Tracklist

CD 1
# Title Artist Rating Length
1 Laude novella sia cantata (late 13th century) [anonymous] 5:17
2 Qualis est dilectus tuus John Forest 2:43
3 Edi beo thu, hevene quene (13th century) [anonymous] 3:20
4 Procurans odium (13th century) [anonymous] 2:30
5 Patrie pacis / Patria gaudentium (late 14th century) [anonymous] 2:31
6 Eya martyr Stephane (mid 15th century) [anonymous] 2:27
7 Dulcis amor [anonymous] 3:49
8 Acunt vont / Amor qui cor / Kyrie (13th century) [anonymous] 3:41
9 Amis tout dous Pierre des Molins 1:39
10 Ma douce amour Johannes Symonis Hasprois 1:58
11 Tres douls amis (mid 14th century) [anonymous] 2:10
12 Questa fanciulla Amor Francesco Landini 3:34
13 Questa fanciulla Amor [codex Reina] (early 15th century) [anonymous] 2:57
14 Quan je voy (mid 14th century) [anonymous] 2:39
15 Con dolce brama Magister Piero 1:41
16 Go hert Richard Neville 3:32
17 Ain graserin Oswald von Wolkenstein 3:18
18 Trew on wam ys al my tryst [anonymous] 1:47
CD 2
# Title Artist Rating Length
1 A poste messe Lorenzo da Firenze 3:29
2 Or sus, vous dormés trop (late 14th century) [anonymous] 4:17
3 De luscinia (attrib.) Fulbert de Chartres 6:38
4 Sì dolce non sonò Francesco Landini 4:48
5 Segugi a corde (attrib.) Magister Piero 3:09
6 Qui vult psallere (13th century) [anonymous] 1:37
7 Pantheon abluitur / Apollinis eclipsatur / Zodiacum signis lustrantibus (attrib.) Bernard de Cluny 2:34
8 O tu chara sciença Giovanni da Firenze 2:28
9 Musica son / Già furon / Ciascun vuoli Francesco Landini 3:04
10 Are post libamina / Nunc surgunt in populo Matheus de Sancto Johanne 1:32
11 S’ i’, monocordo gentil Donato da Firenza 3:15
12 Non più doglie ebbe Dido Andrea da Firenze 5:18
13 Chose Tassin Tassinus 6:07
14 Nu sculon herigean Caedmon 2:14
15 In omnem terram [anonymous] 3:39
16 Alleluja, v Cantabant Sancti (2nd half of the 11th century) [anonymous] 2:35
17 Laus Trinitati Hildegard von Bingen 3:38
18 Ysaias cecinit / Tytire tu patule (13th century) [anonymous] 2:39
19 Alma polis religio / Axe poli cum artica Egidius de Aurelia 4:19
20 Lo Signore ringraçando (late 13th Century) [anonymous] 6:13
CD 3
# Title Artist Rating Length
1 Versus de Herico duce Paolino d'Aquileia 10:09
2 O lylium convallium / Submersus iacet Pharao (10th century, Aquileia) [anonymous] 3:25
3 Tres enemics Uc de Saint Circ 9:27
4 Gewan ich ze Minnen Rudolf von Fenis 5:14
5 En mort d’En Joan de Cucanh (ca. 1272) [anonymous] 5:55
6 Lux purpurata / Diligite justitiam Jacopo da Bologna 2:22
7 O in Italia felice Liguria Jacopo da Bologna 2:26
8 O in Italia felice Liguria Jacopo da Bologna arr. Doron Sherwin 2:56
9 Nel bel giardino che l’Adige Jacopo da Bologna 4:57
10 Pyrance la Bella Yguana Elisabetta de Mircovich 3:24
11 Nell’acqua chiara Vincenzo da Rimini 2:53
12 La nobil scala (Madrigal: 12th century, Venice) [anonymous] 2:31
13 Ave corpus sanctum / Adolescens protomartir Marchetto da Padova 3:14
14 Imperial sedendo Bartolino da Padova 4:49
15 Imperial sedendo (early 15th century, Italy) [anonymous] 4:31
16 Rondeau sans texte (attrib.) Matteo da Perugia 3:20
17 Strenua quem duxit / Gaudeat et tanti Antonio da Cividale 2:48
CD 4
# Title Artist Rating Length
1 Wyth right al my hert (15th century, England) [anonymous] 1:20
2 Tir na mBan Elisabetta de Mircovich 3:08
3 Se Geneive, Tristan Johannes Cuvelier 7:23
4 Lamento di Tristano, Rotta (14th century, Italy) [anonymous] 7:00
5 Tre Fontane (14th century) [anonymous] 8:24
6 Deus tuorum militum / De flore martyrum / Ave Rex (early 14th century) [anonymous] 1:33
7 Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex (early 14th century) [anonymous] 2:08
8 Nobilis humilis Magne martir (12th century, Orkney Isles) [anonymous] 3:22
9 Quene note (attrib.) Frankes arr. Doron Sherwin 5:03
10 Di novo è giunto un chavalier errante Jacopo da Bologna 2:26
11 S’on me regarde / Prenés i garde / Hé mi enfant (13th century, France) [anonymous] 1:50
12 Seguendo ’l canto d’un uccel Donato da Firenza 3:12
13 Nel boscho sença foglie Giovanni da Firenze 2:28
14 Ave Maris Stella (15th century, Italy) [anonymous] 1:28
15 Crist et Sainte Marie San Godric di Finchale 5:30
16 Sainte Marie Viergene San Godric di Finchale 3:14
17 Prima cedit femina / Mulierum hodie / Mulierum (13th century) [anonymous] 1:23
18 Ave mutter kuniginne / Ave mater Oswald von Wolkenstein 3:53
CD 5
# Title Artist Rating Length
1 Nox Doron Sherwin 1:24
2 Victimæ pascali laudes Wipo of Burgundy 1:46
3 Mors a primi patris / Mors, que stimulo / Mors morsu nata / Mors Pérotin 1:56
4 Occasum Claudia Caffagni 2:27
5 Pange melos lacrimosum (13th century, France) [anonymous] 4:03
6 Balaam inquit / Huic placuit tres Magi (13th century, France) [anonymous] 2:49
7 Iam nubes dissolvitur / Iam novum sydus oritur / Solem (13th century, France) [anonymous] 2:24
8 An doz mois de mai / Crux forma penitentie / Sustinere (13th century, France) [anonymous] 2:20
9 A la clarté qui tout enlumina / Et illuminare (13th century, France) [anonymous] 2:33
10 Porta preminentie / Porta penitentie / Portas (13th century, France) [anonymous] 2:54
11 Miri it is hwile sumer ilasts (13th century, England) [anonymous] / Ella de Mircovich 7:11
12 Salve mater gracie / Do way Robin (13th century, England) [anonymous] 1:51
13 Rosa fragrans (13th century, England) [anonymous] 3:24
14 Mors et vita duello Elisabetta de Mircovich 4:13
15 Caligo terrae scinditur / Virgo Maria (14th century, England) [anonymous] 3:39
16 Anglia tibi turbidas spera lucem post tenebras (14th century, England) [anonymous] 4:34
17 Ich spur ein tyer Oswald von Wolkenstein 4:20
18 Resvellies vous et faites chiere lye Guillaume Du Fay 2:57
19 Resvellies vous et faites chiere lye Guillaume Du Fay / Doron Sherwin 2:56
20 Lux Doron Sherwin 3:39

Credits

CD 1

other instruments [symphonia]:
Paolo Zerbinatti (1992-03) (track 1)
cornett:
Doron Sherwin (1992-03) (tracks 3–5, 8–9, 11–14, 16, 18)
lute:
Claudia Caffagni (1992-03) (tracks 1–3, 5–6, 8–16, 18)
recorder:
Livia Caffagni (1992-03) (tracks 1, 4, 14, 18)
rebec:
Elisabetta de Mircovich (1992-03) (tracks 1, 3, 11, 14, 16–18)
organ [portative organ]:
Elisabetta de Mircovich (1992-03) (tracks 5–6)
vielle:
Livia Caffagni (1992-03) (tracks 2–3, 5–6, 8–13, 15–16)
percussion:
Claudia Caffagni (1992-03) (track 17)
Doron Sherwin (1992-03) (tracks 1, 6)
harp:
Elisabetta de Mircovich (1992-03) (track 3)
composer:
Forest (English composer, early 15th century) (track 2)
Philipp Groth (track 7)
Francesco Landini (track 12)
Richard Neville (15th century composer) (track 16)
Maestro Piero (track 15)
Michael Popp (track 7)
[anonymous] (Special Purpose Artist) (tracks 1, 3, 14)
editor:
Pere Casulleras (Catalan sound engineer, photographer and producer) (tracks 1–18)
lyricist:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 7)
performer:
La Reverdie (1992-03) (tracks 1–18)
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (tracks 1–18)
recording engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (tracks 1–18)
vocals:
Claudia Caffagni (1992-03) (track 1)
Livia Caffagni (1992-03) (track 1)
Doron Sherwin (1992-03) (tracks 1–3, 5–6, 8, 15–17)
Elisabetta de Mircovich (1992-03) (tracks 1–4, 6–8, 10, 12, 15–16, 18)
writer:
P. des Molins (14th century composer) (1300 – 1399) (track 9)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (1992-03) (tracks 1–18)
part of:
Carmina Amoris Infelicis (tracks 4, 4)
Carmina Burana (number: 12) (track 4)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230) (part of collection) (track 4)
recording of:
Ain graserin (1992-03) (track 17)
Amis tous dous (Rondeau) (1992-03) (track 9)
Con dolce brama (1992-03) (track 15)
Dulcis Amor (1992-03) (track 7)
Edi Beo Thu, Hevene Quene (13th c. Middle English song in praise of the Virgin Mary) (1992-03) (track 3)
Go hert, hurt wyth adversitee (1992-03) (track 16)
Laude novella sia cantata (1992-03) (track 1)
Ma douce amour (1992-03) (track 10)
Procurans odium (1992-03) (track 4)
Qualis est dilectus (1992-03) (track 2)
Quan ye voy le duç tens venir (Codice Panciatichi 26 della Biblioteca Nazionale Centrale di Firenze) (1992-03) (track 14)
Questa fanciulla, amor (1992-03) (track 12)

CD 2

other instruments [symphonia]:
Claudia Caffagni (1993-07-24 – 1993-07-27) (track 17)
Ella de Mircovich (1993-07-24 – 1993-07-27) (track 20)
lyre [cithara teutonica]:
Ella de Mircovich (1993-07-24 – 1993-07-27) (tracks 3, 14)
cornett:
Doron Sherwin (1993-07-24 – 1993-07-27) (tracks 1, 4, 10, 13, 19)
lute:
Claudia Caffagni (1993-07-24 – 1993-07-27) (tracks 2, 4, 6–7, 10–13, 19–20)
recorder:
Livia Caffagni (1993-07-24 – 1993-07-27) (track 1)
rebec:
Elisabetta de Mircovich (1993-07-24 – 1993-07-27) (tracks 4, 8, 13, 17, 20)
vielle:
Livia Caffagni (1993-07-24 – 1993-07-27) (tracks 2, 4, 7–8, 10, 13, 17, 19–20)
percussion:
Doron Sherwin (1993-07-24 – 1993-07-27) (tracks 8, 13, 20)
harp:
Elisabetta de Mircovich (1993-07-24 – 1993-07-27) (tracks 6, 13, 19–20)
Ella de Mircovich (1993-07-24 – 1993-07-27) (tracks 6, 11, 13)
composer:
Tassinus (Minstrel 13th century) (track 13)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–20)
performer:
La Reverdie (1993-07-24 – 1993-07-27) (tracks 1–20)
producer:
Michel Bernstein (tracks 1–20)
recording engineer:
Michel Bernstein (tracks 1–20)
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–20)
vocals:
Claudia Caffagni (1993-07-24 – 1993-07-27) (tracks 3, 15–18, 20)
Livia Caffagni (1993-07-24 – 1993-07-27) (tracks 3, 15–18, 20)
Elisabetta de Mircovich (1993-07-24 – 1993-07-27) (tracks 1–3, 5, 7, 9–10, 15–20)
Ella de Mircovich (1993-07-24 – 1993-07-27) (tracks 3, 5, 7, 9, 11–12, 14–20)
Doron Sherwin (1993-07-24 – 1993-07-27) (tracks 4–5, 7, 9, 12, 20)
writer:
Maysheut (Little is known of this early English composer) (1400) (track 10)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (1993-07-24 – 1993-07-27) (tracks 1–20)
medley including a recording of:
Ave Post Libamina (1993-07-24 – 1993-07-27) (track 10)
part of:
recording of:
Chose Tassin (estampie, Codex Montpellier) (1993-07-24 – 1993-07-27) (track 13)
Symphonia armonie celestium revelationum: Laus Trinitati (1993-07-24 – 1993-07-27) (track 17)

CD 3

trumpet [slide trumpet]:
Mauro Morini (1995-04-18 – 1995-04-22) (track 13)
lyre [cithara teutonica]:
Ella de Mircovich (1995-04-18 – 1995-04-22) (tracks 1–2)
cornett:
Doron Sherwin (1995-04-18 – 1995-04-22) (tracks 8–9, 16)
lute:
Claudia Caffagni (1995-04-18 – 1995-04-22) (tracks 5–7, 10, 12, 15–17)
recorder:
Livia Caffagni (1995-04-18 – 1995-04-22) (tracks 5, 8–10)
rebec:
Elisabetta de Mircovich (1995-04-18 – 1995-04-22) (tracks 6, 9–10, 12, 16)
vielle:
Livia Caffagni (1995-04-18 – 1995-04-22) (tracks 4, 6–7, 15–17)
Claudia Pasetto (violist) (1995-04-18 – 1995-04-22) (tracks 5, 9–10, 12)
Elisabetta de Mircovich (1995-04-18 – 1995-04-22) (tracks 4–5)
percussion:
Doron Sherwin (1995-04-18 – 1995-04-22) (tracks 5, 10)
harp:
Elisabetta de Mircovich (1995-04-18 – 1995-04-22) (tracks 2–3)
Ella de Mircovich (1995-04-18 – 1995-04-22) (tracks 3, 5, 10, 15–16)
performer:
La Reverdie (1995-04-18 – 1995-04-22) (tracks 1–17)
producer:
Michel Bernstein (tracks 1–17)
Klaus L. Neumann (tracks 1–17)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–17)
vocals:
Claudia Caffagni (1995-04-18 – 1995-04-22) (tracks 1–2)
Livia Caffagni (1995-04-18 – 1995-04-22) (track 1)
Elisabetta de Mircovich (1995-04-18 – 1995-04-22) (tracks 1–3, 6–7, 9, 11, 13–14, 17)
Ella de Mircovich (1995-04-18 – 1995-04-22) (tracks 1–2, 5–7, 9, 11, 13–14, 17)
Doron Sherwin (1995-04-18 – 1995-04-22) (tracks 4, 6, 11, 13, 17)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (1995-04-18 – 1995-04-22) (tracks 1–17)

CD 4

other instruments [symphonia]:
Livia Caffagni (1997-03-01 – 1997-03-05) (track 15)
Elisabetta de Mircovich (1997-03-01 – 1997-03-05) (track 18)
cornett:
Doron Sherwin (1997-03-01 – 1997-03-05) (tracks 12, 18)
lute:
Claudia Caffagni (1997-03-01 – 1997-03-05) (tracks 3–5, 7, 9–10, 12, 14, 18)
recorder:
Livia Caffagni (1997-03-01 – 1997-03-05) (tracks 4–5, 9)
rebec:
Elisabetta de Mircovich (1997-03-01 – 1997-03-05) (tracks 7, 9)
vielle:
Livia Caffagni (1997-03-01 – 1997-03-05) (tracks 2–3, 7, 10, 12, 18)
Claudia Pasetto (violist) (1997-03-01 – 1997-03-05) (tracks 2, 4–5, 7, 9, 15, 18)
Elisabetta de Mircovich (1997-03-01 – 1997-03-05) (tracks 2, 4–5, 15)
percussion:
Doron Sherwin (1997-03-01 – 1997-03-05) (tracks 4–5, 9, 18)
bell:
Doron Sherwin (1997-03-01 – 1997-03-05) (track 15)
harp [gothic harp]:
Ella de Mircovich (1997-03-01 – 1997-03-05) (tracks 4–5, 9, 12, 15)
harp [romanesque harp]:
Ella de Mircovich (1997-03-01 – 1997-03-05) (track 16)
arranger:
Doron Sherwin (1997) (track 9)
composer:
St. Godrich (tracks 15–16)
Donato da Cascia (also "Donato da Firenze" ; benedictan monk and composer.) (track 12)
[anonymous] (Special Purpose Artist) (tracks 4–5, 8–9)
James MacMillan (composer and conductor) (2011) (track 14)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–18)
lyricist:
[anonymous] (Special Purpose Artist) (track 14)
performer:
La Reverdie (1997-03-01 – 1997-03-05) (tracks 1–18)
producer:
Michel Bernstein (tracks 1–18)
Klaus L. Neumann (tracks 1–18)
recording engineer:
Klaus L. Neumann (tracks 1–18)
Charlotte Gilart de Kéranflec'h (Sound engineer) (1997-03-01 – 1997-03-05) (tracks 3–5, 8–9, 11–12, 14, 18)
vocals:
Livia Caffagni (1997-03-01 – 1997-03-05) (tracks 8, 11, 17)
Doron Sherwin (1997-03-01 – 1997-03-05) (tracks 1, 6–7, 13–14)
Claudia Caffagni (1997-03-01 – 1997-03-05) (tracks 8, 11, 15, 17–18)
Elisabetta de Mircovich (1997-03-01 – 1997-03-05) (tracks 3, 6–8, 10–11, 13, 16–18)
Ella de Mircovich (1997-03-01 – 1997-03-05) (tracks 6–8, 10–11, 13, 15, 18)
writer:
Johannes Cuvelier (14th century composer (fl. 1372 – after 1387)) (track 3)
recorded at:
Abbazia di Rosazzo in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (1997-03-01 – 1997-03-05) (tracks 1–18)
part of:
Montpellier Codex (number: 256) (track 11)
partial recording of:
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (1997-03-01 – 1997-03-05) (track 16)
recording of:
Ave maris stella (1997-03-01 – 1997-03-05) (track 14)
Ave mütter künniginne (Ave mater o Maria) (1997-03-01 – 1997-03-05) (track 18)
Hymn to St Magnus “Nobilis humilis” (1997-03-01 – 1997-03-05) (track 8)
Lamento di Tristano / La Rotta (From a document in the British Library in London (Ms.29987)) (1997-03-01 – 1997-03-05) (track 4)
Quene Note (Bodleian MS. Digby 167) (1997-03-01 – 1997-03-05) (track 9)
S'on me regarde/Prennés i garde/Hé, mi enfant (Mo 256) (1997-03-01 – 1997-03-05) (track 11)
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (1997-03-01 – 1997-03-05) (track 15)
Se Geneive, Tristan (1997-03-01 – 1997-03-05) (track 3)
Seguendo 'l canto d'un uccel selvaggio (1997-03-01 – 1997-03-05) (track 12)
Tir na mBan (1997-03-01 – 1997-03-05) (track 2)
Tre fontane (From a document in the British Library in London (Ms.29987)) (1997-03-01 – 1997-03-05) (track 5)

CD 5

other instruments [symphonia]:
Elisabetta de Mircovich (2000-10-09 – 2000-10-14) (track 11)
cornett [mute cornett]:
Doron Sherwin (2000-10-09 – 2000-10-14) (tracks 15, 18, 20)
psaltery:
Claudia Caffagni (2000-10-09 – 2000-10-14) (tracks 1, 4, 9, 11–12)
lute:
Claudia Caffagni (2000-10-09 – 2000-10-14) (tracks 14–19)
recorder:
Livia Caffagni (2000-10-09 – 2000-10-14) (tracks 14, 20)
rebec:
Elisabetta de Mircovich (2000-10-09 – 2000-10-14) (tracks 5, 9, 14, 16, 18–19)
vielle:
Livia Caffagni (2000-10-09 – 2000-10-14) (tracks 5, 9, 11, 15–19)
percussion:
Doron Sherwin (2000-10-09 – 2000-10-14) (tracks 5, 11, 14, 16)
bell:
Claudia Caffagni (2000-10-09 – 2000-10-14) (track 20)
Doron Sherwin (2000-10-09 – 2000-10-14) (tracks 9, 13)
harp:
Claudia Caffagni (2000-10-09 – 2000-10-14) (track 13)
Ella de Mircovich (2000-10-09 – 2000-10-14) (tracks 1, 9, 11, 13, 15, 17–20)
Elisabetta de Mircovich (2000-10-09 – 2000-10-14) (track 13)
composer:
Guillaume Dufay (track 18)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–20)
performer:
La Reverdie (2000-10-09 – 2000-10-14) (tracks 1–20)
producer:
Richard Lorber (producer) (tracks 1–20)
Michel Bernstein (tracks 1–20)
recording engineer:
Michel Bernstein (tracks 1–20)
Charlotte Gilart de Kéranflec'h (Sound engineer) (tracks 1–20)
vocals:
Claudia Caffagni (2000-10-09 – 2000-10-14) (tracks 2–3, 6–7, 10–11, 16)
Livia Caffagni (2000-10-09 – 2000-10-14) (tracks 2, 6–7, 10–11, 16)
Ella de Mircovich (2000-10-09 – 2000-10-14) (tracks 2–3, 5–8, 10–13, 15–16)
Doron Sherwin (2000-10-09 – 2000-10-14) (tracks 10, 15–16, 19)
Elena Bertuzzi (2000-10-09 – 2000-10-14) (tracks 3, 8, 10, 13, 20)
Elisabetta de Mircovich (2000-10-09 – 2000-10-14) (tracks 2–3, 5–13, 15–17, 20)
recorded at:
Abbazia di Rosazzo in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (2000-10-09 – 2000-10-14) (tracks 1–20)
recording of:
Resvelliés vous et faites chiere lye (2000-10-09 – 2000-10-14) (track 18)

Release

ASIN:FR: B01M3O72BK [info]