Kantaten Zur Weihnachtszeit

~ Release by Johann Sebastian Bach; Münchener Bach-Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Ouvertüre (Chor): Nun komm, der Heiden Heiland
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:57
2Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Rezitativ (Tenor): Der Heiland ist gekommen
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:25
3Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Arie (Tenor): Komm, Jesu, komm zu deiner Kirche
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:32
4Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Rezitativ (Baß): Siehe, ich stehe vor der Tür und klopfe an
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:16
5Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Arie (Sopran): Öffne dich, mein ganzes Herze
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:23
6Nun Komm, der Heiden Heiland (Kantate Zum 1. Adventssonntag BWV 61): Choral: Amen, Amen! Komm, du schöne Freudenkrone
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:51
7Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Chor: Christum wir sollen loben schon
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:29
8Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Arie (Tenor): O du von Gott erhöhte Kreatur
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:01
9Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Rezitativ (Alt): Der Gnade unermeßliches Wesen
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
alto vocals:
Anna Reynolds (alto) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:32
10Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Arie (Baß): Johannis freudenvolles Springen
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:50
11Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Rezitativ (Sopran): Doch wie erblickt es dich in deiner Krippe
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
soprano vocals:
Edith Mathis (soprano) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:23
12Christum wir sollen loben schon (Kantate zum 2. Weihnachtstag BWV 121): Choral: Lob, Ehr und Dank sei dir gesagt
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:07
13Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Chor: Gott, wie dein Name, so ist auch dein Ruhm
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:05
14Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Arie (Tenor): Herr, so weit die Wolken gehen
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:30
15Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Rezitativ (Alt): "Du süßer Jesus-Name du
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:17
16Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Arie (Sopran): Jesus soll mein erstes Wort in dem neuen Jahre heißen
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
soprano vocals:
Edith Mathis (soprano) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach6:16
17Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Rezitativ (Baß): Und da du, Herr, gesagt
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:23
18Gott, wie dein Name, so ist auch dein Ruhm (Kantate zum Neujahrstag BWV 171): Choral: Dein ist allein die Ehre
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 1970-06)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:22
19Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Chor: Sie werden aus Saba alle kommen
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:33
20Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Choral: Die Kön'ge aus Saba kamen dar
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:43
21Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Rezitativ (Baß): Was dort Jesaias vorhergesehn
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:12
22Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Arie (Baß): Gold aus Ophir ist zu schlecht
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:38
23Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Rezitativ (Tenor): Verschmähe nicht, du, meiner Seelen Licht
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:31
24Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Arie (Tenor): Nimm mich dir zu eigen hin
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:20
25Sie werden aus Saba alle kommen (Kantate zum Fest der heiligen drei Könige (Epiphanias) BWV 65): Choral: Ei nun, mein Gott
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (in 1967-02)
orchestra:
Münchener Bach‐Orchester (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:31