Tracklist

CD 1
# Title Rating Length
1 Jesu, Joy of Man's Desiring
3:32
2 Brandenburg Concerto No. 2: I
5:49
3 Concerto for 2 Violins: Largo
7:15
4 Partita No. 1
2:11
5 Violin Concerto in E major: Allegro assai
3:01
6 Brandenburg Concerto No. 4: Allegro
7:58
7 Air on a 'G' String
3:19
8 Violin Concerto in A minor: Allegro
4:36
9 Arioso
3:42
10 Sinfonia in D
3:27
11 Brandenburg Concerto No. 3: I
6:57

Credits

CD 1

violin:
Joseph Brezina (violinist) (track 3)
Feliz Elias (violinist) (track 3)
Alberto Tozzi (track 3)
Tomasco Vecchi (track 3)
brass:
arranger:
Lucien Cailliet (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 1–2, 4–6, 8, 10–11)
Johann Sebastian Bach (German Baroque period composer & musician) (1729) (track 9)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 3)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 10)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym) (tracks 1, 7)
Henry Adolph (conductor, an Alfred Scholz pseudonym) (track 6)
Alberto Delande (conductor, possibly Alfred Scholz pseudonym) (track 9)
Eugen Duvier (an Alfred Scholz pseudonym) (track 3)
Francesco Macci (an Alfred Scholz pseudonym) (track 3)
Kurt Masur (tracks 5, 8)
Carl Michalski (conductor) (track 11)
Kurt Redel (track 10)
Hans Reinhardt (conductor) (track 7)
Heinz Rögner (track 4)
Alfred Scholz (tracks 3, 7)
Frank Shipway (track 7)
Hans Swarowsky (tracks 2, 6)
Luigi Varese (an Alfred Scholz pseudonym) (track 6)
lyricist:
Robert Bridges (poet) (track 1)
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) (track 2)
Bamberger Symphoniker (tracks 2, 6)
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) (track 10)
Camerata Romana (an Alfred Scholz pseudonym) (track 3)
Camerata Salzburg (Austrian chamber orchestra) (track 10)
Deutsches Symphonie‐Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (track 4)
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) (tracks 1, 7)
London Festival Orchestra (Alfred Scholz pseudonym) (track 7)
Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) (track 6)
Musici di San Marco (an Alfred Scholz pseudonym) (tracks 3, 6)
Philharmonic Orchestra London (Alfred Scholz related) (track 7)
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (track 4)
orchestrator:
Leopold Stokowski (track 9)
part of:
Bach-Werke-Verzeichnis (number: BWV 1045) (track 10)
arrangement of:
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 7)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 7)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 7)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 7)
Air on the G String (for cello and orchestra, arr. Cullen) (track 7)
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 3)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 2)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 11)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 11)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (for piano four hands, Reger) (track 11)
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (catch all for arrangements) (track 6)
Cosmic Chorale (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 7)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 7)
Ouverture from Cantata, BWV 29 (for piano solo, Saint-Saëns) (track 10)
Solo Amore (track 7)
Violin Concerto in A minor, BWV 1041: I. Allegro (catch-all for arrangements) (track 8)
Vivace (track 8)
Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia (for organ, Rawsthorne) (track 10)
is the basis for:
Bach Aire (track 7)
Sweetest Love (track 7)
神様 見てよ (track 1)
orchestration of:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 7)
part of:
recording of:
Arioso (Sinfonia from Cantata BWV 156, Stokowski orchestration) (track 9)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 1)
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (catch all for arrangements) (track 4)
referred to in medleys:
Hooked on Bach (tracks 2, 11)
Hooked on Romance (track 7)
translated version of: