Fantasy: Classics for Every Mood

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Tales of the Exotic East
#TitleArtistRatingLength
1The Tale of the Kalendar Prince from "Scheherazade"
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov?:??
2Polovtsian Dances from "Prince Igor"
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Russian composer)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Russian composer)
Alexander Borodin?:??
3Sabre Dance from "Gayaneh"
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khatchaturian?:??
4Oriental Procession, Solitude, Night Music, Khadra's Dance from Belshazzar's Feast, Concert Suite from Incidental Music, op. 51
recording of:
Belsazars gästabud, op. 51 (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1906)
premiered at:
[concert] (1907-09-25)
premiered at:
Helsingin yliopiston päärakennus: juhlasali in Helsinki, Uusimaa, Finland (on 1907-09-25)
part of:
Works of Jean Sibelius by opus number (number: op. 51)
is based on:
Belsazars gästabud, JS 48
Jean Sibelius?:??
5Islamey (Oriental Fantasy)
recording of:
“Islamey, Oriental Fantasy”, op. 18 (orch. Gamley)
orchestrator:
Douglas Gamley (film composer)
composer:
Милий Алексеевич Балакирев (composer, pianist, conductor)
orchestration of:
“Islamey, Oriental Fantasy”, op. 18 (for solo piano, original version)
Mily Balakirev?:??
6The Pleasure Dome of Kubla Khan, op. 8
recording of:
The Pleasure Dome of Kubla Khan, op. 8 (for orchestra)
orchestrator:
Charles Tomlinson Griffes (in 1917)
composer:
Charles Tomlinson Griffes (in 1912)
revised by:
Charles Tomlinson Griffes (in 1915)
part of:
The Works of Charles T. Griffes. A Descriptive Catalogue (number: A.91)
orchestration of:
The Pleasure Dome of Kubla Khan, op. 8 (for piano)
Charles Griffes?:??
▼ CD 2: Myth and Legend
#TitleArtistRatingLength
1Overture from "Egmont", op. 84
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien, Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven?:??
2Overture from "The Bronze Horse"
recording of:
Le Cheval de bronze: Overture
composer:
Daniel François Esprit Auber (composer)
part of:
Le Cheval de bronze
Daniel François Esprit Auber?:??
3Overture from "A Midsummer Night"s Dream", Incidental Music, op. 21
recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre
composer:
Felix Mendelssohn (composer) (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn?:??
4Psyche and Eros from "Psyche"
recording of:
Psyché, M.47: IV. Psyché et Éros
composer:
César Franck (Belgian-born French composer)
part of:
Psyché, M.47 (orchestral excerpts)
César Franck?:??
5Don Juan, op. 20
recording of:
Don Juan (op. 20; TrV 156)
premiered in:
Weimar, Thüringen, Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss?:??
6"Daphnis and Chloe", Suite no. 1
recording of:
Daphnis et Chloé, Suite no. 1
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
arranger:
Maurice Ravel (classical composer) (in 1911)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57a)
is based on:
Daphnis et Chloé
Maurice Ravel?:??
▼ CD 3: The Macabre and the Mystical
#TitleArtistRatingLength
1Les Francs-Juges, op. 3
recording of:
Grande Ouverture des Francs-Juges, for orchestra, op. 3
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 23D)
part of:
Les Francs-Juges, H 23
Hector Berlioz?:??
2Overture from "Orpheus in the Underworld"
recording of:
Orphée aux enfers : Ouverture
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach?:??
3Dance Macabre, op. 40
recording of:
Danse macabre, op. 40 (original for orchestra)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns?:??
4Isle of the Dead, op. 29
recording of:
The Isle of the Dead, op. 29
composer:
Сергей Рахманинов (Russian composer) (in 1909)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 29)
Sergei Vasilyevich Rachmaninoff?:??
5Totentanz
recording of:
Totentanz, S. 126/2 (for piano and orchestra, published version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:
Hans von Bülow
premiered by:
Hans von Bülow (on 1865-04-15)
premiered at:
[concert] (1865-04-15)
is based on:
Dies Irae (plainchant)
revision of:
Totentanz, S. 126/1 (early unpublished version)
Franz Liszt?:??