The Best of Julie London

~ Release by Julie London (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
52:51
2When I Fall in Love
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:21
3Fly Me to the Moon (In Other Words)
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
42:34
4I Got It Bad (and That Ain’t Good)
recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:58
5God Bless the Child
recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:17
6I’m in the Mood for Love (Every Night at Eight)
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:30
7You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:15
8Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:39
9My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig
drums (drum set):
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:42
10Two Sleepy People
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:16
11Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
2:59
12Basin Street Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:05
13You Go to My Head
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:07
14September in the Rain
producer:
Bobby Troup
conductor:
Pete King (composer/arranger)
arranger:
Pete King (composer/arranger)
recording of:
September in the Rain (in 1956)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
1:41
15’Round Midnight
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
2:54
16You Stepped Out of a Dream
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
recorded at:
Julie London’s living room
recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
2:13
17Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:25
18There Will Never Be Another You
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:14