The Complete Prestige Recordings

~ Release by Sonny Rollins (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Elysee
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader)
3:09
2Opus V
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader)
2:41
3Hilo
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader)
2:45
4Fox Hunt
double bass:
Leonard Gaskin
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader)
2:47
5Morpheus
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:23
6Down
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:52
7Blue Room (take 1)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
2:37
8Whispering
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
3:03
9I Know
double bass:
Percy Heath
drums (drum set):
Art Blakey
piano:
Kenny Drew
2:33
10Conception
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4:03
11Out of the Blue
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
6:17
12Denial
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Denial
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:41
13Bluing
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Bluing
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
9:56
14Dig
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Dig
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
7:36
15My Old Flame
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:34
16It’s Only a Paper Moon
alto saxophone:
Jackie McLean (jazz saxophonist)
double bass:
Tommy Potter
drums (drum set):
Art Blakey
piano:
Walter Bishop, Jr. (American jazz pianist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
5:23
▼ CD 2
#TitleRatingLength
1Time on My Hands
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
instrumental recording of:
Time on My Hands (on 1951-12-17)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
2:42
2Mambo Bounce
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
recording of:
Mambo Bounce (on 1951-12-17)
composer:
Sonny Rollins
2:23
3This Love of Mine
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
instrumental recording of:
This Love of Mine (on 1951-12-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:26
4Shadrack
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
vibraphone:
Milt Jackson
2:34
5On a Slow Boat to China
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
instrumental recording of:
On a Slow Boat to China (on 1951-12-17)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
2:41
6With a Song in My Heart
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
vibraphone:
Milt Jackson
instrumental recording of:
With a Song in My Heart (on 1951-12-17)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:08
7Scoops
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
vibraphone:
Milt Jackson
recording of:
Scoops
composer:
Sonny Rollins
2:15
8Newk’s Fadeaway
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (on 1951-12-17)
3:13
9Compulsion
recorded in:
New York, New York, United States (on 1953-01-30)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass and double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1953-01-30)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
Compulsion (on 1953-01-30)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:44
10The Serpent’s Tooth (take 1)
recording of:
The Serpent's Tooth, I
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
7:02
11The Serpent’s Tooth (take 2)
6:18
12’Round About Midnight
instrumental recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:07
13In a Sentimental Mood
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey (on 1953-10-07) and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew (on 1953-10-07) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:19
14The Stopper
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins
2:58
15Almost Like Being in Love
recorded in:
New York, New York, United States (on 1953-10-07)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-10-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
3:25
16No Moe
recorded in:
New York, New York, United States (on 1953-10-07)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) and Kenny Clarke (on 1953-10-07)
piano:
Miles Davis (jazz trumpeter, bandleader, songwriter) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
No Moe (on 1953-10-07)
composer:
Sonny Rollins
3:31
17Think of One (take 1)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:39
18Think of One (take 2)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:43
▼ CD 3
#TitleRatingLength
1Let’s Call This
recording of:
Let’s Call This
composer:
Thelonious Monk
5:06
2Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13) and Willie Jones III (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:34
3Soft Shoe
bass:
Percy Heath (on 1954-01-20)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1954-01-20)
piano:
Horace Silver (on 1954-01-20)
tenor saxophone:
Sonny Rollins (on 1954-01-20)
trumpet:
Art Farmer (on 1954-01-20)
recording of:
Soft Shoe (on 1954-01-20)
composer:
Art Farmer
recording of:
Autumn Nocturne
lyricist:
Kim Gannon
composer:
Josef Myrow
5:01
4Confab in Tempo
3:56
5I’ll Take Romance
double bass:
Percy Heath (on 1954-01-20)
drums (drum set):
Kenny Clarke (on 1954-01-20)
piano:
Horace Silver (on 1954-01-20)
tenor saxophone:
Sonny Rollins (on 1954-01-20)
trumpet:
Art Farmer (on 1954-01-20)
instrumental recording of:
I’ll Take Romance (on 1954-01-20)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
4:59
6Airegin
recording of:
Airegin (instrumental)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
5:00
7Oleo
recording of:
Oleo
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs (SOCAN)
5:13
8But Not for Me (Take 1)
instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:44
9But Not for Me (Take 2)
instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:36
10Doxy
recording of:
Doxy
composer:
Sonny Rollins
4:54
11Movin’ Out
bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-08-18)
recording of:
Moving Out (on 1954-08-18)
composer:
Sonny Rollins
4:30
12Swingin’ for Bumsy
recording of:
Swingin' for Bumsy
composer:
Sonny Rollins
5:47
13Silk ’n’ Satin
recording of:
Silk 'n' Satin
composer:
Sonny Rollins
4:00
14Solid
bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-08-18)
recording of:
Solid (on 1954-08-18)
composer:
Sonny Rollins
6:25
▼ CD 4
#TitleRatingLength
1I Want to Be Happy
7:43
2The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:13
3More Than You Know
instrumental recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
10:50
4There’s No Business Like Show Business
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell
part of:
Annie Get Your Gun
6:19
5Paradox
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-12-02)
recording of:
Paradox
composer:
Sonny Rollins
4:57
6Raincheck
6:00
7There Are Such Things
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-12-02)
recording of:
There Are Such Things
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
9:28
8It’s All Right With Me
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-12-02)
instrumental recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
6:08
9In Your Own Sweet Way
instrumental recording of:
In Your Own Sweet Way
composer:
Dave Brubeck
publisher:
Derry Music
4:37
10No Line
5:40
11Vierd Blues
recording of:
Vierd Blues
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
6:51
▼ CD 5
#TitleRatingLength
1I Feel a Song Coming On
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
instrumental recording of:
I Feel a Song Comin’ On (on 1956-03-22)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
5:15
2Pent-Up House
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins
part of:
The Real Book (compilation of jazz standards, Volume I)
8:54
3Valse Hot
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins
8:38
4Kiss and Run
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Kiss and Run (on 1956-03-22)
composer:
Sam Coslow
7:09
5Count Your Blessings
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
instrumental recording of:
Count Your Blessings (on 1956-03-22)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 27th Academy Award for Best Original Song (number: 2)
2:30
6My Reverie
recording of:
My Reverie (english lyrics)
lyricist:
Larry Clinton (in 1938)
writer:
André Baruch
composer:
Claude Debussy (composer) (in 1890)
is based on:
Rêverie, L. 68, CD 76 (for piano)
6:08
7The Most Beautiful Girl in the World
instrumental recording of:
The Most Beautiful Girl in the World
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Jumbo
5:35
8Paul’s Pal
recording of:
Paul's Pal
composer:
Sonny Rollins
5:12
9When Your Lover Has Gone
instrumental recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
6:12
10Tenor Madness
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
guest tenor saxophone:
John Coltrane (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
John Coltrane and Sonny Rollins (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Tenor Madness (on 1956-05-24)
composer:
Sonny Rollins
12:15
▼ CD 6
#TitleRatingLength
1You Don’t Know What Love Is
instrumental recording of:
You Don’t Know What Love Is
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:30
2St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
instrumental recording of:
St. Thomas
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
46:47
3Strode Rode
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Strode Rode (on 1956-05-22)
composer:
Sonny Rollins
recording of:
Strode Rode (on 1956-06-22)
composer:
Sonny Rollins
5:15
4Blue 7
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Blue 7 (on 1956-06-22)
composer:
Sonny Rollins
411:18
5Moritat
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
instrumental cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1956-06-22)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
instrumental recording of:
Moritat (Mack the Knife) (Eric Bentley translation) (on 1956-06-22)
writer:
Bertolt Brecht
translator:
Eric Bentley (Brecht translator and playwright)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
10:04
6I’ve Grown Accustomed to Her Face
bass:
George Morrow (on 1956-10-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-05)
piano:
Wade Legge (on 1956-10-05)
tenor saxophone:
Sonny Rollins (on 1956-10-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-10-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-10-05)
instrumental cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1956-10-05)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
4:54
7Kids Know
recording of:
Kids Know
composer:
Sonny Rollins
11:39
8The House I Live In
bass:
George Morrow (on 1956-10-05)
membranophone:
Max Roach (20th century US jazz drummer & composer) (on 1956-10-05)
piano:
Wade Legge (on 1956-10-05)
tenor saxophone:
Sonny Rollins (on 1956-10-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-10-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-10-05)
9:22
▼ CD 7
#TitleRatingLength
1I Remember You
3:07
2My Melancholy Baby
instrumental recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
2:45
3Old Folks
instrumental recording of:
Old Folks
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
2:57
4They Can’t Take That Away From Me
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:03
5Just Friends
2:49
6My Little Suede Shoes
recording of:
My Little Suede Shoes
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:52
7Star Eyes
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
9:22
8B. Swift
5:17
9My Ideal
instrumental recording of:
My Ideal (from “Playboy of Paris”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:22
10Sonny Boy
9:49
11Two Different Worlds
bass:
George Morrow (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Kenny Drew (on 1956-12-07)
tenor saxophone:
Sonny Rollins (on 1956-12-07)
vocals:
Earl Coleman (on 1956-12-07)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-12-07)
recording of:
Two Different Worlds (on 1956-12-07)
composer:
Al Frisch and Sid Wayne
cover recording of:
Two Different Worlds (on 1956-12-07)
composer:
Al Frisch and Sid Wayne
7:40
12Ee-Ah
6:55
13B. Quick
9:11