Arias for Guadagni

~ Release by Iestyn Davies, Arcangelo, Jonathan Cohen (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1"O Lord, whose mercies numberless" from Saul HWV53, Act I Scene 5
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel5:28
2"The raptur'd soul" from Theodora HWV68, Act I Scene 2
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Theodora, HWV 68: Act I, Scene 2, no. 9. Air “The raptur’d soul” (Didymus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Theodora, HWV 68: Act I
George Frideric Handel8:19
3"Yet, can I hear that dulcet lay" from The Choice of Hercules, HWV69
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
The Choice of Hercules, HWV 69: No. 15. Air "Yet can I hear that dulcet lay" (Hercules)
composer:
George Frideric Handel (German‐British baroque composer) (in 1750)
part of:
The Choice of Hercules, HWV 69
part of:
The Choice of Hercules, HWV 69
George Frideric Handel4:06
4"Destructive war" from Belshazzar HWV61, Act III Scene 3
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Belshazzar, HWV 61: Act 3, Scene 3, Air "Destructive War, thy limits know" (Cyrus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act III
George Frideric Handel2:16
5Accompagnato "Ah che dissi!" from Didone abbandonata, Act I Scene 19 —
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Didone abbandonata: Atto I: Scene 19 "Ah che dissi!"
composer:
Johann Adolf Hasse (composer)
part of:
Didone abbandonata: Atto I
Johann Adolf Hasse1:27
6Aria "Se resto sul lido" from Didone abbandonata, Act I Scene 19
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Didone abbandonata: Atto I: Scene 19 "Se resto sul lido"
composer:
Johann Adolf Hasse (composer)
part of:
Didone abbandonata: Atto I
Johann Adolf Hasse5:36
7Fanfare & Recitative "Odi colà la frigia tromba?" from Didone abbandonata, Act III Scene 8 —
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Didone abbandonata: Atto III: Scene 8: "Odi colà la frigia tromba?"
composer:
Johann Adolf Hasse (composer)
part of:
Didone abbandonata: Atto III
Johann Adolf Hasse0:29
8Aria "A trionfar mi chiama" from Didone abbandonata, Act III Scene 8
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Didone abbandonata: Atto III: Scene 8: "A trionfar mi chiama"
composer:
Johann Adolf Hasse (composer)
part of:
Didone abbandonata: Atto III
Johann Adolf Hasse6:36
9"Say, lovely Dream!" from The Fairies
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
partial recording of:
The Fairies
composer:
John Christopher Smith
librettist:
David Garrick (English 18th century actor)
is based on:
A Midsummer Night's Dream
John Christopher Smith5:42
10"Vengeance, O come inspire me!" from Alfred, Act II
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Alfred: Act II. Air "Vengeance, O come inspire me!" (Prince Edward)
composer:
Thomas Arne (composer)
part of:
Alfred: Act II
Thomas Arne6:52
11Orchester-Sinfonie in D major, H663: Allegro di molto
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: I. Allegro di molto
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach5:54
12Orchester-Sinfonie in D major, H663: Largo
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: II. Largo
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach1:51
13Orchester-Sinfonie in D major, H663: Presto
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:33
14"Ah! non turbi il mio riposo" from Telemaco, Act II Scene 3
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Telemaco: Ah! Non turbi il mio riposo
composer:
Christoph Willibald Gluck (composer)
librettist:
Marco Coltellini (Italian librettist)
Christoph Willibald Gluck, Ritter von Gluck3:41
15Ballo "'The Dance of the Blessed Spirits'" from Orfeo ed Euridice, Act II Scene 2 —
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Orfeo ed Euridice, Wq. 30, Act II Scene 2: Ballo [2] [Live]
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck, Ritter von Gluck2:18
16Arioso "Che puro ciel!" from Orfeo ed Euridice, Act II Scene 2
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck, Ritter von Gluck5:50
17Recitative "Ahimè! Dove trascorsi?" from Orfeo ed Euridice, Act III Scene 1 —
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Orfeo ed Euridice, Wq. 30, Atto III, scena 1: “Ahimè! Dove trascorsi!” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck, Ritter von Gluck1:15
18Aria "Che farò senza Euridice?" from Orfeo ed Euridice, Act III Scene 1
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck, Ritter von Gluck3:49
19"Pensa a serbarmi, o cara" insertion aria for Guglielmi or Bertoni's Ezio
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor)
orchestra:
Arcangelo (chamber ensemble)
conductor:
Jonathan Cohen (British conductor, cellist & keyboardist)
engineered at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2011-08-10 until 2011-08-12)
recording of:
"Pensa a serbarmi, o cara"
lyricist:
Pietro Metastasio
composer:
Gaetano Guadagni (Castrato Singer)
Gaetano Guadagni3:58

Credits

Release

photography:Marco Borggreve (photographer)
liner notes:Patricia Howard (liner notes author)
liner notes translator:Marie-Stella Pâris (liner notes)
Viola Scheffel (Übersetzung)
executive producer:Simon Perry (Hyperion classical music producer)
booklet editor:Tim Parry (liner notes editor for classical music, mainly on the label Hyperion)
Discogs:https://www.discogs.com/release/14120054 [info]
ASIN:UK: B007RV4BK0 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67924 [info]
Allmusic:https://www.allmusic.com/album/release/mr0003640625 [info]