| # | Title | Artist | Rating | Length |
|---|
| 1 | Cotton Mouth Man- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Tommy MacDonald
- drums (drum set) and background vocals:
- Tom Hambridge
- guitar [lead guitar]:
- Joe Bonamassa
- guitar [rhythm guitar]:
- Rob McNelley
- harmonica:
- James Cotton
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Cotton Mouth Man
- writer:
- Richard Fleming and Tom Hambridge
| James Cotton feat. Joe Bonamassa | | 3:47 |
| 2 | Midnight Train- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Noel Neal
- drums (drum set):
- Tom Hambridge
- guitar:
- Rob McNelley
- harmonica:
- James Cotton
- Wurlitzer electric piano [Wurlitzer piano]:
- Chuck Leavell
- vocals:
- Gregg Allman
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Midnight Train
- writer:
- Richard Fleming and Tom Hambridge
| James Cotton feat. Gregg Allman | | 3:29 |
| 3 | Mississippi Mud- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- double bass [upright bass]:
- Glenn Worf
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Rob McNelley
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Keb’ Mo’
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Mississippi Mud
- writer:
- James Cotton , Tom Hambridge and Gary Nicholson
| James Cotton feat. Keb’ Mo’ | | 4:00 |
| 4 | He Was There- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Noel Neal
- drums (drum set):
- Jerry Porter
- guitar:
- Tom Holland
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- He Was There
- writer:
- James Cotton , Richard Fleming and Tom Hambridge
| James Cotton | | 3:44 |
| 5 | Something for Me- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Noel Neal
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Warren Haynes and Tom Holland
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Warren Haynes
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Something for Me
- writer:
- Richard Fleming and Tom Hambridge
| James Cotton feat. Warren Haynes | | 3:41 |
| 6 | Wrapped Around My Heart- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Glenn Worf
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Rob McNelley
- Hammond organ [Hammond B3 organ]:
- Chuck Leavell
- harmonica:
- James Cotton
- vocals:
- Ruthie Foster
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Wrapped Around My Heart
- writer:
- Richard Fleming and Tom Hambridge
| James Cotton feat. Ruthie Foster | | 3:23 |
| 7 | Saint on Sunday- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Glenn Worf
- drums (drum set):
- Tom Hambridge
- guitar:
- Rob McNelley
- harmonica:
- James Cotton
- Wurlitzer electric piano [Wurlitzer piano]:
- Chuck Leavell
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Saint on Sunday
- writer:
- James Cotton , Richard Fleming and Tom Hambridge
| James Cotton | | 3:31 |
| 8 | Hard Sometimes- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- double bass [upright bass]:
- Glenn Worf
- drums (drum set):
- Tom Hambridge
- guitar:
- Rob McNelley
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Delbert McClinton
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Hard Sometimes
- writer:
- Tom Hambridge, Delbert McClinton and Gary Nicholson
| James Cotton feat. Delbert McClinton | | 3:18 |
| 9 | Young Bold Women- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- double bass [upright bass]:
- Glenn Worf
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Rob McNelley
- Hammond organ [Hammond B3 organ]:
- Chuck Leavell
- harmonica:
- James Cotton
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Young Bold Women
- writer:
- James Cotton and Tom Hambridge
| James Cotton | | 3:25 |
| 10 | Bird Nest on the Ground- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Noel Neal
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Tom Holland
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Bird Nest on the Ground
- writer:
- Maurice Dollison and Monk Higgins
| James Cotton | | 4:20 |
| 11 | Wasn't My Time to Go- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- double bass [upright bass]:
- Glenn Worf
- drums (drum set):
- Tom Hambridge
- guitar:
- Keb’ Mo’ and Rob McNelley
- harmonica:
- James Cotton
- Wurlitzer electric piano [Wurlitzer piano]:
- Chuck Leavell
- vocals:
- Keb’ Mo’
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Wasn't My Time to Go
- writer:
- James Cotton , Tom Hambridge and Gary Nicholson
| James Cotton feat. Keb’ Mo’ | | 4:17 |
| 12 | Blues Is Good for You- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Glenn Worf
- drums (drum set) and percussion:
- Tom Hambridge
- guitar:
- Rob McNelley
- harmonica:
- James Cotton
- keyboard [keyboards]:
- Chuck Leavell
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Blues Is Good for You
- writer:
- James Cotton , Tom Hambridge and Gary Nicholson
| James Cotton | | 4:25 |
| 13 | Bonnie Blue- additional recording engineer:
- Shane Baldwin , Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- harmonica:
- James Cotton
- resonator guitar:
- Colin Linden
- vocals:
- James Cotton
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Bonnie Blue
- writer:
- James Cotton and Tom Hambridge
| James Cotton | | 3:33 |
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