Dear Louis

~ Release by Nicholas Payton (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Potato Head Blues
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
bass clarinet and flute:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
clarinet:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
percussion:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
5:59
2Hello, Dolly
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
bass clarinet:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
clarinet:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
flugelhorn:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
flute:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02) and Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
percussion:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
soprano saxophone and tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
Hello, Dolly! (from 2000-09-09 until 2000-10-02)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
8:31
3I'll Be Glad When You're Dead, You Rascal You
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
alto saxophone:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
baritone saxophone:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
guitar:
Peter Bernstein (jazz guitarist) (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
organ:
Melvin Rhyne (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
vocals:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (from 2000-09-09 until 2000-10-02)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4:36
4Tight Like This
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
alto saxophone:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
baritone saxophone:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
flugelhorn:
Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
flute:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02), Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02) and Tim Warfield (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
percussion:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
7:07
5Interlude (St. James Infirmary)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
0:42
6On the Sunny Side of the Street
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
flugelhorn and Rhodes piano:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
vocals:
Dianne Reeves (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
On the Sunny Side of the Street (from 2000-09-09 until 2000-10-02)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
4:04
7Dear Louis
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
bass clarinet:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
clarinet:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
flugelhorn:
Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
6:04
8Blues in the Night
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Walter Payton (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter) (from 2000-09-09 until 2000-10-02) and Dianne Reeves (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
Blues in the Night (My Mama Done Tol’ Me) (from 2000-09-09 until 2000-10-02)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
3:49
9The Peanut Vendor
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
bass clarinet:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
clarinet:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
flute:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02) and Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
güiro:
Ray Vega (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
percussion:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
vibraslap:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
cover recording of:
The Peanut Vendor (from 2000-09-09 until 2000-10-02)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
5:25
10Mack the Knife
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Walter Payton (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation) (from 2000-09-09 until 2000-10-02)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
2:54
11Tiger Rag
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
alto saxophone:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
baritone saxophone and contrabass saxophone:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
organ:
Melvin Rhyne (from 2000-09-09 until 2000-10-02)
percussion:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
Tiger Rag (original 1917 instrumental version) (from 2000-09-09 until 2000-10-02)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
6:06
12I'll Never Be the Same
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
flugelhorn and membranophone:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
guitar:
Peter Bernstein (jazz guitarist) (from 2000-09-09 until 2000-10-02)
triangle:
Kenyatta Simon (from 2000-09-09 until 2000-10-02)
vocals:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
recording of:
I’ll Never Be the Same (from 2000-09-09 until 2000-10-02)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP)
4:59
13West End Blues
recording engineer:
James P. Nichols (from 2000-09-09 until 2000-10-02)
assistant engineer:
Ron Trapasso and Scott Young (engineer)
producer:
Nicholas Payton (US trumpet player and multi-instrumentalist)
mixer:
James P. Nichols and Nicholas Payton (US trumpet player and multi-instrumentalist)
alto saxophone:
Bill Easley (woodwind, US hard bop musician) (from 2000-09-09 until 2000-10-02)
baritone saxophone:
Scott Robinson (US jazz saxophonist) (from 2000-09-09 until 2000-10-02)
bass:
Reuben Rogers (from 2000-09-09 until 2000-10-02)
membranophone:
Adonis Rose (from 2000-09-09 until 2000-10-02)
organ:
Melvin Rhyne (from 2000-09-09 until 2000-10-02)
piano:
Anthony Wonsey (from 2000-09-09 until 2000-10-02)
tenor saxophone:
Tim Warfield (from 2000-09-09 until 2000-10-02)
trombone:
Vincent Gardner (from 2000-09-09 until 2000-10-02)
trumpet:
Nicholas Payton (US trumpet player and multi-instrumentalist) (from 2000-09-09 until 2000-10-02), Paul Stephens (from 2000-09-09 until 2000-10-02) and Ray Vega (from 2000-09-09 until 2000-10-02)
tuba:
Bob Stewart (tuba) (from 2000-09-09 until 2000-10-02)
arranger:
Nicholas Payton (US trumpet player and multi-instrumentalist)
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2000-09-09 until 2000-10-02)
mixed at:
BMG Studios in Theater District, New York, New York, United States
cover recording of:
West End Blues (Armstrong recording) (from 2000-09-09 until 2000-10-02)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
7:58

Credits

Release

flugelhorn, Rhodes piano and trumpet:Nicholas Payton (US trumpet player and multi-instrumentalist)
Discogs:https://www.discogs.com/release/2555266 [info]
ASIN:US: B000059Q37 [info]