# | Title | Rating | Length |
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1 | Cookin' at the Continental- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 5:42 |
2 | Stormy Monday Blues- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- guitar:
- B.B. King (from 1994-01-08 until 1994-01-09)
- Hammond organ:
- Russell Ferrante (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- vocals:
- B.B. King (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 5:18 |
3 | All Blues- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 7:39 |
4 | Birks Works- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 6:03 |
5 | Goodbye Porkpie Hat- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 5:23 |
6 | Señor Blues- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 6:18 |
7 | Blue Miles- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 5:34 |
8 | Misterioso / Ba-lue Bolivar Ba-lues-are- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 8:13 |
9 | Some Other Blues- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 3:48 |
10 | Aunt Hagar's Blues- assistant recording engineer:
- Al Sanderson and Steve Holroyd
- recording engineer and mixer:
- Bernie Kirsh
- producer:
- Michael Abene
- assistant mixer:
- Darren Mora and Robert Read
- editor:
- Michael Landy
- bass:
- John Patitucci (from 1994-01-08 until 1994-01-09)
- brass:
- Randy Brecker (from 1994-01-08 until 1994-01-09), Chuck Findley (from 1994-01-08 until 1994-01-09) and Arturo Sandoval (from 1994-01-08 until 1994-01-09)
- drums (drum set):
- Dave Weckl (from 1994-01-08 until 1994-01-09)
- reeds:
- Bob Mintzer (from 1994-01-08 until 1994-01-09)
- saxophone:
- Eric Marienthal (from 1994-01-08 until 1994-01-09), Tom Scott (from 1994-01-08 until 1994-01-09) and Ernie Watts (from 1994-01-08 until 1994-01-09)
- trombone:
- George Bohanon (from 1994-01-08 until 1994-01-09)
- woodwind:
- Nelson Rangell (from 1994-01-08 until 1994-01-09)
- phonographic copyright (℗) by:
- GRP Records, Inc.
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1994-01-08 until 1994-01-09)
- mixed at:
- Mad Hatter Studios in Echo Park, Los Angeles, California, United States
- edited at:
- The Review Room in New York, New York, United States
| | 7:21 |