Eight Classic Albums

~ Release by June Christy (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Something Cool / Duet
#TitleRatingLength
1Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
4:19
2Midnight Sun
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-12-27)
baritone saxophone:
Chuck Gentry (on 1953-12-27)
bass:
Joe Mondragon (on 1953-12-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-27)
trombone:
Tommy Pederson (on 1953-12-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1953-12-27) and Conrad Gozzo (on 1953-12-27)
vocals:
June Christy (on 1953-12-27)
conductor:
Pete Rugolo (on 1953-12-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-12-27)
recording of:
Midnight Sun (on 1953-12-27)
lyricist:
Johnny Mercer (in 1954)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
3:15
3Lonely House
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Russ Freeman (pianist) (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (on 1954-01-18)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
is based on:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
3:58
4I Should Care
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-18)
drums (drum set):
Larry Bunker (on 1954-01-18) and Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-18) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Joe Castro (on 1954-01-18) and Russ Freeman (pianist) (on 1954-01-18)
reeds:
Chuck Gentry (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
I Should Care (on 1954-01-18)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
2:10
5It Could Happen to You
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18, on 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18, on 1960-04-27)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-27)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18) and Larry Bunker (on 1960-04-27)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1960-04-27)
piano:
Russ Freeman (pianist) (on 1954-01-18) and Joe Castro (on 1960-04-27)
reeds:
Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
trombone:
Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (trumpet) (on 1954-01-18), Frank Beach (trombone, trumpet) (on 1960-04-27) and Conte Candoli (on 1960-04-27)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1960-04-27)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
vocals:
June Christy (on 1954-01-18, on 1960-04-27)
conductor:
Pete Rugolo (on 1954-01-18, on 1960-04-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1960-04-27)
recording of:
It Could Happen to You (on 1954-01-18)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
1:56
6A Stranger Called the Blues
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
John Graas (on 1954-01-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Russ Freeman (pianist) (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
A Stranger Called the Blues (on 1954-01-19)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
3:59
7I'll Take Romance
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-19)
drums (drum set):
Larry Bunker (on 1954-01-19) and Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Joe Castro (on 1954-01-19) and Russ Freeman (pianist) (on 1954-01-19)
reeds:
Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19) and Phil Stephens (bass and tuba player) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
I’ll Take Romance (on 1954-01-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
2:19
8Softly, as in a Morning Sunrise
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1954-12-29)
bass:
Joe Mondragon (on 1954-12-29)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-29)
drums (drum set):
Larry Bunker (on 1954-12-29) and Shelly Manne (US jazz drummer) (on 1954-12-29)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-12-29) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-12-29)
piano:
Joe Castro (on 1954-12-29)
reeds:
Chuck Gentry (on 1954-12-29)
tenor saxophone:
Jimmy Giuffre (on 1954-12-29)
trombone:
Milt Bernhart (on 1954-12-29), Herbie Harper (on 1954-12-29) and Frank Rosolino (on 1954-12-29)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-12-29), Conte Candoli (on 1954-12-29), Conrad Gozzo (on 1954-12-29), Ollie Mitchell (on 1954-12-29) and Shorty Rogers (trumpet) (on 1954-12-29)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-12-29), Paul Horn (on 1954-12-29) and Harry Klee (on 1954-12-29)
vocals:
June Christy (on 1954-12-29)
conductor:
Pete Rugolo (on 1954-12-29)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-12-29) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:12
9I'm Thrilled
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
recording of:
I’m Thrilled (on 1955-05-10)
writer:
Sylvia Dee (American lyricist) and Sidney Lippman (American songwriter)
2:42
10This Time the Dream's on Me
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
1:32
11The Night We Called It a Day
producer:
Lee Gillette
alto flute:
Harry Klee (on 1955-05-10) and Bud Shank (on 1955-05-10)
alto saxophone:
Bud Shank (on 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-10)
bass:
Harry Babasin (on 1955-05-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-05-10)
French horn:
Vincent DeRosa (on 1955-05-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1955-05-10)
piano:
Claude Williamson (on 1955-05-10)
tenor saxophone:
Jimmy Giuffre (on 1955-05-10)
trombone:
Milt Bernhart (on 1955-05-10), Harry Betts (on 1955-05-10) and Frank Rosolino (on 1955-05-10)
trumpet:
Maynard Ferguson (on 1955-05-10), Conrad Gozzo (on 1955-05-10) and Shorty Rogers (trumpet) (on 1955-05-10)
tuba:
Paul Sarmento (jazz tubist) (on 1955-05-10)
woodwind:
Harry Klee (on 1955-05-10)
vocals:
June Christy (on 1955-05-10)
conductor:
Pete Rugolo (on 1955-05-10)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-05-10)
4:50
12Ev'ry Time We Say Goodbye
piano:
Stan Kenton
vocals:
June Christy
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:50
13Lonely Women
piano:
Stan Kenton
vocals:
June Christy
recording of:
Lonely Woman
writer:
Benny Carter and Ray Sonin (songwriter)
5:56
14Just the Way I Am
piano:
Stan Kenton
vocals:
June Christy
3:54
15You're Mine, You!
piano:
Stan Kenton
vocals:
June Christy
recording of:
You’re Mine, You
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
3:12
16Angel Eyes
piano:
Stan Kenton
vocals:
June Christy
recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
4:21
17Come to the Party
piano:
Stan Kenton
vocals:
June Christy
recording of:
Come to the Party
3:10
18Baby, Baby All the Time
piano:
Stan Kenton
vocals:
June Christy
recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
2:22
19We Kiss in a Shadow
piano:
Stan Kenton
vocals:
June Christy
recording of:
We Kiss in a Shadow (The King and I)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
1:56
20How Long Has This Been Going On?
piano:
Stan Kenton
vocals:
June Christy
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:58
21Prelude to a Kiss
piano:
Stan Kenton
vocals:
June Christy
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:41
22Thanks for You
piano:
Stan Kenton
vocals:
June Christy
3:07
▼ CD 2: Fair and Warmer / Gone for the Day
#TitleRatingLength
1I Want to Be Happy
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
1:21
2Imagination
recording of:
Imagination
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:15
3I've Never Been in Love Before
recording of:
I’ve Never Been in Love Before
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
1:51
4Irresistible You
recording of:
Irresistible You
lyricist:
Don Raye
composer:
Gene de Paul
part of:
Broadway Rhythm (film)
2:38
5No More
3:01
6Better Luck Next Time
recording of:
Better Luck Next Time
lyricist and composer:
Irving Berlin (in 1947)
part of:
Easter Parade (full musical)
1:44
7Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
1:55
8When Sunny Gets Blue
recording of:
When Sunny Gets Blue
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
9The Best Thing for You
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
2:15
10Beware My Heart
recording of:
Beware My Heart
writer:
Sam Coslow
3:13
11I Know Why (And So Do You)
recording of:
I Know Why (and So Do You)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
2:12
12It's Always You
recording of:
It’s Always You
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:52
13It's So Peaceful in the Country
recording of:
It’s So Peaceful in the Country
lyricist and composer:
Alec Wilder
4:20
14When the Sun Comes Out
recording of:
When the Sun Comes Out
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
3:09
15It's a Most Unusual Day
recording of:
It’s a Most Unusual Day
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
medley of:
En högst förunderlig dag
2:23
16Interlude
4:43
17Love Turns Winter to Spring
recording of:
Love Turns Winter to Spring (in 1957)
writer:
Matt Dennis (American singer, pianist, band leader) and Frank Killduff
3:31
18When You Awake
recording of:
When You Awake
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
2:28
19Lazy Afternoon
recording of:
Lazy Afternoon (The Golden Apple, 1954)
lyricist:
John Latouche
composer:
Jerome Moross (composer and conductor)
publisher:
Chappell & Co., Inc. (USA) and Sony/ATV Tunes LLC
part of:
The Golden Apple (musical)
3:17
20When the World Was Young
recording of:
When the World Was Young
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
4:35
21Gone for the Day
recording of:
Gone for the Day
writer:
Bob Cooper (US jazz saxophonist) and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:02
22Lost in a Summer Night
recording of:
Lost in a Summer Night
4:11
23Give Me the Simple Life
recording of:
Give Me the Simple Life
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:17
24(Loves Got Me in a) Lazy Mood
2:26
▼ CD 3: June's Got a Rhythm / The Song Is June!
#TitleRatingLength
1Rock Me to Sleep
recording of:
Rock Me to Sleep
writer:
Benny Carter and Paul Vandervoort II
2:22
2Gypsy in My Soul
3:14
3I'm Glad There Is You
cover recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:41
4They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:42
5It Don't Mean a Thing
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:54
6My One and Only Love
recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
2:45
7When Lights Are Low
recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co.
2:54
8I Can Make You Love Me (If You Let Me)
recording of:
I Can Make You Love Me (If You Let Me)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Peter de Rose
3:32
9Easy Living
4:14
10Blue Moon
3:11
11All God's Chillun Got Rhythm
recording of:
All God’s Chillun Got Rhythm
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
2:14
12Spring Can Really Hang You Up the Most
recording of:
Spring Can Really Hang You Up the Most
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
4:17
13The One I Love (Belongs to Someone Else)
recording of:
The One I Love (Belongs to Somebody Else)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild and Milton Weil Music Co. (on 1924-01-07)
2:03
14Nobody's Heart
recording of:
Nobody’s Heart (Belongs to Me)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
4:10
15My Shining Hour
recording of:
My Shining Hour (The Sky’s the Limit)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
1:49
16I Remember You
recording of:
I Remember You (in 1958)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
2:59
17Night Time Was My Mother
recording of:
Night Time Was My Mother
writer:
Arnold Miller and Connie Pearce
2:59
18I Wished on the Moon
recording of:
I Wished on the Moon
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:22
19The Song Is You
recording of:
The Song Is You
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:22
20As Long as I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
2:03
21Saturday's Children
2:56
▼ CD 4: Ballads for Night People / Off Beat
#TitleRatingLength
1Bewitched, Bothered and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1959)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:56
2Night People
3:21
3Do Nothing Till You Hear From Me
recording of:
Do Nothin’ Till You Hear From Me (in 1959)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:07
4I Had a Little Sorrow
3:51
5I'm in Love
2:45
6Shadow Women
3:14
7Kissing Bug
recording of:
Kissing Bug
writer:
Billy Sherrill (US songwriter/producer/arranger), Reginald Stewart and Billy Strayhorn
2:42
8My Ship
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (in 1959)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
4:00
9Don't Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (in 1959)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
2:59
10Make Love to Me
recording of:
Make Love to Me (in 1959)
writer:
Kim Gannon, Paul Mann (German/American pianist and composer) and Stephan Weiss
3:08
11Remind Me
recording of:
Remind Me (on 1960-08-18)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1940)
composer:
Jerome Kern (in 1940)
4:51
12Out of This World
recording of:
Out of This World
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:15
13You Wear Love So Well
3:33
14Off Beat
2:59
15The Bad and the Beautiful
recording of:
The Bad and the Beautiful
lyricist:
Dory Previn
writer:
David Raksin
composer:
David Raksin (in 1952)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:21
16Who Cares About April
recording of:
Who Cares About April?
4:11
17You Say You Care
recording of:
You Say You Care (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
2:52
18Out of the Shadows
4:30
19A Sleepin' Bee
recording of:
A Sleepin’ Bee (House of Flowers)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
2:13
20Somewhere If Not in Heaven
recording of:
Somewhere If Not in Heaven
writer:
Kenny Burrell
3:47