# | Title | Artist | Rating | Length |
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1 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Ouvertüre (Chor): Nun komm, der Heiden Heiland- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- choir vocals:
- Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 3:57 |
2 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Rezitativ (Tenor): Der Heiland ist gekommen- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- tenor vocals:
- Peter Schreier (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 1:25 |
3 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Arie (Tenor): Komm, Jesu, komm zu deiner Kirche- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- tenor vocals:
- Peter Schreier (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 5:32 |
4 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Rezitativ (Baß): Siehe, ich stehe vor der Tür und klopfe an- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- bass vocals:
- Dietrich Fischer‐Dieskau (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 1:16 |
5 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Arie (Sopran): Öffne dich, mein ganzes Herze- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- soprano vocals:
- Edith Mathis (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 5:23 |
6 | Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Choral: Amen, Amen! Komm, du schöne Freudenkrone- sound engineer:
- Harald Baudis , Klaus Scheibe and Hans-Peter Schweigmann
- producer:
- Rainer Brock , Dr. Manfred Richter and Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1970-06 until 1970-07), Karl Kolbinger (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (in 1971-07)
- cello [Violincello]:
- Johannes Fink (in 1971-07) and Fritz Kiskalt (in 1971-07)
- cello [Violoncello]:
- Johannes Fink (from 1970-06 until 1970-07) and Fritz Kiskalt (from 1970-06 until 1970-07)
- double bass [Kontrabaß]:
- Herbert Duft (from 1970-06 until 1970-07, in 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (from 1970-06 until 1970-07, in 1971-07)
- choir vocals:
- Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
- orchestra:
- Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
- conductor:
- Karl Richter (from 1970-06 until 1970-07, in 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
- recording of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (from 1970-06 until 1970-07)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 61 "Nun komm, der Heiden Heiland"
| Johann Sebastian Bach | | 0:51 |
7 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Chor: Christum wir sollen loben schon- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- choir vocals:
- Münchener Bach‐Chor (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07)
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 2:29 |
8 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Arie (Tenor): O du von Gott erhöhte Kreatur- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- tenor vocals:
- Peter Schreier (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1971-06 until 1971-07)
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 5:01 |
9 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Rezitativ (Alt): Der Gnade unermeßliches Wesen- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- alto vocals:
- Anna Reynolds (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1971-06 until 1971-07)
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 1:32 |
10 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Arie (Baß): Johannis freudenvolles Springen- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- bass vocals:
- Dietrich Fischer‐Dieskau (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1971-06 until 1971-07)
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 8:50 |
11 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Rezitativ (Sopran): Doch wie erblickt es dich in deiner Krippe- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- soprano vocals:
- Edith Mathis (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1971-06 until 1971-07)
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 1:23 |
12 | Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Choral: Lob, Ehr und Dank sei dir gesagt- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (from 1971-06 until 1971-07), Karl Kolbinger (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (in 1972-03)
- cello [Violoncello]:
- Johannes Fink (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (from 1971-06 until 1971-07, in 1972-03)
- double bass [Kontrabaß]:
- Herbert Duft (from 1971-06 until 1971-07, in 1975-03)
- oboe d'amore:
- Manfred Clement (from 1971-06 until 1971-07, in 1972-03)
- organ [Orgel]:
- Hedwig Bilgram (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (from 1971-06 until 1971-07, in 1972-03)
- choir vocals:
- Münchener Bach‐Chor (from 1971-06 until 1971-07, in 1972-03)
- orchestra:
- Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
- conductor:
- Karl Richter (from 1971-06 until 1971-07, in 1972-03)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
- recording of:
- Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07)
- lyricist:
- Martin Luther
- composer:
- Johann Sebastian Bach (in 1724)
- premiered at:
- St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
- part of:
- Breitkopf 389 Choralgesänge (number: 42)
- part of:
- Kantate, BWV 121 "Christum wir sollen loben schon"
| Johann Sebastian Bach | | 1:07 |
13 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Chor: Gott, wie dein Name, so ist auch dein Ruhm- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- choir vocals:
- Münchener Bach‐Chor (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 2:05 |
14 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Arie (Tenor): Herr, so weit die Wolken gehen- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- tenor vocals:
- Peter Schreier (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 4:30 |
15 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Rezitativ (Alt): "Du süßer Jesus-Name du- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- alto vocals:
- Hertha Töpper (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 1:17 |
16 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Arie (Sopran): Jesus soll mein erstes Wort in dem neuen Jahre heißen- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- soprano vocals:
- Edith Mathis (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 6:16 |
17 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Rezitativ (Baß): Und da du, Herr, gesagt- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 2:23 |
18 | Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Choral: Dein ist allein die Ehre- sound engineer:
- Hans-Peter Schweigmann
- producer:
- Hansjoachim Reiser
- bassoon [Fagott]:
- Detlef Kühl (in 1970-06), Karl Kolbinger (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (from 1971-06 until 1971-07)
- cello [Violoncello]:
- Johannes Fink (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (in 1970-06, from 1971-06 until 1971-07)
- double bass [Kontrabaß]:
- Herbert Duft (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe I]:
- Manfred Clement (in 1970-06, from 1971-06 until 1971-07)
- oboe [Oboe II]:
- Kurt Hausmann (in 1970-06, from 1971-06 until 1971-07)
- organ [Orgel]:
- Hedwig Bilgram (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (in 1970-06, from 1971-06 until 1971-07)
- solo instruments:
- Trompetenensemble Edward H. Tarr (in 1970-06)
- violin [Violine]:
- Otto Büchner (in 1970-06, from 1971-06 until 1971-07)
- choir vocals:
- Münchener Bach‐Chor (in 1970-06, from 1971-06 until 1971-07)
- orchestra:
- Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
- conductor:
- Karl Richter (in 1970-06, from 1971-06 until 1971-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1972) and Polydor International GmbH (in 1972)
- recorded at:
- Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 1970-06)
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Johannes Herman (in 1593)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| Johann Sebastian Bach | | 2:22 |
19 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Chor: Sie werden aus Saba alle kommen | Johann Sebastian Bach | | 3:33 |
20 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Choral: Die Kön'ge aus Saba kamen dar | Johann Sebastian Bach | | 0:43 |
21 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Rezitativ (Baß): Was dort Jesaias vorhergesehn | Johann Sebastian Bach | | 2:12 |
22 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Arie (Baß): Gold aus Ophir ist zu schlecht | Johann Sebastian Bach | | 2:38 |
23 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Rezitativ (Tenor): Verschmähe nicht, du, meiner Seelen Licht | Johann Sebastian Bach | | 1:31 |
24 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Arie (Tenor): Nimm mich dir zu eigen hin | Johann Sebastian Bach | | 3:20 |
25 | Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Choral: Ei nun, mein Gott | Johann Sebastian Bach | | 1:31 |