Misunderstood

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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CD 1: Disc One
#TitleRatingLength
1My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
43:38
2Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
43:12
3He’s Got the Whole World in His Hands
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:10
4Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
54:02
5He Needs Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
52:30
6African Mailman
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. Ltd.
3:10
7Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4.653:23
8I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
44:10
9Good Bait
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
cover recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:28
10For All We Know
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
4:01
11Central Park Blues
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recording of:
Central Park Blues
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Memory Music Lane Ltd.
43:06
12You’ll Never Walk Alone
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Co., Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
53:47
13Plain Gold Ring
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
33:50
14Little Girl Blue4:18
15My Baby Just Cares for Me (special extended version)
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
My Baby Just Cares for Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
45:17
CD 2: Disc Two (In Concert)
#TitleRatingLength
1The House of the Rising Sun (live)
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
6:57
2Don’t Let Me Be Misunderstood (live)3:52
3Ain’t Got No, I Got Life (live)
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
BMG Entertainment (in 1968)
live cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
Ain’t Got No (from “Hair”)
medley of:
I Got Life (from “Hair”)
4:40
4No Opportunity Necessary, No Experience Needed (live)
cover recording of:
No Opportunity Necessary, No Experience Needed
lyricist and composer:
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Nicklewhistle Music
4:10
5Young, Gifted and Black (live)
live recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
5:11
6Ain’t No Use (live)
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
live recording of:
Ain’t No Use
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
2:46
7After You’ve Gone (live)
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
live cover recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
5:41
8The Assignment Song (live)
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
BMG Entertainment (in 1969)
live recording of:
The Assignment Song
writer:
Jan Hendin
publisher:
EMI Tunes Ltd
14:55
9Gin House Blues (live)
cover recording of:
Gin House Blues
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
4:56
10Do What You Gotta Do (live)
phonographic copyright (℗) by:
BMG Entertainment (in 1968)
live cover recording of:
Do What You Gotta Do
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing, LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3:42
11Mississippi Goddam (live)
recording of:
Mississippi Goddam
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
4:40
12See Line Woman (live)
cover recording of:
See‐Line Woman
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
3:47
13The Other Woman (live)
phonographic copyright (℗) by:
VPI Records USA (in 1987)
live cover recording of:
The Other Woman
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:14
14Four Women (live)
guitar:
Arthur Adams (US blues singer, guitarist & songwriter) (in 1987)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1987)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1987)
live recording of:
Four Women (in 1987)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
recording of:
Four Women
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
4:52
15I Sing Just to Know I’m Alive (live)
recording of:
I Sing Just to Know That I’m Alive
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
2:31

Credits

Release

ASIN:UK: B00004TCJB [info]