| # | Title | Artist | Rating | Length |
|---|
| 1 | Don't Come Around Here No More- producer:
- David A. Stewart , Jimmy Iovine and Tom Petty
- bass guitar [bass]:
- Howie Epstein
- bass guitar [intro bass]:
- Dean Garcia
- cello:
- Daniel Rothmuller
- drums (drum set) and percussion:
- Stan Lynch
- guitar:
- Mike Campbell
- keyboard [keyboards]:
- David A. Stewart and Benmont Tench
- piano:
- T. P.
- sitar:
- David A. Stewart
- background vocals:
- Sharon Celani, Marilyn Martin and Stephanie Spruill
- vocals:
- David A. Stewart , Howie Epstein and T. P.
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1985)
- recorded at:
- Church Studio in London , England, United Kingdom, Gone Gator One in Encino, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- Gone Gator One in Encino, California, United States
- remixed at:
- The Village Recorder in Los Angeles, California, United States
- music videos:
- Don't Come Around Here No More by Tom Petty and the Heartbreakers
- recording of:
- Don’t Come Around Here No More
- writer:
- David A. Stewart and Tom Petty
- publisher:
- D’n’A Ltd. and Gone Gator Music
| Tom Petty and the Heartbreakers | 4.35 | 5:07 |
| 2 | Because the Night | Patti Smith | | 3:05 |
| 3 | Maneater | Hall & Oates | | 3:54 |
| 4 | This Little Girl | Gary “U.S.” Bonds | | 3:43 |
| 5 | More Than a Feeling | Boston | 4.75 | 3:25 |
| 6 | I Love You Suzanne | Lou Reed | 4.65 | 3:18 |
| 7 | Deadringer for Love | Meat Loaf | 3.8 | 4:25 |
| 8 | Rush Hour | Jane Wiedlin | | 3:44 |
| 9 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:29 |
| 10 | Jessie's Girl | Rick Springfield | 4.35 | 3:12 |
| 11 | Centerfold | The J. Geils Band | 4.1 | 3:37 |
| 12 | Don't Stop Believing | Journey | 4.15 | 4:10 |
| 13 | Rosanna | Toto | 3.8 | 4:03 |
| 14 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- Concord Copyrights London Limited, Little Mole Music, Universal Music Careers, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 4 | 4:51 |
| 15 | Bette Davis Eyes | Kim Carnes | | 3:34 |
| 16 | Some Weird Sin | Iggy Pop | | 3:40 |
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