The Audience With Betty Carter

~ Release by Betty Carter (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Sounds (Movin' On)
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
25:20
2I Think I Got It Now
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
3:33
3Caribbean Sun
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
4:17
4The Trolley Song
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
live recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1979-12)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
3:37
5Everything I Have Is Yours
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
live recording of:
Everything I Have Is Yours (in 1979-12)
lyricist:
Harold Adamson
composer:
Burton Lane
6:16
6I'll Buy You a Star
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recording of:
I'll Buy You a Star
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Arthur Schwartz
2:12
▼ CD 2
#TitleRatingLength
1I Could Write a Book
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
I Could Write a Book (in 1979-12)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:41
2Can't We Talk It Over / Either It's Love or It Isn't
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live medley including a recording of:
Can't We Talk It Over (in 1979-12)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
7:27
3Deep Night
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
Deep Night (in 1979-12)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
2:45
4Spring Can Really Hang You Up the Most
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
Spring Can Really Hang You Up the Most (in 1979-12)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
7:23
5Tight
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
Tight (in 1979-12)
lyricist and composer:
Betty Carter
3:44
6Fake
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
4:17
7So...
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
7:03
8My Favorite Things
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
My Favorite Things (The Sound of Music) (in 1979-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
4:39
9Open the Door (Theme Song)
bass:
Curtis Lundy (American Musician, composer, producer, choir director, arranger and double bassist)
drums (drum set):
Kenneth Washington (jazz drummer)
piano:
John Hicks (American jazz pianist)
recorded at:
Bradshaw's Great American Music Hall, San Francisco in San Francisco, California, United States (in 1979)
live recording of:
Open the Door (in 1979-12)
lyricist and composer:
Betty Carter (in 1964)
5:09