Tracklist

Medium 2
# Title Artist Rating Length
1 Brandenburg Concerto No. 5, I
Johann Sebastian Bach 9:49
2 Orchestral Suite No. 3 in D, Air
Johann Sebastian Bach 4:50
3 Orchestral Suite No. 3 in D, Gavotte
Johann Sebastian Bach 3:19
4 Orchestral Suite No. 3 in D, Bourree
Johann Sebastian Bach 1:16
5 Rodelinda, "Massime cosi indegne," "Tirannia"
Georg Friedrich Händel 3:57
6 Messiah, "There were shepherds," "Glory to God"
Georg Friedrich Händel 3:35
7 Messiah, "Hallelujah!"
Georg Friedrich Händel 4:00
8 Christmas Oratorio, "Wie soll ich dich empfangen"
Johann Sebastian Bach 1:21
9 Christmas Oratorio, "Nun seid ihr wohl gerochen"
Johann Sebastian Bach 3:20
10 Chorale Prelude, "Herzlich tut mich verlangen"
Johann Sebastian Bach 2:24
11 Menuetto
Antonio Salieri 3:44
12 String Quartet in D (The Lark), Op.64 No.5, III
Joseph Haydn 3:14
13 Don Giovanni Overture (concert ending)
Wolfgang Amadeus Mozart 6:30
14 Piano Concerto No. 17 in G, K. 453, III
Wolfgang Amadeus Mozart 8:12
15 Symphony No. 88 in G, IV
Joseph Haydn 4:08
16 Symphony No. 40 in G minor, K. 550: I. Allegro molto
Wolfgang Amadeus Mozart 8:13
17 String Quartet in D (The Lark), Op.64 No. 5, IV
Joseph Haydn 2:09

Credits

Medium 2

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (tracks 8–9)
premiered in:
Leipzig, Sachsen, Germany (1734-12-25) (track 8)
violin:
Simon Standage (track 1)
harpsichord:
Trevor Pinnock (1982-05) (track 1)
transverse flute:
Lisa Beznosiuk (track 1)
composer:
Johann Sebastian Bach (tracks 1, 8–10)
Johann Sebastian Bach (1730) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1784) (track 14)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-07-25) (track 16)
conductor:
Trevor Pinnock (1982-05) (track 1)
lyricist:
Paul Gerhardt (17th century hymn writer) (track 9)
orchestra:
The English Concert (1982-05) (track 1)
recorded at:
Henry Wood Hall (London) in London, England, United Kingdom (1982) (track 1)
part of:
Breikopf 389 Choralgesänge (number: 165) (track 9)
Bach-Werke-Verzeichnis (number: BWV 727) (track 10)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (catch-all for arrangements) (track 1)
Herzlich tut mich verlangen, BWV 727 (catch-all for arrangements) (track 10)
Herzlich tut mich verlangen, BWV 727 (for piano, Reger) (track 10)
Herzlich tut mich verlangen, BWV 727 (for piano, Walton) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Solo Amore (track 2)
Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto (catch-all for arrangements) (track 16)
is based on:
is the basis for:
Bach Aire (track 2)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
Herzlich tut mich verlangen, BWV 727 (orchestrated by E. Leinsdorf) (track 10)
part of:
Symphony no. 40 in G minor, K. 550 "Great" (2nd version) (movement) (track 16)
recording of:
referred to in medleys:
Hooked on Romance (track 2)
version of: