Jazz Manifesto

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Brilliant Corners
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-15)
double bass:
Oscar Pettiford (on 1956-10-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-15)
piano:
Thelonious Monk (on 1956-10-15)
tenor saxophone:
Sonny Rollins (on 1956-10-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-15)
recording of:
Brilliant Corners (on 1956-10-15)
composer:
Thelonious Monk
7:43
2Ba-Lue Bolivar Ba-Lues-Are
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
piano:
Thelonious Monk (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
edit of:
Ba-lue Bolivar Ba-lues-are (studio, 1956-10-09; quintet version for Riverside, with piano intro) by Thelonious Monk
recording of:
Ba‐lue Bolivar Ba‐lues‐are (on 1956-10-09)
composer:
Thelonious Monk
13:05
3Pannonica
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
celesta and piano:
Thelonious Monk (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
recording of:
Pannonica (on 1956-10-09)
composer:
Thelonious Monk
8:48
4I Surrender, Dear
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
instrumental recording of:
I Surrender Dear (on 1956-12-07)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
5:24
5Bemsha Swing
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Thelonious Monk (on 1956-12-07)
tenor saxophone:
Sonny Rollins (on 1956-12-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
recording of:
Bemsha Swing (instrumental) (on 1956-12-07)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
7:40
6April in Paris
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:51
7I Don't Stand a Ghost of a Chance With You
recorded in:
New York, New York, United States (on 1957-04-05)
piano:
Thelonious Monk (on 1957-04-05)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1957-04-05)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
4:21
8Functional
recorded in:
New York, New York, United States (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
recording of:
Functional (on 1957-04-16)
composer:
Thelonious Monk
9:18
9I'm Getting Sentimental Over You
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States
recording of:
I’m Getting Sentimental Over You
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:03
▼ CD 2
#TitleRatingLength
1I Should Care
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:13
2Round Midnight
recorded in:
New York, New York, United States (on 1957-04-05)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-05)
recording of:
’Round Midnight (on 1957-04-05)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:40
3All Alone
recorded in:
New York, New York, United States (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
instrumental recording of:
All Alone
lyricist and composer:
Irving Berlin (in 1924)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
4:51
4Monk's Mood
recorded in:
New York, New York, United States (on 1957-04-16)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Wilbur Ware (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
tenor saxophone:
John Coltrane (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-16)
recording of:
Monk’s Mood (on 1957-04-16)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
7:50
5Abide With Me
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
arranger:
Thelonious Monk
publisher:
Thelonious Music
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
instrumental recording of:
Abide With Me (Set to tune ‘Eventide’) (on 1957-06-26)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
0:53
6Well, You Needn't
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
11:23
7Ruby, My Dear
recorded in:
New York, New York, United States (on 1957-06-26)
bass and double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:25
8Off Minor
recorded in:
New York, New York, United States
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:09
9Epistrophy
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
10:45
10Crepuscule With Nellie
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass and double bass [bass]:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recording of:
Crepuscule With Nellie (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:39

Credits