TSF Jazz 100% Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Early in the Morning
#TitleArtistRatingLength
1Sunny (Part II)
Les McCann2:35
2Baby Aya
Daniel Freedman feat. Angélique Kidjo6:02
3Amour, t’es là?
co-producer:
Michael League
producer:
Magda Giannikou
mixer:
Fabrice Dupont
performer:
Magda Giannikou
Banda Magda3:09
4Le cœur des vivants
Les Doigts de l'Homme3:48
5Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones42:44
6All of You
cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Ella Fitzgerald1:42
7Hit the Road Jack
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1961-07-05)
bass:
Edgar Willis (bass) (on 1961-07-05)
drums (drum set):
Edward "Bruno" Carr (on 1961-07-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1961-07-05)
trumpet:
Phillip Guilbeau (on 1961-07-05) and John Hunt (trumpeter) (on 1961-07-05)
background vocals:
The Raelettes (on 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05) and Margie Hendrix (on 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 6)
recording of:
Hit the Road Jack (on 1961-07-05)
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部
Ray Charles4.251:54
8She Moves On
recording engineer:
Vin Cin
additional assistant engineer:
Jeff Citron, Richie Kennon and Grant Valentine (recording engineer)
additional engineer:
Cheongmoo Lee and Seunghoon Zeon
assistant engineer:
Owen Mulholland (engineer)
producer:
Jamie Saft
mixer:
Vin Cin and Jamie Saft
acoustic guitar and electric guitar:
Marc Ribot (in 2016-12)
double bass:
Brad Jones (American jazz bass player) (in 2016-12)
membranophone:
Dan Rieser (in 2016-12)
vocals:
Youn Sun Nah (in 2016-12)
recorded at:
Sear Sound in New York, New York, United States (in 2016-12)
mixed at:
Sear Sound in New York, New York, United States (in 2017-01)
recording of:
She Moves On (in 2016-12)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
Youn Sun Nah feat. Jamie Saft, Brad Jones, Dan Rieser & Marc Ribot4:42
9Twelfth Street Rag
Sidney Bechet2:56
10My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:35
11C’est si bon
recording of:
C’est si bon (English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
Louis Armstrong3:02
12Let’s Call the Whole Thing Off
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (American jazz singer) (in 1957)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4:11
13Mambembe
Trio Corrente3:47
14You’re Nobody Till Someone Loves You
producer:
Lee Gillette
cover recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:12
15Praia Grande
Vinícius Cantuária5:55
▼ CD 2: Lazy Afternoon
#TitleArtistRatingLength
1So What
recorded in:
New York, New York, United States (on 1959-03-02)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4.359:21
2West End Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong and His Orchestra (in 1939) and Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
West End Blues (Armstrong recording) (on 1939-04-05)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong3:10
3Buddy Brown’s Blues
guitar:
Lightnin’ Hopkins
vocals:
Lightnin’ Hopkins
Lightnin’ Hopkins4:03
4Charade
engineer:
Rudy van Gelder (in 1963-10)
producer:
Bob Thiele (producer & songwriter) (in 1963-10)
double bass [bass]:
Milt Hinton (in 1963-10)
drums (drum set):
Elvin Jones (jazz drummer) (in 1963-10)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1963-10)
piano:
Hank Jones (piano) (in 1963-10)
tenor saxophone:
Illinois Jacquet (in 1963-10)
vocals:
Johnny Hartman (jazz singer) (in 1963-10)
recording of:
Charade (in 1963-10)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
part of:
The 36th Academy Award for Best Original Song (number: 2)
Johnny Hartman2:33
5Exodus
Quincy Jones3:19
6No Surprises
sound engineer:
Åke Linton (from 2010-06-10 until 2010-06-12)
assistant engineer:
Renaud Van Welden (French sound engineer) (from 2010-08-02 until 2010-08-06)
producer:
Christophe Deghelt and Yaron Herman
mixer:
Philippe Gaillot (from 2010-08-02 until 2010-08-06)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen, Germany (from 2010-06-10 until 2010-06-12)
mixed at:
Recall Studio in Pompignan, Gard, Occitanie, France (from 2010-08-02 until 2010-08-06)
Yaron Herman Trio2:55
7Night and Day
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
double bass:
Ray Brown (jazz bassist) (in 1952-12)
drums (drum set):
Alvin Stoller (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
trumpet:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire4:58
8Waltz for Debby
Bill Evans6:46
9My One and Only Love
Stéphane Grappelli & Bucky Pizzarelli3:54
10When Your Lover Has Gone
producer:
Luchi DeJesus (American composer and producer) (in 1965)
double bass [bass]:
Richard Davis (American jazz bassist) (in 1965)
drums (drum set):
Connie Kay (in 1965)
flugelhorn and lead vocals:
Chet Baker (American jazz trumpeter and vocalist) (in 1965)
guitar:
Everett Barksdale (in 1965)
piano:
Hank Jones (piano) (in 1965)
reeds:
Leon Cohen (woodwind player) (in 1965), Hank Freeman (American jazz saxophonist) (in 1965), Wilford Holcombe (US composer and flutist) (in 1965), Seldon Powell (in 1965) and Alan Ross (reeds) (in 1965)
arranger:
Jimmy Mundy (in 1965)
recording of:
When Your Lover Has Gone (in 1965)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Chet Baker2:49
11Sky Turning Grey (for Elliott Smith)
Brad Mehldau6:19
12Mascaram setaba
arranger:
ሙላቱ አስታጥቄ (Ethiopian artist Mulatu Astatke)
recording of:
Mascaram Setaba
Mulatu Astatke2:48
13Calypso Blues
bongos and congas and membranophone:
Jack Costanzo (on 1949-09-09)
piano:
Nat King Cole (on 1949-09-09)
vocals:
Nat King Cole (on 1949-09-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1949-09-09)
recording of:
Calypso Blues (on 1949-09-09)
lyricist:
Don George (US songwriter/composer, 1909–1987)
composer:
Nat King Cole
Nat "King" Cole2:58
14Samba triste
Stan Getz4:45
15Bumpin’ on Sunset
Wes Montgomery4:45
▼ CD 3: The Good Life
#TitleArtistRatingLength
1Mercy, Mercy, Mercy
recording of:
Mercy, Mercy, Mercy
composer:
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Cannonball Adderley5:05
2The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Frank Sinatra53:13
3Just Being Me
Myles Sanko3:51
4Doodlin’
cover recording of:
Doodlin’ (original instrumental version)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Ray Charles5:50
5Fever
cover recording of:
Fever (in 1964-08)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Sarah Vaughan2:45
6Viva tirado
Fania All-Stars5:20
7Nature Boy
producer:
Tommy LiPuma
bass:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Moog [mini-moog]:
Ronnie Foster
guitar [lead guitar]:
George Benson (jazz guitarist/singer)
percussion:
Ralph MacDonald
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
instruments arranger:
Claus Ogerman
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
George Benson4:17
8Satin Doll (live)
recorded in:
Montreux, Vaud, Switzerland (on 1976-07-10)
recording engineer:
John Timperley (on 1976-07-10)
producer:
Willy Fruth
double bass:
John Clayton (US jazz and classical double bassist) (on 1976-07-10)
drums (drum set):
Jeff Hamilton (jazz drummer) (on 1976-07-10)
piano:
Monty Alexander (on 1976-07-10)
phonographic copyright (℗) by:
MPS Records GmbH (not for release label use! please use "MPS" instead)
recorded at:
Casino Barrière Montreux (2nd incarnation, 1975–present) in Montreux, Vaud, Switzerland (on 1976-07-10)
live recording of:
Satin Doll (on 1976-07-10)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
The Monty Alexander Trio8:10
9Fe fe naa efe
double bass:
Jérôme Regard (from 2012-01-20 until 2012-01-22)
membranophone:
Laurent Robin (French drummer) (from 2012-01-20 until 2012-01-22)
recording of:
Fe fe naa efe
writer:
Fela Kuti
Laurent de Wilde feat. Jérôme Regard & Laurent Robin6:39
10Hey Laura
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus
mixer:
Jay Newland (from 2013-04 until 2013-05)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter3:18
11Just the Way You Are
Biréli Lagrène36:49
12Brazil (A.k.a Aquarela do Brasil)
recording of:
Saudades do Brasil
writer:
Antônio Carlos Jobim
Antônio Carlos Jobim7:21
13Driftin’
recording engineer:
Rudy van Gelder (on 1962-05-28)
producer:
Alfred Lion
bass:
Butch Warren (on 1962-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-05-28)
flugelhorn:
Freddie Hubbard
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-05-28)
tenor saxophone:
Dexter Gordon (on 1962-05-28)
trumpet:
Freddie Hubbard (on 1962-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1962-05-28 to present, on 1962-05-28)
recording of:
Driftin’ (on 1962-05-28)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock6:52
14(They Call It) Stormy Monday
engineer:
Malcolm Addey
producer:
Nick Venet
double bass [bass]:
Leroy Vinnegar (from 1962-02-05 until 1962-02-12)
drums (drum set):
Ron Jefferson (from 1962-02-05 until 1962-02-12)
piano:
Les McCann (from 1962-02-05 until 1962-02-12)
vocals:
Lou Rawls (from 1962-02-05 until 1962-02-12)
remixer:
Malcolm Addey
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1962-02-05 until 1962-02-12)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad) (in 1962-02)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
arranger:
Andy Farber
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Gregmark Music Inc (Gregmark), Lord and Walker Publishing, Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (BMI) (until 2018-11-01) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
Lou Rawls2:54
▼ CD 4: Night Beat
#TitleArtistRatingLength
1Take Five (live)
alto saxophone:
Paul Desmond
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello
piano:
Dave Brubeck
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-02-22)
live recording of:
Take Five (original instrumental version) (on 1963-02-22)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet6:17
2Don’t Stop ’til You Get Enough
Anthony Strong3:40
3Ma Cherie Amour
bass:
Vernon Martin (from 1969-07-22 until 1969-07-23)
drums (drum set):
Sonny Brown (US jazz drummer) (from 1969-07-22 until 1969-07-23)
piano:
Ron Burton (from 1969-07-22 until 1969-07-23)
trombone:
Dick Griffin (from 1969-07-22 until 1969-07-23)
trumpet:
Charles McGhee (from 1969-07-22 until 1969-07-23)
woodwind:
Roland Kirk (from 1969-07-22 until 1969-07-23)
background vocals:
Roland Kirk Spirit Choir
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Regent Sound Studios in New York, New York, United States (from 1969-07-22 until 1969-07-23)
instrumental cover recording of:
My Cherie Amour
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music, Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
Rahsaan Roland Kirk3:18
4Santiago
Preservation Hall Jazz Band4:00
5Tico, Tico
instrumental recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
Charlie Parker2:44
6Mandela
Vincent Bidal & Sayé4:50
7The Ghetto
recording of:
The Ghetto
writer:
Donny Hathaway and Leroy Hutson
Donny Hathaway12:11
8I Want You Back
Eric Legnini feat. Michelle Willis3:41
9Lobby Daze
bass:
Tim Lefebvre (US bass guitarist)
membranophone:
Zach Danziger
piano:
Uri Caine
vocals:
Jessie System
Uri Caine Bedrock7:36
10Main Title from “Mannix” (from The “Mannix” soundtrack)
Lalo Schifrin2:26
11Compared to What
Eddie Harris & Les McCann8:18
12Afro Mambo
Roberto Fonseca3:45
13Boogie Stop Shuffle
DJ-mixer:
Bart&Baker
recording of:
Boogie Stop Shuffle
composer:
Charles Mingus
Charles Mingus4:57
14The Beat Goes On
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
Buddy Rich4:45
▼ CD 5: Bedtime Story
#TitleArtistRatingLength
1This Bitter Earth
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1964)
cover recording of:
This Bitter Earth (on 1964-02-10)
lyricist and composer:
Clyde Otis (American songwriter and record producer)
publisher:
Eden Music, Inc., Ensign Music, Iza Music Corp., Play Music, Inc. and Trio Music (publisher)
Aretha Franklin4:33
2Blue in Green
recording of:
Blue in Green
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis5:34
3Lazy Afternoon
recording engineer:
Rudy van Gelder (on 1965-05-19)
producer:
Alfred Lion
bass:
Steve Swallow (on 1965-05-19)
drums (drum set):
Pete La Roca (on 1965-05-19)
piano:
Steve Kuhn (on 1965-05-19)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1965-05-19)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1965-05-19)
instrumental recording of:
Lazy Afternoon (The Golden Apple, 1954)
lyricist:
John Latouche
composer:
Jerome Moross (composer and conductor)
publisher:
Chappell & Co., Inc. (USA) and Sony/ATV Tunes LLC
part of:
The Golden Apple (musical)
Pete La Roca5:29
4Oh My Love
executive producer:
Yann Olivier
producer:
Christophe Deghelt
mixer:
Philippe Gaillot
cover recording of:
Oh My Love
writer:
John Lennon (The Beatles) and Yoko Ono (Japanese-American musician and artist)
publisher:
Downtown DMP Songs (ended), Lenono Music and Ono Music
Jacky Terrasson feat. Cecile McLorin4:44
5Christo Redentor
engineer:
Rudy van Gelder
producer:
Duke Pearson
double bass:
Bob Cranshaw
drums (drum set):
Mickey Roker (Drummer)
electric guitar:
Al Gafa
electric piano, flugelhorn and piano:
Duke Pearson
percussion:
Airto (percussionist)
recording of:
Cristo Redentor
composer:
Duke Pearson
publisher:
Blackbyrd Productions, Inc. and Gailantcy Music Co.
Duke Pearson3:52
6Good Bye Pork Pie Hat
Michel Portal7:51
7Las Vegas Tango
double bass:
Paul Chambers (US jazz bassist) and Ron Carter (US jazz double-bassist)
drums (drum set):
Elvin Jones (jazz drummer)
French horn:
Ray Alonge (french horn)
guitar:
Kenny Burrell
piano:
Gil Evans
reeds and woodwind:
Bob Tricarico, Eric Dolphy, Garvin Bushell and Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
Jimmy Cleveland and Tony Studd
trumpet:
Bernie Glow and Johnny Coles (US jazz trumpeter)
tuba:
Bill Barber (Jazz tuba player)
conductor:
Gil Evans
recording of:
Las Vegas Tango
composer:
Gil Evans
Gil Evans6:29
8I Loves You Porgy
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:08
9Rio
double bass:
Ron Carter (US jazz double-bassist) (on 1967-07-14)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1967-07-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1967-07-14)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1967-07-14)
trumpet:
Lee Morgan (on 1967-07-14)
vibraphone:
Bobby Hutcherson (on 1967-07-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1967-07-14)
recording of:
Rio (on 1967-07-14)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Lee Morgan6:08
10Fleurette Africaine
producer:
Alan Douglas (American record producer)
double bass:
Charles Mingus (on 1962-09-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1962-09-17)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-09-17)
phonographic copyright (℗) by:
United Artists Records, Inc. (not for release label use!)
recorded at:
Sound Makers in New York, New York, United States (on 1962-09-17)
recording of:
Fleurette Africaine (on 1962-09-17)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Sony/ATV Harmony and Tempo Music Inc
Duke Ellington3:33
11Sugar Mama
John Lee Hooker3:12
12Antony and Cleopatra Theme
double bass [bass]:
George Duvivier (on 1963-05-21)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1963-05-21)
guitar:
Kenny Burrell (on 1963-05-21)
organ:
Dick Hyman (jazz pianist) (on 1963-05-21)
piano:
Hank Jones (piano) (on 1963-05-21)
tenor saxophone:
Paul Gonsalves (on 1963-05-21)
Paul Gonsalves3:06
13Maraba Blue
recording engineer:
Rudy van Gelder (on 1996-08-15)
bass:
Marcus McLaurine (on 1996-08-15)
drums (drum set):
George Gray (on 1996-08-15)
piano:
Abdullah Ibrahim (South African pianist and composer) (on 1996-08-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1996-08-15)
recording of:
Maraba Blue (on 1996-08-15)
composer:
Abdullah Ibrahim (South African pianist and composer)
Abdullah Ibrahim4:31
14Wise One
recording engineer:
Rudy van Gelder (from 1964-04-27 until 1964-06-01)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-04-27)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-04-27)
piano:
McCoy Tyner (jazz pianist) (on 1964-04-27)
tenor saxophone:
John Coltrane (on 1964-04-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1964-04-27)
recording of:
Wise One (from 1964-04-27 until 1964-06-01)
composer:
John Coltrane
John Coltrane Quartet9:01

Credits

Release

ASIN:FR: B075QQ252Q [info]