BBC Music, Volume 3, Number 5: Dido and Aeneas

~ Release by Purcell; Taverner Choir & Players, Emily Van Evera, Ben Parry, Andrew Parrott (see all versions of this release, 1 available)

Annotation

On the physical CD, performers are credited as "Taverner Choir and Players"; "Consort" is not mentioned.

TODO: Add work name, act number, scene number to the head of each TrackTitle. — JimDeLaHunt 2008-05-22

Annotation last modified on 2008-05-22 21:34 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Dido and Aeneas: Overture
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Purcell2:20
2Dido and Aeneas: Shake the cloud
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell1:06
3Dido and Aeneas: Ah! Belinda
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell3:55
4Dido and Aeneas: Grief increases
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:43
5Dido and Aeneas: When monarchs unite
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:17
6Dido and Aeneas: Whence could so much virtue
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell1:42
7Dido and Aeneas: Fear no danger
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell1:48
8Dido and Aeneas: Dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I. Dance (interstitial, unnumbered) (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:56
9Dido and Aeneas: See, your royal guest
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:48
10Dido and Aeneas: Cupid only throws the dart
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:42
11Dido and Aeneas: If not for mine, for empire’s sake
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:21
12Dido and Aeneas: Pursue thy conquest, love
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:53
13Dido and Aeneas: Guitar dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered) (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Purcell0:40
14Dido and Aeneas: To the hills and the vales
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Purcell1:14
15Dido and Aeneas: Triumphing dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Purcell1:18
16Dido and Aeneas: Wayward sisters
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell1:56
17Dido and Aeneas: Harm’s our delight
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:14
18Dido and Aeneas: The Queen of Carthage
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:26
19Dido and Aeneas: Ha, ha, ha
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:08
20Dido and Aeneas: Ruin’d ere the set of sun?
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell1:03
21Dido and Aeneas: Ha, ha, ha
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:08
22Dido and Aeneas: But ere we this perform
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell1:14
23Dido and Aeneas: Echo chorus (In our deep‐vaulted cell)
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell1:07
24Dido and Aeneas: Echo dance of the furies
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Purcell1:07
25Dido and Aeneas: Ritornelle
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:55
26Dido and Aeneas: Thanks to these lonesome vales
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell2:45
27Dido and Aeneas: Dance (Oft she visits)
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell2:24
28Dido and Aeneas: Behold, upon my bending spear
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:34
29Dido and Aeneas: Haste, haste to town!
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:50
30Dido and Aeneas: Stay, prince, and hear
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Purcell2:35
31Dido and Aeneas: Grove’s dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance (unnumbered, end of Act II) (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Purcell0:50
32Dido and Aeneas: Prelude (Come away)
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell1:34
33Dido and Aeneas: Sailor’s dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:47
34Dido and Aeneas: See the flags
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:57
35Dido and Aeneas: Our next motion
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:33
36Dido and Aeneas: Destruction’s our delight
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:34
37Dido and Aeneas: Witches’ dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Purcell1:12
38Dido and Aeneas: Your counsel all
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell3:53
39Dido and Aeneas: Great minds against themselves
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell1:04
40Dido and Aeneas: Thy hand, Belinda
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1994-09)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:44
41Dido and Aeneas: Dido’s lament
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell3:42
42Dido and Aeneas: With drooping wings
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell2:15
43Dido and Aeneas: Cupid’s dance
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act III. Cupids’ Dance (interstitial, unnumbered, end of Act III) (in 1994-09)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Purcell2:34

Credits

Release

liner notes:Andrew Pinnock (liner notes author)
Bruce Wood (liner notes author)
executive producer:Malcolm Bruno
illustration:Baron Pierre‐Narcisse Guérin (French painter)
copyrighted (©) by:Taverner Productions (not for release label use!) (in 1994)