-07-20)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini5:25
14Madama Butterfly: Atto I. “Bimba dagli occhi”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini4:01
15Madama Butterfly: Atto I. “Vogliatemi bene”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
choir vocals:
Coro della RCA Italiana
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:10
16Madama Butterfly: Atto II. “E Izaghi ed Izanami”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini6:29
17Madama Butterfly: Atto II. “Un bel dì”
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:23
▼ CD 2
#TitleArtistRatingLength
1Madama Butterfly: Atto II. “C’è. Entrate”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
baritone vocals [Yamadori]:
Robert Kerns (baritone) (from 1962-07-10 until 1962-07-20)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:03
2Madama Butterfly: Atto II. “Yamadori, ancor le pene”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Yamadori]:
Robert Kerns (baritone) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Yamadori, ancor le pene” (Butterfly, Yamadori) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:43
3Madama Butterfly: Atto II. “Ora a noi”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:00
4Madama Butterfly: Atto II. “Due cose potrei far”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly” … “Due cose potrei far” (Butterfly, Sharpless) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:03
5Madama Butterfly: Atto II. “Ah! M’ha scordata?”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Ah! M’ha scordata?” … “Che tua madre dovrà” (Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:55
6Madama Butterfly: Atto II. “Io scendo al piano”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:10
7Madama Butterfly: Atto II. “Il cannone del porto!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini3:42
8Madama Butterfly: Atto II. “Tutti i fior?” (Flower Duet)
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Tutto, tutto, sia pien di fior” (Butterfly, Suzuki) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:52
9Madama Butterfly: Atto II. “Or vienmi ad adornar”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:45
10Madama Butterfly: Atto II. Humming Chorus
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
choir vocals:
RCA Italiana Opera Chorus (from 1962-07-10 until 1962-07-20)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:51
11Madama Butterfly: Atto III. “Oh eh! Oh eh!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
choir vocals:
RCA Italiana Opera Chorus (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
chorus master:
Nino Antonellini (Chorus master) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini7:40
12Madama Butterfly: Atto III. “Già il sole!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini4:03
13Madama Butterfly: Atto III. “Io so che alle sue pene”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini3:43
14Madama Butterfly: Atto III. “Addio, fiorito asil”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
baritone vocals [Sharpless]:
Philip Maero (baritone) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:56
15Madama Butterfly: Atto III. “Suzuki, Suzuki!”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:46
16Madama Butterfly: Atto III. “Come una mosca”
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
mezzo-soprano vocals [Suzuki]:
Rosalind Elias (mezzo-soprano) (from 1962-07-10 until 1962-07-20)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:37
17Madama Butterfly: Atto III. “Con onor muore…” (Death of Butterfly)
recording engineer:
Lewis Layton (engineer) (from 1962-07-10 until 1962-07-20)
producer:
Richard Mohr (producer)
soprano vocals [Butterfly]:
Leontyne Price (soprano) (from 1962-07-10 until 1962-07-20)
tenor vocals [Pinkerton]:
Richard Tucker (tenor) (from 1962-07-10 until 1962-07-20)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (from 1962-07-10 until 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (from 1962-07-10 until 1962-07-20)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (from 1962-07-10 until 1962-07-20)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1962-07-10 until 1962-07-20)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini4:45

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manufactured by and distributed by:BMG Entertainment
copyrighted (©) by:BMG Music (in 1963, in 1993, in 1997)
ASIN:US: B000003GAW [info]